Sentences with phrase «based image culture»

His practice pits the active image of the past against todayʼs screen - based image culture of slick and banal immediacy.

Not exact matches

Based on a 3D image such as an MRI scan, Aspect's machine builds relatively complex organic structures out of a «hydrogel» embedded within cells taken from the body and grown in a cell culture.

We were debating whether or not it's helpful to use language like «act like a man,» or «true womanhood,» or «real men» in our religious dialogs, and I was arguing that the goal of the Christian life is to be conformed to the image of Christ, not idealized, culture - based gender stereotypes.

Arts - based approaches extend the five art forms of Dance, Drama, Media, Music and Visual Art, to include all aspects of visual culture, such as, images, films, video gaming, advertising, and creative literature, such as poems, lyrics, and some story forms.

- learn how Getty Images weaved game - based learning into their organizational culture.

New York - based artist KEVIN BEASLEY presents mixed - media sculptures inspired by two very different cultures and time periods — Bernini's 17th century Baroque alter piece in Rome and an iconic image of Black Panther Huey P. Newton.

Mira Schor is a New York - based artist and writer known for her advocacy for painting in a post-medium culture, for her representations of writing as image, and for her writings on painting and on feminist art history.

Using a historically specific twentieth - century apparatus (Max Fleischer's Setback Camera and Walt Disney's Multiplane camera) to not only capture images over the course of her residency at the New Museum, but also to interpolate the material culture of more contemporary imaging technologies, Craycroft builds an accretive, time - based examination of personhood and anthropomorphism.

References from Western art history provide points of engagement with Kansas City and Chicago - based artist Patty Carroll's photographic images, which employ distinctly modern elements of décor and consumerist culture to reveal psychological threads of domesticity's sometimes overwhelming tenor.

«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.

Adams is a New York — based multi-disciplinary artist exploring black experiences and the influence of popular culture on self - image and self - perception.

In 2000, she shifted her interests to film and video, advertising and internet - based images, exploring the current culture overladen with pictures.

He first used the term «mass popular art» in the mid-1950s and used the term «Pop Art» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of images.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Leda Catunda (based in Sao Paulo) has long explored the use of colour in painting and sculpture, creating kitschy images that invite the public to deconstruct concepts as high and low culture.

This year's edition explores contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.

http://www.o-matic.com/ Joy Garnett on Wednesday, November 28, 2012, 12:45 p.m., Myrtle Hall 4E - 3 «Painting and the Technical Image World» Joy Garnett is New York - based artist whose paintings are based on news photographs, scientific imagery, and military documents she gathers from the Internet and uses to examine the apocalyptic - sublime at the intersections of media, politics, and culture.

The skin is based on paintings by artists belonging to the art historical canon such as Franz Kline and Jean Dubuffet as well as images from popular culture, like manga and digital painting effects.

The Museum of Moving Image has another show of video games, which, based on the last show, offers a quick, Buzzfeed - type intro into that culture.

Anthea Hamilton is a UK - based artist who creates multi-media installations that resemble theatrical stages or film sets and incorporate arrangements of prop - like objects, references to modernist paintings, and appropriated images of pop culture icons such as blow - ups of John Travolta in John Travolta, Bust - like, 2012.

The Beacon, NY based artist creates geometric 8 - Bit inspired watercolor paintings based on iconic images from art history and pop culture.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Kota Ezawa is a San Francisco - based artist who often reworks images from popular culture, film and art history, stripping them down to their core elements.

For the first in Blain Southern's new series of exhibitions, collectively titled Lodger, its curator Tom Morton has invited the young, London - based artist Alex Dordoy to develop a new body of work exploring a central characteristic of twenty - first century visual culture: the restlessness of the image, and the instability of the surfaces on which it manifests.

«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.

For her version of Chicken Little, which is based on found images from different decades, Chunn appropriates imagery generated by the culture she is critiquing.

In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.&Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.&images, information networks, and communication models.»

Denmark - based Rose Eken creates a series of embroidered images about Rock «n Roll culture, such as records, drum kits, and set lists from bands like Metallica and Ozzy Osbourn, while NYC - based Jacob Rhodes invents his own subculture of skinheads in a detailed examination of codes of masculinity and punk rock culture.

Founded in 1980 as a non-profit venue for photographic practices, TPW is committed to a media - specific but expanded mandate, addressing the vital role that images play in contemporary culture and exploring the exchange between photography, new technologies and time - based media.

From 1985 through 1991 Anne Doran made slyly narrative wall - based sculpture from appropriated public images in wide circulation, using them to speak of the commodification of desire, the loss of self, and the dynamics of power relations in modern culture.

The Wayland Rudd Collection exhibition examines representations of Africans in Soviet culture during this time, taking as its departure point more than 200 images including paintings, movie stills, posters and graphics from the collection of New York - based, Moscow - born artist Yevgeniy Fiks.

Featuring works by some 30 artists, Ordinary Pictures surveys a range of conceptual image - based practices since the 1960s through the lens of the stock photograph, an under - researched yet pervasive aspect of our visual culture.

Framing Fraktur explores the relationship between manuscript - based folk art created by German immigrants who settled in Pennsylvania beginning in the 17th century, and the work of seven contemporary artists presented through two simultaneous exhibitions: «Word & Image: Contemporary Artists Connect to fraktur,» based in the work of contemporary artists, and «Quill & Brush: Pennsylvania German Fraktur and Material Culture,» based in historic works.

Shiomitsu works in video and sculpture, and his research is based in the implementation of ideologies and power in networked postfordist culture, especially focused on the encounter with, representation of, and materiality of, the digital image and labour.

As a new exhibition, Christopher Williams: The Production Line of Happiness, at the Museum of Modern Art in New York suggests, perhaps no artist has done more over the last 30 years to explore the specific «social relations among people» that our image culture and media embody and conceal than the American - born and Düsseldorf - based conceptual artist Christopher Williams (b. 1956).

The NYC - based artist addresses «issues of branded identity; age and body estimation; catastrophe culture; and online agency via static, dynamic and interactive «selfie» imagery», through self - portraiture inspired by women artists who turn the camera away from the male gaze and onto their own image.

In conjunction with the 30th anniversary of MoMA's New Photography series — and its current edition, Ocean of Images: New Photography 2015 — this forum focuses on discourses and changes in contemporary photo - based culture since 1985, New Photography's inaugural year.

In addition to the programs occurring on the Art Center's campus, Panorama includes image - based programs produced by Creative Partners, arts and culture organizations spanning from Philadelphia to Lehigh County.

Los Angeles — based artist Ryan Trecartin (born 1981), whom The New Yorker called «the most consequential artist to have emerged since the 1980s,» is best known for his highly stylized videos, often installed in special environments designed by his longtime collaborator, Lizzie Fitch, that draw on Internet and youth cultures, with characters and images that are familiar and utterly unfamiliar at the same time.

The other names listed include Luke Overin, a self - described «image maker» working predominately with photography, graphic designer Sam de Groot, and Rebecca Thirza Townrow, whose installation - based works explore (and poke fun at) the idiosyncrasies of English culture.

For «Reversion» at Laura Rathe Fine Art, his first solo show in four years, he's produced a collection based on 1960s and»70s pop - culture iconography, especially heavy on images from film and TV, with frequent trips to the concession stand (Junior Mints or Dots, anyone?).

Although all three came into recognition with their underground work in film or journalism — first two with moving image and Ford with his black culture - focused zine THING — the exhibition inclines towards their less known object based practices.

Since 2000 Sturtevant has embraced film and video, advertising and internet - based images, producing work that reflects the fragmented and pervasive nature of our image - saturated culture.

Van Noten's fashion design is based on a mix of images of past and present cultures and arts.

The artists employ story - based and poetic narratives, engage with popular culture, juxtapose text and image, distill and abstract various forms, and pay homage to God or denizens of the spirit world.

Fully integrated into the language of advertising and local familiar signage, each of the works included within the OVERRIDE program present the opportunity for artists to intercept and push the boundaries of how visual culture is disseminated in our increasingly image - based environment.

In his text - based works, photographs, videos, artist books and installations, Cesarco combines language with images, constructs narratives and creates thematic references to popular culture, art history and literature.

Reflecting the temporal nature of web - based culture and the American artist's own transient interests, the new works in this exhibition present something like a «listicle» image dump self - portrait of Arcangel (who often shares his -LSB-...]

As a key «Pictures Generation» artist, Bloom has continuously mined the worlds of film, literature, and pop culture to poetic and humorous effect, though her interest in sculpture as an extension of an image - based practice sets her apart from many of her peers.

Casting a wide net, this L.A. - based German artist brings together both geographies in paintings and sculpture with obvious juxtapositions between German Romanticism and American image culture.