Elements of the work include wall text around war, imperialism, and democracy, historical footage of US militarization contrasted with the ruins of contemporary bases, forms of labor and production in the industries of mining, fishing, and
banana plantation interspersed with interviews with workers, and a lush, dreamlike, and perpetually dissolving set of landscapes set against some of Dizon's own reflections on life, death, land, return and passage.
Here's what that looks like in practice for an orange
plantation: Instead of trying to maintain neat rows with orange tree after orange tree, Milz would regularly
intersperse shade - tolerant
banana trees.