27/11 Reading Machines: DISTRIBUTION: L'hombre Invisible - Against Officialism Archive exhibition
based on the artistic practice of poet, visual artist and small press publisher Henrik Have and Edition After Hand, Piscine 27/11-19 / 12, vernissage 27/11 16:00 - 20:00
Henzel Studio's ethos is
based on the artistic practice of Calle Henzel, founder and creative director.
Not exact matches
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web -
based projects — that all investigate the extensive effects of the internet
on artistic practice and contemporary culture.
Tracey Snelling's
artistic practice is
based on a profound interest in sociological, psychological and geographical occurrences.
Åsmund Thorkildsen, curator of that exhibition, gives an introduction to Sherman's
artistic practice based on his in - depth knowledge of the Postmodern period in American art history.
Based on the
practice of articulation and reinterpretation that has characterised his
artistic activity, Add Fuel presents in «Something old, something new, something borrowed» a staging of an intimist nature arranged in a type of idealised and stylised domestic setting — part genuinely cosy, part openly satirical — , that suggests a narrative of decorative contours that aggregates a multiplicity of references, iconographies, and signs which, in one way or another, have contributed towards shaping his personal and
artistic identity.
These workshops will contribute to promoting the discussion
on environmental, cultural and social transformations through the
artistic practice of photography, image -
based media and texts.
Nearly four decades after Lonidier exhibited his 1977 installation «The Health and Safety Game» at the Whitney, the artist continues to
base his
artistic practice in community organizing, and to reflect
on the relevance of activism and the labor movement to the creation of art.
Object -
based art, which grew into a major twentieth - century trend and continues today, took its cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in contemporary
artistic practice, via large - format photographs and analytical essays
on the artists.
A-I-R Laboratory hosts up to 30 international artists a year and focuses
on production and research
based practices within the context of the residency treated as an
artistic medium.
In 1974 he founded, together with a group of artists, writers, film - makers, performance artists and musicians, the Laboratoire Agit» Art, whose aim was to transform the nature of
artistic practice from a formalist, object - bound sensibility to
practices based on experimentation and agitation, process rather than product, ephemerality rather than permanence.
Her process -
based artistic practice could be described as being
on the edge of art and design and focuses
on exploring the materiality of her concept and the chosen medium, aiming to observe and articulate aspects of the human condition, identity, and the complexity of patterns that occur naturally in the world around us.
While they generate personal collections regardless of their
artistic practice, they also create collections
based on artistic methods.
You're invited to a public conversation between Nato Thompson, one of the foremost thought leaders
on socially engaged art, and photographer Zoe Strauss, addressing the cultural processes related to community -
based artistic practice.
His
artistic practice is heavily community -
based, dealing with the deep and complex issues of the prison industrial complex, its role within society, and its impact
on his hometown's community.
The young London -
based Italian curator Attilia Fattori Franchini has been exploring the information age's effects
on artistic practice for a while now.
Her
artistic practice is
based on conceptual ideas and relates in its critical analyses of media and society to her distinctly European perspective.
In reference to his newly commissioned public artwork in Museum Park
on the occasion of Fringe Projects, artist David Brooks will discuss how
artistic inquiries, fieldwork, and research -
based practice contribute to a broader «living» characteristic of his work and projects.
It disrupts the traditional
artistic mindset
based on individual and emotional expressions while emphasizing
on research and inquiry (in both cultural and technological terms) as the
basis and prerequisite for contemporary
artistic practice.
Raimo Saarinen is a Helsinki
based sculptor whose
artistic practice focuses
on the various ideas of nature and people's relationship with plants and ecosystems in the western post-industrial cultures.
For Law of the Jungle, Carneiro da Cunha has selected a diverse group of artists from contemporary to outsider, both established and emerging, for a thematic exhibition
based on ideas of survival: personal and collective survival, as well as the survival of the
artistic practice at large.
The idea of the show is a thematic exhibition
based on ideas of survival: «personal and collective survival, as well as the survival of the
artistic practice at large.»
My
artistic practice is
based on the attempt to develop new forms of life in sculpture, installation and interactive work.»
Inevitably, over time this path led me to establish an
artistic practice based on fully automated mechanical and technological digital data processes that defined the actual artwork, beyond the limits of traditional visual representation.
His bio describes him as an â $ œartist, curator, gallery director, art fair co-organizer and inventor of
artistic platforms for the expression
on others.â $ Although it may sound like hyperbole, all of those titles accurately define the multifaceted
practice of the Milwaukee -
based creative.
Masters presents works that reflect Arcangel's prolific career from roughly 2002 to the present, including five time -
based videos, one modified video game, one modified flatscreen television, a wallpaper installation, and archival materials that touch upon an
artistic practice that exists as much
on the web and in popular culture as it does in the museum or gallery.
Anna Virnich's
artistic practice incorporates a variety of media, such as sculpture, installation, photography, video and textile -
based tableaus made of found fabrics as well as new materials, stretched
on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.
Keynote Talk + Discussion Dave Beech Thursday 12 December, 6.00 pm - 7.00 pm, Lecture Room, IMMA Beauty and the Revolutionary Subject In this talk Dave Beech (London -
based artist, writer and Senior Lecturer, Chelsea College of Art,) discusses the emergence of the modern conception of beauty and the cultural politics of this recent phenomenon, as well as contextualizing contested debates
on beauty in
artistic practice within the broader history of aesthetics.
They included Geetha Mehra, Director of Sakshi Gallery, and curator of Finding India, an exhibition of Indian art that was concurrently
on view at the Museum of Contemporary Art in Taipei, Taiwan; Pooja Sood, a New Delhi -
based independent curator and the Director of KHOJ International Artists» Association, an organization with programming all over India, which has acted as a unique nationwide support structure for
artistic practice.
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web -
based projects — that all investigate the extensive effects of the Internet
on artistic practice and contemporary culture.
surcontexto is a contemporary art platform
based in Montevideo, Uruguay, dedicated to generating projects that prioritize the production of knowledge and experience of curatorial and
artistic practices today with its focus
on South and Latin American art and culture.
Bringing together a number of acclaimed artists from the MENA region such as Manal al - Dowayan and Adel Abidin, whose works are housed in Sharjah -
based Barjeel Foundation, the exhibition concerns itself with the impacts of geopolitical struggles
on individual situations and
artistic practices.
What is certain is that Pierre Huyghe's extremely complex
artistic practice is
based primarily
on ideas and is, in this sense, conceptual.
The
artistic practice of Kasper Bosmans knows many forms, but is essentially
based on the creation of esthetic objects without matter.
The exhibition,
based on her dissertation work, explores the role of the color across a range of
artistic practices.
Being
based in China for the last 6 years, he studied Sinology, and Chinese has been his primary language
on a daily
basis for communication, becoming thus a part of his identity, not only when it comes to
artistic practice.
Each artist was invited
on the
basis of their profound engagement with the opportunity, and each found the experience transformative for their life and their
artistic practice.
Reflecting
on his work, Álvaro Gil writes: «Most part of my
artistic practice and research focuses
on constructions
based in the concept of customization and in superficial transformations made to size, taking bricolage and DIY (Do it Yourself) as an attitude».
Vercruysse's
artistic practice is
based on the autonomy of the artwork and the sovereignty of the artist.
Anna Virnich's
artistic practice focuses
on textile -
based tableaus, incorporating found fabrics as well as new materials, which the artist stretches
on wooden frames thus creating organic and almost painterly compositions that oscillate between transparency and density, foreground and background, agility and standstill.
In the former times presenting research as a strategy for
artistic practice, had remained the sole domain of research funding from higher education institutions, as it is often a precarious and beguiling balance
based on strategic re-formulation; Slavs» and Tartars» regional linguistic web - like encasing or Simon Fujiwara's intriguing journeys involving gumshoe archeology, travel and sexuality are dependent
on revealing specific correlations; their instigations have won over funders willing to stay the course, a condition that allows a great deal of curatorial independence.
Cevdet Erek's
artistic practice is
based on the themes of sound, architecture, rhythm, measured time, dance music and site - specificity.
Kusolwong's
artistic practice includes installation and performance -
based work and, since 1996, he has concocted variations
on market settings where inexpensive, mass - produced, Thai - manufactured goods are sold for a nominal fee.
The Bolognese -
based magazine founded in 2013 in Italy focuses its research
on independent and original
artistic practices.
Fleming's sculptural work is often
based on manufactured utilitarian objects with varied significance in his daily life or of notable influence to his
artistic practice.
Tour leader Astrid Honold is a Berlin
based German art historian focusing
on artistic practice and the application of photography in painting.
«Lacey Contemporary is a contemporary art gallery focused
on promoting British
based artists to provide a complete business service to allow the artists to focus
on their
artistic practice.
Join us for Values -
Based Goal Setting
on Monday April 11, 7:00 - 8:30 pm to discuss how misalignment of our values, actions and goals can impede
artistic practice and career progress.
That particular form of display can be read as a symptom of photography's struggle with its tenuous grasp
on its own materiality, which goes some way to explain why photo -
based work, in the late 20th century and beyond, became the medium of choice for critical
artistic practice.
Céline Condorelli, whose
artistic practice is
based on the social and cultural context she finds herself interacting with, has wished to meet Nathalie Du Pasquier, one of the key figures
on the Milan art scene since the 1980s.