Sentences with phrase «based oil on paper»

Hernan Bas, Floating in the Dead Sea with Ghost Ship Pirated by Hedi Slimane, 2003, water - based oil on paper, 30 × 22 inches.

Not exact matches

The first minister based his assumptions on a Scottish government paper released on Tuesday, which sets out the Scottish National party's administration for the oil industry if it secures independence.

From her review, Maguire concludes «the AHA statement that coconut oil is worse for you than butter or beef is not actually what the evidence had stated based on the paper they used.

They need to do it in a way which jibes with Dr. Daniel's lab reports and subsequent analysis, otherwise we know based on Dr. Daniel's paper that 1) it is not cod liver oil, 2) it is rancid, and 3) has an inconsequential amount of fat soluble vitamins.

Robyn Denny, «Sweet Nature 13», 1975, coloured paper on card, 54 x 80 cm, Perry Roberts, «Untitled», 2007, 50 x 75 cm; Michael Stubbs, «Virus FX III», 2007, Oil based media on MDF, 62 x 62 cm

The Berlin based artist mainly works with oil on paper or canvas.

Oil, paper, printed reproductions, clock, cardboard box, metal, fabric, wood, string, pair of men's boots, and Coca - Cola bottles on gold folding Japanese screen, with electric light, rope, and ceramic dog on bicycle seat and wire - mesh base, 7 ft. 1/4 in.

Cy Twombly Untitled, 1960 Pencil, oil - based house paint, wax crayon, and ballpoint pen on paper 19 5/8 x 27 1/2 inches (50 x 70 cm) © 2015 Cy Twombly Foundation

We first made water - based paint and painted with it on large sheets of brown paper, then egg tempera, and finally we ground and used oil paint.

New Work: Ross Bleckner, the New York - based artist's first solo museum exhibition, features 19 recent oil paintings and works on paper from three concurrent series — his «stripe paintings,» «dot paintings,» and «emblem paintings.»

Frank Badur, # 11 - 10, 2011 Oil and alkyd on canvas 16 x 20 inches May 12 — June 25, 2011 Margaret Thatcher Projects is pleased to announce the opening of Mostly Red + works on paper, an exhibition of new work by Berlin - based artist Frank Badur.

Painting with oil - based inks directly onto an aluminum plate, Hughes creates a dreamy and seductive body of monotype paintings on paper.

Part texture (collage, oil on canvas, pastel on paper) and part flat surface, her use of line with geometric shapes in the horizontally moving base juxtaposed against the lines evaporating upwards makes for an effective image, although again subtle.

Skin Set Painting: The Commons Divides Moses and Moses Divides S... 2011 - 2013 Water - based oil, acrylic on paper Diptych, overall: 60 3/4 by 117 1/2 in.

Skin Set Painting: Blue People Are My New God Replacing Chartreuse People My Old God 2012 - 2013 Water - based oil, acrylic, metal clips on paper 84 by 60 in.

Acrylic, gouache, water - based oil and collage on paper.

These pictures were based on a 1979 series of oil - on - paper paintings, Drunk with Turpentine, which Motherwell had generated by the process of automatism.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Enrique Chagoya The Thing Itself, 2013 Acrylic and water based oil on amate paper mounted to canvas 60 x 80 inches

2018 Acrylic, water - based oil, decals, glass eyes, Farsi letraset and solvent transfers on amate paper 11 3/4 x 108 1/2 inches ECd 64

Fieroza Doorsen uses a wide range of materials: charcoal, ink, pastel, oil, acrylic, gouache, collage to name a few, producing works on paper, oil on canvases and wall based sculptures.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Thornton Dial, Old Documents, 2013, Cardboard, paper, fabric, enamel spray paint, finish, oil - based enamel, oil stick and oil paint on canvas.

Katsutoshi Yuasa, Pseudo Mythology # 2, 2011, Oil - based woodcut with pigment on paper, 243 x 366 cm.

Jason Jägel, a SF - based artist who we have championed for years on this site and in our print edition, just opened «From the Sky, Rivers Look Like Snakes» at Gallery 16 in San Francisco.The exhibition contains three bodies of work; large oil paintings, works on paper and smaller mixed media peices.

The results, all produced in the past year and based on photographs the artist takes himself, are lovely enough — unmistakably of an able hand, a keen sense for color and design, and an eye for isolating images from the fray of the world — laid out in gouache and collage on paper, or in pencil and oil on canvas, sometimes with additions of wax and more collage.

Nine large paintings (black gesso and oil - based ink on aluminum), four substantially sized works in oil - based relief ink on paper, and a site - specific wall drawing (all works 2013) had

This volume presents a substantial overview of the oeuvre of Berlin - based painter Albrecht Schnider (born 1958), looking at his figurative and abstract works on paper, meticulously crafted line drawings, landscape drafts, typographical sketches and paintings in oil or acrylic on canvas.

Toronto - based artist Charles Bierk uses oil on canvas to create paintings that look like realistic pencil drawings on paper.

Au Hoi Lam, «Unutterable Antecedents, Consequences and Coincidences», 2017, pencil, colour pencil and acrylic on canvas, oil - based ink on a lined paper with the Coat of Arms of British Hong Kong.

POPE.L Skin Set Painting: The Commons Divides Moses and Moses Divides S... 2011 - 2013 Water - based oil, acrylic on paper Diptych, overall: 60 3/4 by 117 1/2 in.

Gavin, are you aware of the complete disconnect between SRES estimates of fossil fuel reserves, which are based on a single review paper by Roger in 1997, and more recent views regarding peak oil, peak gas, and peak coal?

I sent the paper to Louis Derry, a Cornell University geologist who's been a constructive presence in the Dot Earth comment stream for a long time and, although he worked several decades ago for mining and oil companies, has provided science - based guidance on research related to shale gas.

A team of two researchers from Natural Resources Canada's CanmetENERGY reports on a new process for solvent extraction of bitumen from mineable Athabasca oil sands (i.e., surface mining, not in situ well - based production) in a paper published in the ACS journal Energy & Fuels.

Clinical decisions in medicine, or oil - field development, are not based on MSM celebration of shoddy Science papers, so it seems reasonable that the IPCC should be required to expect higher standards that may be commonplace in other disciplines.

Just for context, that is a paper that in late 2005 ran a story about me leading a Big Oil - funded global conspiracy against the Kyoto Protocol — not true, but I am willing to listen to offers — based on a cobbling of unrelated offal - smeared papers taken from my trash and given them by the dumpster divers of Greenpeace.