Sentences with phrase «based curatorial approaches»

Not surprisingly, McKean's substantial efforts offer an idiosyncratic take, reflecting a mindset that differs greatly from academically - based curatorial approaches, and that circumvents the familiar sense of spectacle pervading so many of our visual encounters.

Not exact matches

The gallery's curatorial approach is based on deep knowledge of art history combined with a stimulating eclecticism.

The Queens Museums COMMUNITY ART HACK program takes a curatorial approach to public and community based arts.

Rond - Point Projects is a Marseille - based non profit organisation dedicated to producing and presenting innovative and thought - provoking art and curatorial projects encompassing a wide variety of formats and approaches, from traditionnal exhibition and publishing to process - based and performative practices.

While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.

With an unconventional curatorial approach, EMPTY GALLERY (18 / F & 19 / F, Grand Marine Center, 3 Yue Fung Street, Tin Wan, Aberdeen) presents exhibitions by emerging and established artists that focus on ephemeral, time - based and non-object-oriented practices.

Maintaining a process - based, collaborative approach to working with artists, her recent curatorial...

Berssenbrugge's physical, performative and appropriation - based approach to composition serves as a curatorial lens and inspiration for this exhibition.

Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platforms.