Sentences with phrase «based craft artists»

She established an International Artist Residency at Princeton University where she serves on the Advisory Council of the museum, and a fellowship for UK - based craft artists at Penland School of Crafts in North Carolina, where she serves on the board.

Not exact matches

With Internet - based crowdfunding platforms, countless artists are able to raise money to support their craft.
Three projects are included for Key Stage 1 including a mural project based on the artist Tony Cragg, A painting unit that uses the Japanese artist Takahashi Murakami and a cross curricular craft project on birds of paradise.
This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an author?
The festival is a Boulder - based traveling film fest that celebrates, educates and inspires all things dog through the art of short film; crafted by filmmakers who are amazing storytellers, animators and artists.
Taipei - based artist Shih Yung - Chun paints scenes from everyday life, taking inspiration from hundreds of photographs, but there's an element of the bizarre in all his crafted narratives — his subjects always seem to occupy themselves with strange activities.
LA - based artist Seth Armstrong crafts paintings that self - consciously capture a sense of looking, arresting moments with cinematic detail and voyeuristic curiosity.
This informal conversation between London - based artist Francis Upritchard and German - born jeweller Karl Fritsch will explore the artist's unique sculptural language and the multiplicity of artisan and craft traditions Upritchard has incorporated into her practice, including collaborations with UK fashion house Peter Pilotto, Karl Fritsch and Italian designer Martino Gamper.
SPRAWL Co-curated by former Houston Center for Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.
Parasite Garage is the New York iteration of Los Angeles - based project space, Paradise Garage, run by artists Liz Craft and Pentti Monkkonen.
Keen to learn traditional, craft - based skills, the artist explains why she is drawn to processes whe...
Postcode SE5 8QT Strictly for fine artist / craft based practice only.
Bangalore - based artist Sheela Gowda creates expansive installations using local craft techniques and everyday materials such as incense and cow dung.
The only artist to have come out of Brancusi's studio, Noguchi had unique insights into what Noguchi Museum Senior Curator Dakin Hart calls «that Modernist Eden of ambiguity — where traditional craft met the avant - garde, object became indistinguishable from base, and art was life.»
Mike Kelley Foundation Grants Ten Los Angeles nonprofits received grants from the Mike Kelley Foundation for the Arts, including the Underground Museum (to support videos and performances by Rodney McMillian, $ 45,000), Craft & Folk Art Museum (to present the first institutional solo show of Oakland - based artist Indira Allegra, $ 25,000), and the Museum of Latin American Art (to fund an exhibition documenting the history of printmaking in the Americas, $ 40,000).
In March 2014, at the invitation of the Hammer Museum, six Los Angeles — based artists — Lisa Anne Auerbach, Liz Craft, Meg Cranston, Francesca Gabbiani, Jennifer Guidi, and Toba Khedoori — traveled to Afghanistan to visit weaving facilities and learn about the process and history of handweaving carpets, a traditionally female craft in the reCraft, Meg Cranston, Francesca Gabbiani, Jennifer Guidi, and Toba Khedoori — traveled to Afghanistan to visit weaving facilities and learn about the process and history of handweaving carpets, a traditionally female craft in the recraft in the region.
Tsai is a London - based artist who learned his craft in Shanghai and honed it working alongside Alexander McQueen, where he developed the design for his floral skull motif.
From protest at the lack of inclusion of women artists in galleries and museums, to resuscitation of the degraded languages of decorative and craft - based arts, the first phase of feminist art making was activist, passionate, and especially concerned with altering art history.
Crocheted Environment is an important installation in the ICA's collection of fiber works, including pieces by artists such as Eva Hesse, Françoise Grossen, and Sheila Hicks, and marks the museum's commitment to examining the relationships between craft - based media and contemporary art.
The London - based artist staged his first Firework piece - text pieces crafted from fireworks hung upon wooden scaffolding - in the spring of 1996.
The nine artists form a group; a group conceptualized based upon the wit, intelligence, freshness and beauty of each participant's approach to his or her craft.
Los Angeles - based artist Pae White merges art, design, craft and architecture through site - specific installations and individual works which defy our expectations of a variety of techniques and media.
But Tseng was also a prolific artist in his own right, leaving behind an extraordinary body of work, crafting an enigmatic persona and anarchic performance - based practice, and bringing a devious and incendiary sense of humor to his highly sophisticated inquiry into the politics of representation.
Wook Seo is a craft based artist working in New York and Seoul.
Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).
Trained as a decorative painter, the Brussels - based artist Lucy McKenzie has long had an interest in the ornamental surfaces of Viennese architecture and their connection to the Arts and Crafts movement in her native Britain.
Contesting the progress - and - mastery saga of twentieth - century modernism, Chicago - based artist Tony Tasset spent much of the 1980s and»90s meticulously crafting insolent, critical objects, and the nine works represented in this ten - year survey (1986 — 96) unambiguously assert his past affinity for blunt deconstructionist strategies.
The Brooklyn - based artist, who Juxtapoz recently featured and was part of both our «Surf Craft» benefit and Juxtapoz x Superflat museum show, is set to open his first solo show at Richard Heller Gall
Claire Barclay is a Glasgow - based artist well known for her large - scale sculptural installations that combine highly formalised elements with a scatter aesthetic, using platforms, screens and other structures around which crafted objects lie in carefully gathered constellations.
The Los Angeles - based artist spent his early days crafting sets and props for various Hollywood studio productions.
A one - week Community - Based Artist Residency and exhibition with Environmental Artist Bryant Holsenbeck, hosted by Haystack Mountain School of Crafts, was the feature of two articles in local newspapers — the Bangor Daily News (Capping of her vision: Artist Bryant Holsenbeck works with students and community members to turn trash into mandala treasure) and Island Ad - vantages (Recycled art forms come to Deer Isle).
Brooklyn - based artist Alison Elizabeth Taylor is well - known for reinvigorating the Renaissance craft of marquetry, and more recently for combining paint and wood inlay to create a new perspective in painting.
HANDS: ART CRAFT ALIVE is an art auction to benefit WORKSHOP GALLERY ARTISTS FOUNDATION, INC., a Brooklyn based non-profit foundation and BOBEA ART CENTRE, a Nairobi based Art Centre which provides a conducive environment for local children and youth to explore, develop and showcase their artistic talent.
Marilyn Zapf, assistant director and curator at the Center for Craft in Asheville; artist Frank Poor, a Georgia native who lives in Rhode Island; New York - based critic Eleanor Heartney; Edmund Gaither, director and curator of the Museum of the National Center of Afro - Am erican Artists; and Jessica Gaynelle Moss, founder of The Roll Up Artist Residency in Charlotte, North Carartist Frank Poor, a Georgia native who lives in Rhode Island; New York - based critic Eleanor Heartney; Edmund Gaither, director and curator of the Museum of the National Center of Afro - Am erican Artists; and Jessica Gaynelle Moss, founder of The Roll Up Artist Residency in Charlotte, North CarArtist Residency in Charlotte, North Carolina.
Precariously situated at the base of the rising wave is a small rowing - boat — filled with a crowd of multi-coloured ceramic sculptures — which the artist discovered in a museum had been crafted by his great - grandfather, a boat - builder who supplied locals with the means to navigate this unstable landscape.
In his sculptural series called Somewhere Small, the Los Angeles - based artist crafts the childhood summer wonder a la a fairy garden approach.
In her series Micro Matter, Amsterdam - based artist and designer Rosa de Jong crafted vertical houses, skyscrapers and elements of nature to fit inside narrow test tubes.
The UK - based artist is a self - confessed insect addict, and has combined this passion with a love of crafting to produce unique, miniature sculptures.
In his latest exhibition What It Is, New York City - based artist and designer Doug Johnston crafts unusual, sculptural objects made entirely from coiled and stitched rope — an ancient technique that he loves to celebrate in a more contemporary way.
A whole host of designers, artists and institutions including London - based gallery Ting - Ying, world - renowned glassblower Peter Layton and recent Winner of the Woman's Hour Craft Prize, Phoebe Cummings, will offer insights spanning the leading disciplines of jewellery, textiles, ceramics, furniture, metalsmithing and glass.
UK - based artist and animator Hannah Lily is cooking up some tasty paper - craft animations on her quickly growing Instagram.
This delightful toy, hand - crafted by London artist and designer Yoni Alter, is based on an aerial view of an intersection in New York City's Midtown East, which includes Park Avenue.
UK - based Japanese artist Coco Sato reinvents classic Japanese craft origami in uniquely modern ways.
The San Francisco - based artist playfully draws from American craft traditions, country - western aesthetics and classic European fables to create worlds reminiscent of folk stories and fairytales.
In her first solo exhibition at the gallery, the Los Angeles - based artist is presenting sculpture and photography that channel an interest in female identity and the fetishization of objects — objects crafted out of eggs, corn and dried flowers that toy with notions of birth, death and life.
Blending large - scale sculpture techniques with an expanded notion of craft and textile, New York City — based artist and designer Orly Genger creates organic forms and site - specific installations from painted swaths of woven rope.
Neil MacInnis, a Montreal artist whose craft includes weaving, has produced an exhibition at Mercer Union that raises pertinent questions about the distance between clothing, the other textile - based arts and «high art.»
Initially built around artists who emphasize the human form and figurative concerns, the gallery program embraces unparalleled craft, counter trend experimentation, New Media, and deviations into abstraction, installation - forward, and object - based works to expand the greater initiative of the program.
Such is the case with Donald Sultan, a favorite son of Asheville, Carolina, who has spent most of his career as a New York City based artist with a pervasive «tar heel» approach to his craft.
His democratization of the creativity of diverse artists conveys a personal mission to equalize and represent marginalized methods for communication, exposing new ideas through experimentations with craft based materials and traditions, and thereby expanding the vocabulary of our shared visual language.
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