Sentences with phrase «based conceptual practice»
Making art from words, or introducing and making words into art, are the two polarities of text - based Conceptual practice.
http://www.sfu.ca/ Not exact matches
At earlier grades, Common Core has students practicing until fluent various «non-standard» approaches, typically based on place value, with the goal of teaching conceptual knowledge.
In this role, Cushing supports the conceptual design and implementation of the Center's technical assistance, works with Regional Comprehensive Centers and State Education Agency stakeholders on topics related to career and technical education, and leads the development and facilitation of training modules that connect state and local policies with research - based and / or emerging practices from the field.
Recognizing that building a strong conceptual foundation was necessary to increase grade 6 math proficiency, the district focused its efforts two years earlier — on grade 4 math — adopting research - based practices and increasing opportunities for deeper learning that align with the districts vision for personalized, adaptive instruction.
In this role, Ellen supports the conceptual design and implementation of the Center's technical assistance, works with Regional Comprehensive Centers and State Education Agency stakeholders on topics related to career and technical education, and leads the development and facilitation of training modules that connect state and local policies with research - based and / or emerging practices from the field.
Danh Vo's conceptual, installation - based practice dissects the cultural forces and private desires that shape our experience of the world.
Oakland artist Amy Ho has a practice based in conceptual spaces, building maquettes to stage photographs of imaginary architectural sites.
The Mexico - City - based conceptual artist Minerva Cuevas explores the ways in which seemingly banal items like fruit, chocolate, and water reflect the practices and ideology of global capitalism.
He candidly voiced the angst of striving to sustain a hermetic studio - based existence, of imbuing painting with conceptual and metaphysical validity, of being stuck with oneself and one's compulsive behaviors, and of constantly seeking the means to short - circuiting one's predilections in pursuit of an innovative artistic practice that retains urgency for both practitioner and viewer.
This is often considered to be the unofficial credo firmly standing behind the conceptual basis of all the varied Stella's art making practices.
Ordinary Pictures Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture - based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production.
Julian Schnabel (b. 1951) emerged as a painter around 1980 and ushered in, almost single handedly, a return from the minimal and conceptual art practices of the 1970s to image - based art that defined the 1980s art world and continues to this day.
Naida Osline is a Los Angeles - based artist who combines and manipulates images sourced from both analog and digital processes, in which she blends conceptual and documentary photographic practices with an abiding interest in the transformative, mythical, and ethereal nature of existence.
The New Delhi - based conceptual artist discusses the role of the environment in her practice, as well...
Miller studied at California Institute of the Arts in the late 1970s, during the heyday of conceptual and language - based artistic practice and instruction.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.
Along the way, learn about the curator's unorthodox approach to exhibition - making, based in his own practice of conceptual collage and assemblage.
A Mexico City — based conceptual artist, Minerva Cuevas is known for her research - oriented social practice that engages with pressing political and economic issues and the lives of everyday people.
They represented several generations of Chicago - based artists who apply activist intentions, conceptual strategies, and experimental artistic approaches to complex social issues; they epitomize a larger «critical mass» of peers who have sustained and invigorated this kind of critical art practice in Chicago.
Stepping aside from performance as a medium and the performative act of production, best characterised by Mota's studio - based compositions, her recent exhibition at the gallery, marks a major shift in the practice of the artist, materialising a new form of sculptural animism and a new agency, while shifting the instrumentalization of the performative into a series of coincidental and strictly conceptual acts.
And, while painting has certainly been subject to a reappraisal during the last few decades as postmodern theory, conceptual and time - based art practices have challenged the primacy of painting and increasingly advocated for the dematerialization of the traditional art object, the tenets and practice of painting far from disappearing or being weakened by this realignment, have indeed emerged revitalized and re-imagined in the hand of many a creative practioner.
In the early 1970s the New York — based group Experiments in Art and Technology (E.A.T.) put together a collection of some of the most important American art of the 1960s, including Pop, Minimal, and Conceptual practices, with the aim of donating it to a public museum.
This piece considers the intersection of abstraction and representation and the conceptual underpinnings of an object - based studio practice.
Its mission is to bring a diverse theoretical and conceptual base to artistic, social and political practices via archiving, translation, re-publication, re-exposure, re-distribution and re-discussion.
Using geography and a site - based practice, he works with sound, video, and installation to draw conceptual lines between sites, exploring the relationships of people to place.
Lorna Simpson is a New York - based photographer and multimedia artist whose practice examines documentary photography from a conceptual perspective.
Martha Wilson's practice, for example, includes photo - text works and conceptual performance art in which gender - based roles and identities are explored, as she dresses in and assumes the identities of stereotypical feminine archetypes and also takes on male personas.
Her artistic practice is based on conceptual ideas and relates in its critical analyses of media and society to her distinctly European perspective.
Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.
Her art practice centres around BUSH gallery, a site of land - based experimental and conceptual Indigenous art futurity.
Resonating with early conceptual art practices and John Cage's aleatoric music, Keith Tyson's Fractal Dice sculptures begin as cubes but transform as the artist rolls a die, altering the sculpture's appearance based on prescribed parameters corresponding to each number on the die.
A leading conceptual artist, Cildo Campos Meireles's practice is situated between the Brazilian Neo-concrete movement, which advocated greater sensuality and color in art and a more conceptually based approach.
Niven, a Scottish artist now based out of Vancouver, has developed a practice which emerges slightly outside of, yet in dialogue with established conceptual frameworks.
«Site - specific» «Dialogue - based collaborative art practice» «Dialogical artwork» «Activism» «Street Art» «Conceptual art» «Public Art» «Interdisciplinary practice» «Process - led research» «Temporary situations» «Responsive» «Social justice through art» «Intergeneration practice» «Interdisciplinary practice» «Installation art» «Performative»
Using their social and personal identities they have twisted the previous generation's resistance and conceptual based practice into something beyond merely protest conceptualism, embracing both materiality and humour.
During her twelve years of service, Lapcek was instrumental in Skowhegan's transition from a program primarily focused on painting and sculpture to one in which conceptual, performance, and technology - based practices were embraced and nurtured.
She is currently working on the final manuscript for her book The Benefit of the Doubt: Regarding the Photographic Conditions of Conceptual Art, 1966 - 1973, and editing a volume on the critical conjunction between conceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic PractiConceptual Art, 1966 - 1973, and editing a volume on the critical conjunction between conceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic Practiconceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic PractiConceptual Art as Comedic Practice.»
It is the first time that there will be an intergenerational and international dialogue between two important black female conceptual artists with performance - based practices.
Colorado - based Nengudi is a conceptual and performance artist whose practice examines race, gender, culture and spirituality, often utilizing tights and pantyhose.
Albert Samreth (Born in 1987, Los Angeles, USA) is an emerging conceptual artist who has developed a studio practice based around engaging with natural and systematic processes.
Featuring works by some 30 artists, Ordinary Pictures surveys a range of conceptual image - based practices since the 1960s through the lens of the stock photograph, an under - researched yet pervasive aspect of our visual culture.
Albert Samreth is an emerging conceptual artist who has developed a studio practice based around engaging with natural and systematic processes, and was recently featured in the Singapore Biennale 2013.
The participating artists are an intergenerational group currently working with conceptual, time - based and media - orientated practices.
A significant figure in the discourse around abstract painting, conceptual art, and identity politics, Howardena Pindell has explored the potential for abstract painting and process - based practices to address social issues throughout her career.
What is certain is that Pierre Huyghe's extremely complex artistic practice is based primarily on ideas and is, in this sense, conceptual.
Los Angeles - based artists Oscar Tuazon, who often employs industrial materials in his sculptural installations, and Jennifer West, whose practice is immersed in material and conceptual explorations of film, sit down to discuss their respective work, a shared interest in DIY, and their deep roots in Seattle and the Pacific Northwest.
They are not the only artistic - types whose practice is based in social activism and regeneration - the American conceptual artist Theaster Gates is a prime mover in this sphere - but they are going about their business with impressive verve and dedication.
Damian Moppett's conceptual and studio - based practice explores a complex relationship between art and cultural history.
Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.