Sentences with phrase «backs of painting become»

Not exact matches

Tolstoy, for instance, is an epic writer, whose books overflow with physical details and frequently threaten to overflow their own narrative structures and become as vast and as inconclusive as life itself, while Dostoevsky is a dramatic writer, whose books are full of fraught and urgent voices, at times almost disembodied, trapped in situations of immediate and pressing crisis, and surrounded by a physical world usually having no more substance than a collection of painted canvasses or pasteboard silhouettes at the back of the stage.

The quiet girl from Brooklyn refused to go back to the projects — being raised by her selfish aunt her whole life was the push she needed to run far away and never return.According to Ms. Hudson, actions have always spoken louder than words, so when a blast from the past resurfaces and refuses to take «no» for an answer, Nia decides to give him one hour of her time.Surprisingly, one hour turns into a week, a week transpires into months and before she knows it, the two have become a couple.Together, East and Nia don't paint the perfect - picture — they have nothing in common, and in fact, he's the complete opposite of everything she stands for.Dangerous, thr...

Hostels are always a go - to for young travelers trying to cut back on trip expenditures, but now that Airbnb is becoming more popular (you can even rent out one of the Painted Ladies!)

Then tour will visit Batuan Village is traditional Balinese village and now become center of Fine Art, in here you will see lot some of Fine art gallery, is amazing place for see the traditional Balinese Painting, after finish visit Batuan village, we directly back to your hotel by bring an amazing experience and great memory during Bali Elephant Ride and Kintamani Volcano Tour.

I understand it's Sensui's job to paint the 360's situation in Japan in the brightest light possible, and hitting on the fact that the 360 has a strong JRPG backing is apt, but as it stands the platform has nearly zero chance to become a player of any significance in the region.This isn't really any fault of the platform or Microsoft, seeing as the company has gone to great lengths in promoting the system and has gotten a surprising amount of Japanese development backing.

Those who felt that abstraction was the highest form of painting believed that Humphrey had taken a step back, had become, in that regard, like Philip Guston.

In the book accompanying «Painting Paintings,» Reed recounts how he became dissatisfied with this particular canvas, which his «friends, colleagues, supporters» urged him to have removed from the show in favor of a different Brushstroke painting, and how he destroyed it after it came back from the Whitney, a decision he regrets because he now thinks that it may have been his «strongest statement» from thPainting Paintings,» Reed recounts how he became dissatisfied with this particular canvas, which his «friends, colleagues, supporters» urged him to have removed from the show in favor of a different Brushstroke painting, and how he destroyed it after it came back from the Whitney, a decision he regrets because he now thinks that it may have been his «strongest statement» from thpainting, and how he destroyed it after it came back from the Whitney, a decision he regrets because he now thinks that it may have been his «strongest statement» from that time.

Appropriately enough, Moyer had first become interested in the formal qualities of moving blankets — their off - kilter color combinations, the patterns of their stitching — while assisting the artist Mika Tajima, who at the time had taken to displaying paintings in the kind of wooden storage racks typically found in a gallery's back room.

Its scenes are pictorial, sometimes imitating paintings themselves, and at times digital versions of old paintings become video and change colors, fading and coming back to life.

MG I was thinking more of how he double exposed film, and then not only overlayed images but sometimes treated the polyester in such a way that it became a transparent fabric on which he could paint both back and front.

Painting Expanded, Tanya Bonakdar, New York, NY Back Room, UNTITLED, New York, NY Sean Bluechel, Anne - Lise Coste, N. Dash, Nicole Klagsbrun Project Space, New York, NY Common Love; Aesthetics of Becoming, Wallach Gallery, New York, NY Prolonged Engagement, Elizabeth Foundation for the Arts, New York, NY In Absentia, Pace University Gallery, New York, NY

Elizabeth Osborne's paintings have become more radically abstract in the last decade, but one can trace the thick, elongated brushstrokes back to the views of Arizona, Maine, and Maryland from the late 1990s and early 2000s.

We follow the brush marks to try to trace back the making process, to analyse the sequence of colours and lines, but it is when we move away from this analytic way of looking to one that is more intuitive and start to enjoy the play of light and colour, transparency and opacity that we become conscious of where the power of Frize's painting lies.

When it becomes necessary to handle or move a painting, avoid touching the paint surface or the back of the canvas.

Subtracting paint by rubbing out areas using a turpentine - laden cloth and then adding back paint became an important technical element, creating cloud - like areas and voluminous forms, like the orange area in the bottom left corner of «Luminous Undercurrent.»

Through the veils of layers, achieved by continuously accumulating and scraping back the paint, a figure emerges as if to suggest how the sitter itself has become enveloped and partly obscured by the energy of the paint.

Ironically, for all the radical appearance of the work, within a matter of years it had become a dominant mode of painting in San Francisco, perhaps pushing its progenitors back towards figuration, on Park's lead.

Images emerge alongside a long forgotten refrain from a childhood rhyme, «one for sorrow, two for joy...» waking more, the radio tunes to another news flash... reports of momentous and confusing times, thoughts grasped then lost as opposing forces pull back the tides... «three for a girl, four for a boy» work begins and life has other plans, they feed in, inevitably, «five for silver, six for gold» the paintings become respite and a place of healing «seven for a secret never to be told.»

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

This blend of sensual materiality and internally generated imagery goes back to Philip Guston, who developed his own practice of Abstract Expressionism in the 1970s, after it had become arid and cosmetic in color - field abstraction: an exuberant, visceral painting, based in sheer love of paint - inspired imagery, freed from the strictures of abstraction and depiction but open to both.

Blade first started painting trains back in 1972 hence earning himself the nickname King of Trains and becoming an icon of the New York City.

«It is becoming apparent that she is equal to her male peers — de Kooning, Kline and Twombly — and that her prices were kept back only by her gender,» said John Cheim, founder of Cheim & Read gallery in New York, which represents Mitchell's estate and is showing her paintings of trees through Aug. 29.

Additionally, even when he was inspired by Chinese art, notably by a trip he made to China in 1987, and became more gestural and intuitive in his application of paint, he did not accept one of the longstanding, underlying assumptions of New York - based abstraction, dating back at least to Frank Stella, which was the widely accepted belief that abstract painting could be both objective and immediately accessible.

He took these back to the studio and immediately began using them to produce ebullient abstract canvases comprising layers of paper and paint — the type of work for which he would quickly become known.

CBP Officers became suspicious when a special K - 9 team alerted to 6 large paintings that were being transported in the back of the van.

Even though the scenery paintings date back to the ancient Greeks and the Romans, after the fall of the Roman Empire nature scenes became just a backdrop for religious stories or a mere setting for human activity.

As waterlogged rivulets of paint cascade down the paper, the scene becomes a metaphor for the inarticulate feeling of remembering — of peering through time, looking back, looking inwards.

Reflective vertical bands of paint appear to brighten and become more illuminated, or darken and sink back into the canvas as the viewer changes position in relation to the painting.

As flight became more common, the experience — and mythology and imagining — of it fed back into painting, broadening painters» appetite for an movement upward and intensifying their desire to create structures that were detached from directly portraying experience and toward less nameable emotions, urges, states of being.

While plein air painting goes back further among individuals, it was with the invention of tin paint tubes and the portable «Box Easel» in the 19th century that painting en plein air, or «in the plain air» became the practice of significant numbers of artists.

There hasn't been a comprehensive history of modern painting after Pollock, mainly because after the 1980s painting became very disreputable and people didn't really want to go back and look at the whole history.

They were illuminated like stained glass, from the back, which goes back to an Abstract Expressionist idea of the painting coming alive, anthropomorphizing, to become like two eyes in a face.

I almost got bored, but was drawn back in when it became obvious that there was a clear IPCC intent seemingly supported by the scientists themselves, to paint a fraudulent picture of past temperatures by the strange structuring of the hokey - stick chart — it inferred a stable past temperature, but I knew it had been naturally oscillatory.

* 11 am National Blogger ~ Miss Mustard Seed will be doing Milk Paint demos and Q&A on how her journey becoming one of the most followed national bloggers (back by The Purple Painted Lady Barn under the BIG tent)