Obviously, there are
bad independent films and good studio films.
Not exact matches
While many
independent Christian
films have been criticized — especially by fellow Christian artists — for producing simplistic
films with
bad acting and low production standards, this is certainly not the case here.
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Director Steven Soderbergh had created a
film that is truly one of the
worst films in cinema, but he is also someone who hates Hollywood and loves the
independent Film Industry.
Demonstrates that when
independent filmmaking meets the generation that is constantly
filming, both good and
bad things can come from it.
Where «Silver Linings Playbook» triumphed at the
Independent Spirit Awards, «Twilight» stank by taking away the best of the
worst film awards at this year's Razzies.
If it was
independent, it was supposed to be good, and studio
films were
bad.
Guinevere has a sturdy
independent look, forgoing the glossy, homogenized look of The Truth About Cats and Dogs, but I was unaware that it had been shot in San Francisco until about 90 minutes into the
film, which is too
bad.
It was a very
bad year for Hollywood
films, and not much better for so - called U.S. «
independents», with Whiplash being arguably the most overrated
film of the year, totally misrepresenting both jazz music and jazz education, while typifying in its Hollywood - ending what is wrong with Sundance existing as a professional calling - card festival.
Not
bad for an
independent film at a time when so many multiplex consuming blockbusters are being released.
Zhao's feature about a
badly - injured cowboy, played by real - life cowboy Brady Jandreau, was nominated for four
Independent Spirit Awards, and has played dozens of
film festivals since its Cannes debut.
Baker captures the joy, the anguish, the good times and
bad, making a stunningly emotional mosaic that just this morning became a nominee for the first major award ceremony of the year, the
independent film - centered Gotham Awards.
If you're looking for a new
independent film, you could easily do much better or a lot
worse than this one.
It's Tarantino's eighth movie and his
worst by a widescreen, a boring, self - indulgent mess that squanders a big chunk of the goodwill he's built up with cinephiles by shooting on
film and supporting
independent theaters.
The first
film at least bested the latter - day Bond movies in plastic spy - movie pleasures — spiffy gadgets, goofy
bad guys, over-compensating production design — and had a more or less consistent narrative, with working - class English delinquent Gary «Eggsy» Unwin (Taron Egerton) learning to become an agent of Kingsman, a shadowy «
independent» intelligence agency disguised as a Savile Row tailor shop, under the tutelage of gentleman spy Harry Hart (Colin Firth).