Sentences with phrase «based curators head»

Iván Argote and Pauline Bastard present Born to Curate, a live curatorial battle that pits four teams of Los Angeles - based curators head to head in a fast - paced game of wit and knowledge.

Not exact matches

Thankfully, the Berlin - based Scandinavian duo is headed to New York to talk shop with Istandbul Biennial curator Dan Cameron.

• Based in New York • Specializes in emerging American contemporary artwork • Previously was the head of contemporary sales at Paddle8 • Runs a New York based non-profit called Y&S, which supports young artists without gallery representation and young curaBased in New York • Specializes in emerging American contemporary artwork • Previously was the head of contemporary sales at Paddle8 • Runs a New York based non-profit called Y&S, which supports young artists without gallery representation and young curabased non-profit called Y&S, which supports young artists without gallery representation and young curators.

A free tour of Berlin - based artist Alicja Kwade's Whitechapel Gallery commission Medium Median (28 September 2016 — 25 June 2017) led by Whitechapel Gallery Eisler Curator and Head of Curatorial Studies Daniel F. Herrmann, that allows to learn about the key themes and interests that run through her practice.

Mary Hersov, Head of National Programmes at the National Gallery, London, added: «The National Gallery runs the Subject Specialist Network, European Paintings pre-1900 and a selection of our members who are UK based Curators of Dutch paintings were invited to take part in the Curators Day at Frieze Masters.

Based in New York, she is continuing her role at Performa, where she serves as curator and head of programming at the Performa Institute.

Three pieces from Atlanta - based artist's series Weathering Time were selected by Brett Abbot, Curator of Photography and Head of Collections at the High Museum of Art for their permanent collection.

She was previously a curator at Wysing Arts Centre, Head of exhibitions at Nottingham Contemporary, and a curator at Tate Modern, where sheå specialized in performance and time - based media.

Kathrin Becker is a Berlin based curator and writer who currently works as the head of the Video - Forum of the Neuer Berliner Kunstverein (n.b.k.).

Joining Sigg on the jury were independent curator Li Zhenhua (based in Beijing, Shanghai and Zurich), three institutional heads from south China — Feng Boyi (director of He Xiangning Art Musuem, Shenzhen), Huang Zhuan (director of OCT, Shenzhen) and Lars Nittve (director of M + Museum for Visual Culture, Hong Kong)-- along with Carolyn Christov - Bakargiev (curator of Documenta 13, Kassel) and Chris Dercon (director of Tate Modern, London) hailing from Europe.

Artist's Voice: History's Claim (90:00) Lynne Cooke, Curator, Dia Art Foundation Gary Garrels, Deputy Director, Exhibitions and Public Programs and Chief Curator, Hammer Museum Pip Laurenson, Head of Time - Based Media Conservation, Tate Anne Wagner, Professor of Modern and Contemporary Art, University of California, Berkeley Glenn Wharton, Conservator of Modern Art Chair: Carol Mancusi - Ungaro, Associate Director of Conservation and Research, Whitney Museum of American Art

Eugenio Dittborn, artist based in Chile Hannah Firth, Curator and Head of Visual Arts, Chapter, Cardiff Sarat Maharaj, Professor of Visual Art & Knowledge Systems, Lund University & the Malmo Art Academies, Sweden.

The publication will includes contributions from Doug Harvey (Los Angeles based writer, curator, artist, and editor of pata - critical Interrogation Techniques Anthology Volume 3); Maeve Connolly (Writer, researcher and lecturer at Dun Laoghaire Institute of Art, Design & Technology, Dublin); Rachael Thomas (Senior Curator: Head of Exhibitions, IMMA); David McConnell (Professor of Genetics, Trinity College, Dublin); Séamus McCormack (Project Co-ordinator: Exhibicurator, artist, and editor of pata - critical Interrogation Techniques Anthology Volume 3); Maeve Connolly (Writer, researcher and lecturer at Dun Laoghaire Institute of Art, Design & Technology, Dublin); Rachael Thomas (Senior Curator: Head of Exhibitions, IMMA); David McConnell (Professor of Genetics, Trinity College, Dublin); Séamus McCormack (Project Co-ordinator: ExhibiCurator: Head of Exhibitions, IMMA); David McConnell (Professor of Genetics, Trinity College, Dublin); Séamus McCormack (Project Co-ordinator: Exhibitions).

The publication will includes contributions from Doug Harvey (Los Angeles based writer, curator, artist, and editor of pata - critical Interrogation Techniques Anthology Volume 3); Maeve Connolly (Writer, researcher and lecturer at Dun Laoghaire Institute of Art, Design & Technology, Dublin); Rachael Thomas (Senior Curator: Head of Exhibitions, IMMA); (External) David McConnell (Professor of Genetics, Trinity College, Dublin); Séamus McCormack (Project Co-ordinator: Exhibicurator, artist, and editor of pata - critical Interrogation Techniques Anthology Volume 3); Maeve Connolly (Writer, researcher and lecturer at Dun Laoghaire Institute of Art, Design & Technology, Dublin); Rachael Thomas (Senior Curator: Head of Exhibitions, IMMA); (External) David McConnell (Professor of Genetics, Trinity College, Dublin); Séamus McCormack (Project Co-ordinator: ExhibiCurator: Head of Exhibitions, IMMA); (External) David McConnell (Professor of Genetics, Trinity College, Dublin); Séamus McCormack (Project Co-ordinator: Exhibitions).

They are Eva Díaz, a New York - based critic who teaches at Pratt Institute in Brooklyn; Erin Dziedzic, curator and head of adult programs at the Kemper Museum of Contemporary Art in Kansas City, Missouri; and Noah Simblist, an artist and associate professor at Southern Methodist University in Dallas.

This Wednesday Oct 1 from 6 to 8 head over to the Lower East Side Printshop for Treasure Island, guest curated by NYC / DC - based curator and writer Julie Chae.

«She based them on the twists of asymmetrical helix forms,» explains ICA head of programmes and curator Katharine Stout, «but they are also about the everyday.»