«Slo - mo» creates a plot device that allows for impressive cinematography, making a
bullet ripping open someone's face look more like a
ballet than a crime.
Soon enough, though, Quentin Tarantino nudges the master aside as Wheatley's chief influence in a film that turns out to be little more
than a clever stunt, a one - room
bullet ballet that plays like «The Hateful Eight» with few - ah ahs.