Sentences with phrase «backlist books if»

You can help prove the most critical assumption — that FaceBook marketing can drive sales for full price backlist books if it is done consistently and well (more about that if your books qualify).

NO BACKLIST: A publisher can backlist your book if your sales are inadequate, which means your book is no longer available for purchase.

Not exact matches

Granted this was for a book originally e-published, but I hear, all the time, of people taking their backlists, scanning them in (if they are out of print) and voila.

If your books fit the testing criteria, you could have a marketing team promote your backlist series every week for 4 months, so you don't have to.

If you are marketing a book, you need to understand how book marketing strategy is different for new titles («frontlist») versus those that have been on the market for awhile («backlist»).

My opinion may change as all the industry shifts, but as of right now, the only way I'd buy a self - pubbed book is if I knew the person or if they were previously a traditionally pubbed author whose re-issuing their backlist.

If I like your book I may glom onto your backlist, if I don't, at least I don't resent you for making me use my scarce book - buying dollars on your (to me) sub-par producIf I like your book I may glom onto your backlist, if I don't, at least I don't resent you for making me use my scarce book - buying dollars on your (to me) sub-par producif I don't, at least I don't resent you for making me use my scarce book - buying dollars on your (to me) sub-par product.

Another factor any author self - publishing has to consider is the likelihood of success, which is much greater if the books are backlist (have some fame in the marketplace) or even if just the author has been previously published.

Check out these Nine books if you've already blown through Debbie's extensive backlist, including her new release,... Read More

But if I'd had a better presentation at the end of the book, it might have led to more backlist sales as a result.

There's a lot of talk about how there's more competition in the Kindle Store and elsewhere these days — more independent authors publishing and also more Big 6 backlist books being put out in ebook form, but if you can cultivate a fan base that enjoys your work and will try a lot of what you write, then you can do this for a living, providing you're able to publish regularly and keep getting more stuff out there for readers to consume.

Or... what if hybrid authors appear to be doing better because they had a backlist of books that they were able to prepare for self - pub quickly?

If you have any questions for the Caveman Author about his backlist or pre-historic book marketing practices, leave it in the comments below.

They will try and will buy a lot of books, probably zoom through backlists if they find something they like.

The latest Author Earnings report demonstrates the earning potential of the backlist, so writing more great books should always be the focus if longevity in this market is your goal.

New titles are the fuel that keep your backlist sales going and, once you stop writing, even if you're a bestselling author now, your books will soon go out of print.

If my indie published backlist book does well and I make this money back, it would be worth going the indie route again for original works.

Promoting and sharing the book with those who can benefit will be a lifelong process for me, if I'm fortunate enough to have a book on backlist (i.e. one that gets re-printed year - after - year).

If you are a debut author, while we welcome you to send us a query, we do think it would be better in the pursuit of selling your subrights if you had a few books in your backlisIf you are a debut author, while we welcome you to send us a query, we do think it would be better in the pursuit of selling your subrights if you had a few books in your backlisif you had a few books in your backlist.

Overall, after analyzing what I've learned, I personally feel that ISBNs are a good investment if you plan on building a long - term, widespread writing career with a large backlist of books.

I've been watching the backlists to try to determine if increased sales of one book boosts the sales of others.

When that went well, some of my author friends asked if we would do the same with their backlist books, and our catalog really started to grow.

A large backlist does help; if I had just one book available my earnings would be small indeed.

Based on my own experiences and those of other authors, I believe that the ideal Kindle Store price for many backlist titles is in the $ 2.99 to $ 4.99 range, and that most such titles, if they are quality books with a little bit of marketing effort behind them are likely to sell roughly twice as many copies if they are reduced from $ 9.99 to $ 4.99 or roughly three times as many if they are reduced from $ 9.99 to $ 2.99.

It makes sense to me that for the first print run publishers stick largely with the current model but use POD on the backlist; that could have tremendous benefits to author and pub house both if done correctly (not to mention readers, who'd be able to order older books by a favourite writer and not face the flipping frustrating «out of print» or «no stock available» options.

This means that if a listener enjoys one book, and can't find the author's backlist in audio, they may go find it in print or ebook.

By the way, every new book you publish also boosts sales of your backlist, if you mention the backlist in your marketing (but give it less prominence).

I have seen CreateSpace books on the shelf at Barnes and Noble, and while I doubt they stock a lot of them (yet) they can be ordered as easily if not more easily (probably more) as any other backlist title.

What if you could relaunch those books, turning your backlist into a great source of income?

It's frustrating... I guess the hope is that good books eventually find their readers... even if it's down the road and a new book triggers interest in the backlist.

If you have several books under your belt but aren't sure you're ready to be an «authorpreneur,» is it better to keep focusing on your craft, or on digitizing and promoting your backlist?

And I turned a bit more pro that day when I realized that the size of your backlist is one of the biggest things in terms of that sustainable income because then, hey, even if each of your books only sells 10 books a month you're doing really, really well.

Keep in mind that pricing high and then lowering the price over time might harm your numbers as well... say you release at $ 12.99, then drop to $ 9.99 after 6 months, then $ 6.99 after two years, and eventually down to $ 3.99 for backlist... sure, if I am that eager for the book and I really like what you do then I'll put down the $ 12.99... but if not, why would I buy at $ 9.99 either?

If John D. MacDonald's backlist was priced at $ 3.99 each, I'd buy all 20 + books he wrote.

If your book doesn't move, it can disappear forever into the black hole of the publisher's backlist catalog.

Imagine how much money we would all save on shipping alone if we could print backlist and print - on - demand books via the EBM?

As with the 1 -2-3 phase, your website can be a major vehicle for selling your book (and your backlist, if you have one).

If I buy one book from an author, I can immediately buy her backlist, without time to think about how much money I'm spending.