Sentences with phrase «based approach to painting»

A rising star in the contemporary art world, Otero is known for his process - based approach to painting, specifically his...

An important figure in the New York School, Paul Jenkins contributed to the development of abstract expressionism in New York and abroad with his intuitive, chance - based approach to painting.

Otero's process - based approach to painting and sculpture is rooted in a dedication to experimentation and discovery within both his chosen materials and the artist's own psyche.

Not exact matches

We tend to take an all - or - nothing approach when it comes to sexuality, painting with broad brushes across complex people, ignoring nuance and making up a new law, one that — let's be honest — usually puts women at risk of abuse or shame - based rhetoric.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

School of London was a term invented by artist R.B. Kitaj to describe a group of London - based artists who were pursuing forms of figurative painting in the face of avant - garde approaches in the 1970s

Continuing the Warholian reference, on show will be a series of large scale unique silkscreened portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.

These works are based on Abstract Painting (724 - 4)(1990), a key example of Richter's distinctive approach to non-representational pPainting (724 - 4)(1990), a key example of Richter's distinctive approach to non-representational paintingpainting.

Quiet, reflective and mysterious, paintings by the Brooklyn - based artist continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

For more than twenty years, Los Angeles — based artist Laura Owens has pioneered an innovative — and at times controversial — approach to painting that has made her one of the most influential artists of her generation.

Quiet, reflective and mysterious, new paintings by Brooklyn - based artist Jules de Balincourt continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

Thai born, New York based Udomsak Krisanamis» richly textured collaged paintings reflect his highly personalised approach to language.

Chronicling an abstract personal account of his relationships, studio practice, and his sense of history through a spectrum of techniques, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.

In between, we discover paintings on canvas and ink drawings of larger - than - life heads, full - length nudes, Ms. Dumas's daughter as a young child, raunchy strippers, political commentary, and more, from early experiments with a variety of conceptually based approaches to an idiosyncratic, continuing series of portraits of «Great Men.»

One of the most critically acclaimed artists of the 1970s, Jennifer Bartlett developed a signature grid - based approach to creating monumental modular paintings — often built out of graph - paper - gridded steel - and - enamel plates that she would then compose on in enamel — that achieved The Clock - like success in the form of Rhapsody, a nearly 1,000 - plate piece that debuted at Paula Cooper in 1976.

«Mal Maison,» organized by Ashton Cooper, brings together a diverse group of artists, among them Keltie Ferris, Simone Leigh and Shinique Smith, whose approach to the portrayal of the female form draws on queer and post-colonial thought in abstract and materials - based paintings and sculptures.

This year's exhibition includes the work of 27 artists based throughout the United Kingdom and include a range of approaches to art making, such as sound, video, photography, painting, drawing, installation and sculpture.

Quiet, reflective and mysterious, new paintings by Brooklyn - based artist Jules de Balincourt continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological...

Known for his large - scale painting interventions based on vibrantly patterned Taiwanese textiles, Lin's practice has been hailed as a new approach to contemporary art and the museum through the creation of immersive and experiential environments.

With her original approach to making «video based on painting» Yuriko Sasaoka explores the interface between painting and video, by creating works that suggest «touches» similar to brushstrokes.

With Indo - Persian miniature painting forming the basis for all of her work — including her own approach to this traditional art form, as well as animation, video, photography, murals, and installation — Shahzia Sikander explores history, politics, and current events, as well as interpersonal themes.

Originally from Fort Wayne, Indiana, Los Angeles - based artist Katherine Rohrbacher approaches painting as a means to reflect upon her experiences and to examine concepts of identity.

Richard Aldrich, If I Paint Crowned I've Had It, Got Me, 2008 Oil and wax on wood, on cut linen 84 x 58 inches January 21 — May 1, 2011 Chronicling an abstract personal account of his relationships, studio practice, and his sense of history, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it -LSB-...]

She witnessed first hand painting's resurgence in the 1980s through the vibrant Köln - based art scene, where radical and experimental approaches to painting by artists such as Martin Kippenberger and Albert Oehlen began a dramatic expansion of the field.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

By late 1915, Thomson's approach to landscape painting was more imagination - based.

The phrase was coined by R.B. Kitaj to describe a group of London - based artists who pursued figurative painting in the face of avant - garde approaches in the 1970s.

The kernel of Mathew Allen's (New Zealand, 1981) reductive approach to painting is based on the experience of color and the physicality of medium.

Their abstract «synchromies,» based on an approach to painting that analogized color to music, were among the first abstract paintings in American art.

Though the painting's creation is strongly based on the methodology of approach, Jason Martin seeks validation for his work from a more poetic instinct, allowing the viewer to form associations, directed by the form, texture and colour.

WATER MILL, NY 9/11/2015 — The Parrish Art Museum has organized Jane Freilicher and Jane Wilson: Seen and Unseen, an exhibition featuring two notable figures in American art who abandoned the Abstract Expressionism of the 1950s New York art scene to fundamentally reinvent traditional landscape and still - life painting based on highly individual approaches to representation.

The Belgian artist made a name for herself with her monochrome paintings, although her ongoing relevance is based on her radically experimental engagement with color and «thinking - ahead» approach to painting in space.

This Berlin - based artist is part of a young generation that has developed fresh approaches to painting and has distinctive solutions in the geometric - abstract tradition.

Bourriaud implicitly pits object - based art practices such as abstract painting — which he associates with the notion of (failed) utopias — against what he calls «microtopia,» a provisional, DIY, relational approach to art.

Rome - based artist Giacinto Occhionero challenges conventional landscape painting through his unique approach to applying pigment to canvas.

At first glance, Paulina Olowska and Bonnie Camplin may seem to be unlikely collaborators; the former is a Polish artist who draws extensively from fashion advertising in her layered installations and realist paintings, while the later is a London - based lecturer at Goldsmiths (and another 2015 Turner Prize Nominee) who takes a deeply interdisciplinary approach to her socially - incisive ink drawings and watercolors.

Quiet, reflective and mysterious, new paintings by Brooklyn - based artist Jules de Balincourt continue an intuitive approach to image - making, where the world we inhabit is filtered through the arti...

A contemporary «image junkie», Lamsfuss» approach is based on deconstruction through reproduction and repetition, his painting bringing a halt to the relentless, headlong flood of images that marks our era.

A contemporary «image junkie», Lamsfuss» approach is based on deconstruction through reproduction and repetition, his painting bringing a halt to the relentless, headlong flood of images that mark...

Thai born, New York based artist Udomsak Krisanamis is best known for his richly textured collaged paintings which reflect his highly personalised approach to language.

Quiet, reflective and mysterious, new paintings by the Brooklyn - based artist continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

Based on a few recent exhibitions in New York, it would appear that traces of both the large and the modest variety of this hard - edge approach to painting are reappearing in a variety of forms.

If his approach to painting words has remained as consistent as has his approach to circles, then he can claim a subversive role in language - based visual art.

For more than twenty years, Los Angeles — based artist Laura Owens has pioneered an innovative approach to painting that has made her one of the most influential artists of her generation.

Speaking to Aleksandra Kowalik, a Polish lawyer based in the UK, she explains how the law does not express the most mature approach to such a situation: «1st February 2018 remains a milestone in collapsing of Polish honour and painting drew by the previous generation which fought for the free, independent and open - minded country during WWII.