Sentences with phrase «based artistic practice»

He developed a strong interest in the concept of invisible energy and shifted from object - based artistic practice to an experiential approach, seeking to combine interactive performance with sculpture and video, a transition the exhibition explores.

Internet - based artistic practice has gained ubiquity as a new generation that has emerged and that interweaves art with virtual reality.

a definitive exhibition featuring the Chicago Imagists movement of the late 60s, Hyde Park Art Center has been at the forefront of encouraging Chicago - based artistic practice.

Jury Statement Chronus Art Center's fellowship program is conceived to support and advance research based artistic practice,... continue reading CAC 2017 (Fall) Research / Creation fellowship winner announcement

NCECA encourages participation from conference host city galleries and other exhibiting venues that may not have previously engaged with ceramic arts; after the conference many participants continue to be involved in the local and global conversation about and support for a clay - based artistic practice.

Meet the Austrian artist changing the status quo of photography through an experimentation - based artistic practice and digital post-production processes.

You're invited to a public conversation between Nato Thompson, one of the foremost thought leaders on socially engaged art, and photographer Zoe Strauss, addressing the cultural processes related to community - based artistic practice.

Her process - based artistic practice could be described as being on the edge of art and design and focuses on exploring the materiality of her concept and the chosen medium, aiming to observe and articulate aspects of the human condition, identity, and the complexity of patterns that occur naturally in the world around us.

Miller studied at California Institute of the Arts in the late 1970s, during the heyday of conceptual and language - based artistic practice and instruction.

I've always loved craft - based artistic practice and I'm fortunate to have had the influence of a very creative mother and grandmother while growing up in Northern Ireland.

Nearly four decades after Lonidier exhibited his 1977 installation «The Health and Safety Game» at the Whitney, the artist continues to base his artistic practice in community organizing, and to reflect on the relevance of activism and the labor movement to the creation of art.

Surveying the artist's remarkable body of work in collage, experimental film, performance, participatory, and computer - generated art over several decades, Stan VanDerBeek: The Culture Intercom highlights the artist's pivotal contributions to today's media - based artistic practices.

Expanding upon the lineage of display - based artistic practices, Basher's work taps consumer psychology, sublimated desire and masculine gaze.

Artists Chuck Carbia, SCAD foundation studies professor, and Jaimie Warren don the alter ego as versions of iconic public figures or characters, and base their artistic practices in performance.

Woolard conceives and carries out collaborative projects by bringing systems - thinking to traditional studio - based artistic practices.

«Cosmopolis» is a new biennial platform devoted to research - based artistic practices that also reflect a renewed engagement with theories of cosmopolitanism.

Not exact matches

And, while the artistic language that once surrounded school - based practice has not been totally eliminated, mainstream educational discourse is now driven by words and phrases like accountability, achievement, school success, and recovery.

New York - based artist Frank Heath's artistic practice is catalyzed by unexpected interventions into otherwise banal scenarios.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

He candidly voiced the angst of striving to sustain a hermetic studio - based existence, of imbuing painting with conceptual and metaphysical validity, of being stuck with oneself and one's compulsive behaviors, and of constantly seeking the means to short - circuiting one's predilections in pursuit of an innovative artistic practice that retains urgency for both practitioner and viewer.

No longer separately relegated to «walking» art or «land» art, but including action - based processes, Wanderlust allows viewers to experience 50 years of artistic practices that are intertwined while highlighting diverse approaches to contemporary art.

Tracey Snelling's artistic practice is based on a profound interest in sociological, psychological and geographical occurrences.

Åsmund Thorkildsen, curator of that exhibition, gives an introduction to Sherman's artistic practice based on his in - depth knowledge of the Postmodern period in American art history.

An alum of Duke Ellington, New York - based Thomas has a robust artistic practice that explores language and images, through the lens of race, history, and identity.

Based on the practice of articulation and reinterpretation that has characterised his artistic activity, Add Fuel presents in «Something old, something new, something borrowed» a staging of an intimist nature arranged in a type of idealised and stylised domestic setting — part genuinely cosy, part openly satirical — , that suggests a narrative of decorative contours that aggregates a multiplicity of references, iconographies, and signs which, in one way or another, have contributed towards shaping his personal and artistic identity.

These workshops will contribute to promoting the discussion on environmental, cultural and social transformations through the artistic practice of photography, image - based media and texts.

Object - based art, which grew into a major twentieth - century trend and continues today, took its cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large - format photographs and analytical essays on the artists.

Martha Rosler is the first recipient of The 100K Prize, a biennial award presented to an influential, U.S. - based woman artist in honor of her exemplary artistic achievements and enduring commitment to her practice.

The curriculum is designed to create a broad - based knowledge of photography from traditional photographic techniques to the digital darkroom, including aesthetics, history, and artistic and professional practice.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

This was among the many reasons «women pioneered conceptually driven artistic practices, including text - based work, photography, film, video, and performance,» which were cheaper, more accessible, and «not burdened by the weight of the past.»

«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.

A-I-R Laboratory hosts up to 30 international artists a year and focuses on production and research based practices within the context of the residency treated as an artistic medium.

by Daelyn Farnham With only thirty years under his belt, the San Francisco based Nate Boyce balances an artistic practice that jumps between international museum tours of his experimental music and video...

The series chronicles the lives of New York - based emerging artists in the first decade of their career, and provides glimpses into their artistic practice, taking visitors into their studios and apartments, places of work and leisure.

Many gallery artists engage in practices that challenge the conventional medium - based approach to categorization, working across formal languages: highlighting collaboration, social engagement, and a commitment to artistic community and dialogue.

For this program, Kim, a Brooklyn - based contemporary artist, and Phillips, an award - winning poet and professor at Washington University in St. Louis, will continue the conversation begun between their artistic practices while engaging their multidisciplinary contributions to the Blue Black Library.

Critical Correspondence is a web - based publication of Movement Research that provides a forum for diverse engagements with artistic practice, research and the contexts that surround the field of dance.

Nigerian - born, Berlin - based Otobong Nkanga's early training in the converging traditions of live arts and performance lend a decidedly wayward, playful charge to her research - heavy artistic practice, steering her work away from the dour academicism that so often cripples art projects invested in the production and dissemination of knowledge.

This will be the artist's first fully bronze solo exhibition within Australia, and the inclusions of process - based skills associated with foundry work compliments the artists twenty - five year practice, broadening his artistic investigations into form and beauty.

In 1974 he founded, together with a group of artists, writers, film - makers, performance artists and musicians, the Laboratoire Agit» Art, whose aim was to transform the nature of artistic practice from a formalist, object - bound sensibility to practices based on experimentation and agitation, process rather than product, ephemerality rather than permanence.

The MAKER Grant Program is an annual, unrestricted award opportunity for Chicago - based contemporary visual artists who demonstrate a commitment to a sustainable artistic practice and career development.

Organized by Rhizome's Artistic Director, Michael Connor, Brushes convenes artists Laura Brothers and Andrej Ujhazy, art historian Alex Bacon, and others to explore digital painting as a practice for screen - based display and online circulation, against the backdrop of a current surge of interest in digital painting for the gallery.

In concersation with internationally acclaimed Ghanaian born, British architect Sir David Adjaye OBE, Professor Paul Goodwin, curato, Director of the resarch centre for Transnational Art, Identity and Nation [TrAIN], and current chair of Contemporary Art and Urbanism at the University of the Arts London, and moderated by Rachel Barrett, writer, curator and lecturer at the Jamaica based Edna Manley College of the Visual & Performing Arts, Thomas will discuss his artistic practice and the series of works in The Beautiful Game as well as the broader concerns of historical perspective and postcolonial, transnational legacies.

The 44 year old Romanian - born brothers, based in Cologne, Germany, work as a collaborative producing fantastical, enigmatic, otherworldly imagery, employing a diverse range of traditional and contemporary artistic practices in their woodcuts, collages, ceramic sculptures and installations.

Andrea Fraser's artistic practice includes performance - based work, video, context art, and institutional critique.

While they generate personal collections regardless of their artistic practice, they also create collections based on artistic methods.

Conrad Snider has an independent artistic practice based in Newton, Kansas.

Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

Elephant Child is a natural extension of the artistic practice of New York - based French artist Camille Henrot.