For Horner's «Jade», the rumor is is purposefully wrote
a bad score for the film; if that's a BAD score, then what the hell is The Winter Soldier?
Not exact matches
The
film scores extra points
for finally showing us how monstrously
bad ass Darth Vader really is when he cuts loose.
As a side note, this is the
worst score I have ever heard in a Hollywood
film, and I'm not trying
for hyperbole.
Wonder Woman Rated PG - 13
for sequences of violence and action, and some suggestive content Rotten Tomatoes
Score: 92 % After her first appearance in the rather lousy Batman v Superman: Dawn of Justice, I was worried that this
film would be equally
bad.
Enter Jane Chase (Shue, playing a character apparently named after Tarzan's commonlaw wife and
for her function in the
film's second half), a student at the college where Dr. Phillip teaches who's there through some kind of ill - fated scholarship program rewarding legendarily
bad test
scores.
Re-teaming with Nick Cave, who was also behind the script
for Hillcoat's debut «Ghosts... of the Civil Dead,» the story takes on the mythic qualities of some of Cave's best work, helped in no small part by his
score with fellow
Bad Seed Warren Ellis — probably our favorite of the musician's
film work.
Most will view it with a jaded eye because of his other works, but others will respect the daring (although over-the-top at times dialogue), the «purist»
filming of the project in Ultra Panavision 70 (a format that hasn't been employed in some 50 years) and the respectful hiring of Ennio Morricone, the man whose most famous
score for the iconic «The Good, the
Bad and the Ugly» is now synonymous with the western.
Scored to Joan Jett's «
Bad Reputation», it's also another example of the
film's flawless music choices, which include superb use of Sparks» «This Town Ain't Big Enough
for the Both of Us», and Gnarls Barkley's «Crazy».
Bad Santa is directed by Terry Zwigoff, who has
scored two acclaimed cult comedies in a row, Crumb and Ghost World, and there's probably a cult audience
for this
film as well, although I suspect it's a much different audience
for much different reasons.
I'm really unsure whether or not people will feel that this sequel is better or
worse than the first
film, but I'm
scoring it less
for the simple reason of tedium induced by the combined ill - spirited momentum of both
films.
The Forgotten is a fairly
bad idea
for a
film, only made better by two very strong factors: Julianne Moore's gut - wrenching portrayal and the solid
score by James Horner (Aliens, Apollo 13), who gives every scene the right sense of foreboding required to achieve edge - of - your - seat chills.