Sentences with phrase «balls on work surface»

Shape dough into 1 / 4 - cup balls on work surface dusted with tapioca starch.

Place dough balls on work surface, cover with a damp towel and leave for 10 minutes.

Shape dough into 1 / 4 - cup balls on work surface dusted with tapioca starch.

Roll the ball on a work surface in a circular motion until seamless.

Not exact matches

Place one ball on a lightly floured work surface and cover the other three.

If your work surface doesn't have any flour left on it, give it a light dusting, then set the ball of dough back on it.

Scoop out a large tablespoon of batter roll it into a ball then pat it flat on your floured surface and roll it out to a 1/4 inch thick round with your rolling pin (sorry folks, I have no photos of process other the top one) making sure the lefse doesn't stick to the rolling pin or work surface (I carefully use a bench scraper to lift it from my marble to the skillet).

On impeccably clean unfloured work surface, mash the ball of dough into a 5 - inch disk and cut it into six wedges.

To Assemble On a lightly floured work surface, roll one dough ball out.

Using wet hands, divide the dough into 4 equal - sized balls; on a clean, dry work surface, carefully flatten into 1/4 - inch - thick rounds.

Place baking sheet next to dough work surface and place dough ball on sheet.

Working with one ball at a time, roll the dough out on a lightly floured surface with a lightly floured rolling pin.

Stretch and roll each dough ball to 9 - inch round on lightly floured work surface.

When that was done, after about 45 minutes, I took the dough out of the bowl, cut it in four pieces, formed a ball of each piece, and rolled them with a rolling pin on a well - floured working surface.

On a lightly floured work surface, turn out the dough, divide it into eight even segments, and roll them into balls.

If you're not familiar with one just yet, think about using it to spread batter evenly in a pan for bar cookies, lift cut - out cookie dough from your work surface onto a baking sheet, move baked cookies onto a cooling rack or gently flatten balls of unbaked dough on a baking sheet.

Place dough on a floured work surface and knead until a ball of dough with even distribution of ingredients forms.

On a clean work surface, form the dough into a ball, wrap in plastic and set in the fridge for 1 hour or overnight.

For pita: Roll each dough ball to about a 1/4 - inch thickness (about the size of a hockey puck) with a floured rolling pin on a floured work surface.

After the 10 minutes, place the dough ball on a well - floured work surface.

Working on a lightly floured work surface, take one dough ball and, using either a rolling pin or your hands, spread the dough out gently into the shape of a square, or something close to it.

Working with 1 ball of dough at a time and keeping remaining dough covered while you work, roll out dough on a lightly floured surface into 10» rounds.

If dough has been chilled, transfer a ball to work surface and let stand until still cool but not cold (it should register about 60 ° on an instant - read thermometer).

Using your hands, on a floured surface, form the dough into a ball and work the additional 1/2 cup flour into the dough if needed.

Working with 1 dough ball at a time, dust dough generously with flour and place on a floured work surface.

Take it out on the working surface, dust it with flour, turn it dusted side down, fold it over itself and shape a ball.

You can lightly dust your work surface with flour but do not use too much or it will be very hard to shape them because the ball will slide around on the flour.

On a lightly oiled work surface or sheet pan, press 1 dough ball into a thin, roughly shaped, 10 - inch round.

The research builds on the team's previous work with a technique called three - dimensional culture, which involves incubating stem cells in a floating ball - shaped aggregate, unlike traditional cell culture in which cells grow in a flat layer on the surface of a culture dish.

BOSU Balance Trainer: This half - sphere ball has a flat surface that tips and wobbles when you stand on it, forcing your core to work harder to remain upright.

Working on a ball creates an unstable surface and causes more core engagement during the exercise to maintain balance and form.

Yoga and Pilates practitioners find these balls a safe, reliable means to increase the effectiveness of their core strengthening routines because they are working on an unstable surface.

PEOPLE (BALL) Walk in a world of hard surfaces Get on your hands and knees have a wander DO N'T move from your space have a hedgehog with wobbly DO teleport Have a have not have not Tumors grow on bread, or On the rise of the knowledge worker There may not be tumors after all Mr. Drucker's basic description still holds: Your train's on time Get to work by ninon your hands and knees have a wander DO N'T move from your space have a hedgehog with wobbly DO teleport Have a have not have not Tumors grow on bread, or On the rise of the knowledge worker There may not be tumors after all Mr. Drucker's basic description still holds: Your train's on time Get to work by ninon bread, or On the rise of the knowledge worker There may not be tumors after all Mr. Drucker's basic description still holds: Your train's on time Get to work by ninOn the rise of the knowledge worker There may not be tumors after all Mr. Drucker's basic description still holds: Your train's on time Get to work by ninon time Get to work by nine.

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK