The act of self reflection and the study of others can be fraught, humourous and enlightening, whilst also revealing artistic processes and modes of philosophical address, laid
bare in the work of art.
Not exact matches
Both the yearnings
of Malevich's Slavic soul and the deductions
of Duchamp's rationalist mind led both men ultimately to reject and exclude from their
work many
of the most cherished premises
of Western
art in favor
of an
art stripped to its
bare, irreducible minimum.
If you study the history
of women and spending trends you will notice that women have always been the dominate spenders, before women independence they spent the majority
of the man's pay checks on the house, the car, the remodeling, the stove, the washer / dryer combo, the bedroom set, the bed, the couch, the dining room table, i would bet money that the woman was the driving force
in each discussion, because
in most cases the men decide if it
works why fix it, and when translated to
art, less men will look at a
bare wall and decide that it needs
art covering it.
The Museum
of Modern
Art in New York holds one
of his most beautifully subtle
works, «Winter Scene,» a grayish field
of bare trees.
In the catalogue for his 1978 Arts Council, Hayward Gallery exhibition, an art critic wrote: «in spite of the excessive piling on of paint, the effect of these works on the mind is of images recovered and reconceived in the barest and most particular light, the same light that seems to glow through the late, great, thin Turners... an unpremeditated manifestation arising from the constant application of true draughtsmanship.&raqu
In the catalogue for his 1978
Arts Council, Hayward Gallery exhibition, an
art critic wrote: «
in spite of the excessive piling on of paint, the effect of these works on the mind is of images recovered and reconceived in the barest and most particular light, the same light that seems to glow through the late, great, thin Turners... an unpremeditated manifestation arising from the constant application of true draughtsmanship.&raqu
in spite
of the excessive piling on
of paint, the effect
of these
works on the mind is
of images recovered and reconceived
in the barest and most particular light, the same light that seems to glow through the late, great, thin Turners... an unpremeditated manifestation arising from the constant application of true draughtsmanship.&raqu
in the
barest and most particular light, the same light that seems to glow through the late, great, thin Turners... an unpremeditated manifestation arising from the constant application
of true draughtsmanship.»
When a show
of Thomas's
work was held at Esther Stuttman Gallery, New York,
in 1960, Donald Judd reviewed it for
Arts Magazine, writing, «Wide brush strokes and sweeps
of color glissade to the plane
of the
bare canvas.
Laid
bare is what the museum typically tries its hardest to conceal from us as viewers — its own hand
in the production
of aura and symbolic value around
works of art.