Sentences with phrase «based out of the museum»

Mabey is a co-founder of Art + Feminism, an international, activist curatorial platform based out of The Museum of Modern Art, New York, with satellites at the Los Angeles County Museum of Art; Tate, London; Banff Center for the Arts; MAXXI, Rome; Archives nationales de France, Paris; Smithsonian American Art Museum, Washington, DC; MoCA Detroit, amongst many others.

Not exact matches

«Look for exhibits that engages all of their senses,» says Dr. Ludwig, who suggests checking out science - based or living history museums near you for interactive and educational components geared toward kids.

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out - of - shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world's artistic masterpieces from Nazi thieves and return them to their rightful owners.

Supports planning and design activities for spaces that foster experimentation and creativity for youth in library - and museum - based, out - of - school - time settings

As it turns out, there was a special event for the National Museum of the Royal Navy based in Portsmouth, England and Her Royal Highness, Princess Anne, was on board for the event.

Chengdu offers something for both leisure and business travellers, being the modern city in southern China that is vibrant with its collection of skyscrapers and well laid out commercial and business districts, alongside sightseeing and highlight attractions such as the Panda Base, several museums and ancient temples.

This three day Southwest adventure tour is based around the whale watching season from June - December we will take in all the amazing sights of The Stirling Range, climb castle rock tour Albany even check out the famous whale world museum and then on to Denmark, Tree top walk and on the last day you can have an optional Whale watching cruise with the chance to see Southern Right whales, Humpback whales and even the great Blue whale.

It's Whitney Biennial Season Again», The New York Times, March 7, 2004 (illus) Suzanne Cotter, «Soul Delay,» catalog essay for Real World, Modern Art Oxford, UK Manami Fujimori, «Artforum Sees and Talks: Art in the early 2000's, (interview with Tim Griffin)» Bijutsu Techo (BT), July 2004, (illus) Blake Gopnik, «Whitney Highlights,» Washington Post, March 14, 2004, (illus) Eleanor Heartney, «The Well - Tempered Biennial,» Art in America, June / July 2004 Bruce Hainley, «Notes on Renewed Appropriationisms, «Artforum, May, 2004 (illus) Michael Kimmelman, «Touching All Bases at the Biennial,» The New York Times, March 12, 2004 (illus) «Out of the Past: Tim Griffin talks with Whitney Biennial Curators,» Artforum, January 2004, p 57 (illus) Walter Robinson, «Building Codes,» Artnet Magazine, January 2004, (illus) Debra Singer, «The Way Things Never Were: The Way Things Never Were and the Unpredictable Past», catalog essay for Whitney Biennial, Whitney Museum, NY

The only artist to have come out of Brancusi's studio, Noguchi had unique insights into what Noguchi Museum Senior Curator Dakin Hart calls «that Modernist Eden of ambiguity — where traditional craft met the avant - garde, object became indistinguishable from base, and art was life.»

Now, if the New York trip doesn't pan out next week, I'll just go luxuriate some more in the slow - cooked pleasures of Georges Braque: A Retrospective at the Museum of Fine Arts, Houston — the only U.S. venue — and the myriad conceptual riddles of Magritte: The Mystery of the Ordinary, 1926 - 1938, which the Menil Collection co-organized with the Museum of Modern Art and the Art Institute of Chicago and is supplementing with its exclusive, collection - based Memories of a Voyage: The Late Work of René Magritte.

Taking its title from anthropologist Mary Douglas's analyses of how disturbances arise in the city's physical contours and social order, Matter Out of Place presents new work by New York — based artists who observe, represent, and activate public sites, generating alternative relationships to such strictly defined spaces as the housing project, park, and museum lobby.

Fondo del Sol Visual Arts Center 2112 R St NW Washington DC Tel: [phone] Hours: Wed - Sat 1 - 6 Multiculturalism, bilingualism, and a commitment to the cultural heritage of South and Central America are just a few things that stand out about the community - based museum.

Marion Goethals, SIAMS director, is the former deputy director and director of programs at Williams College Museum of Art (WCMA) and is currently a consultant on museum planning, collection management, and museum effectiveness based out of Richmond, VirMuseum of Art (WCMA) and is currently a consultant on museum planning, collection management, and museum effectiveness based out of Richmond, Virmuseum planning, collection management, and museum effectiveness based out of Richmond, Virmuseum effectiveness based out of Richmond, Virginia.

This year, Goodman focuses on Paris - and Turin - based Arte Povera artist Giuseppe Penone in a presentation that takes fairgoers out of the tent and into a museum — or a forest.

As one community organizer from the Queens Museum of Art pointed out — maybe these will serve as the basis for next year's conference.

Photographer hereby releases, indemnifies, and agrees to hold harmless the Museum, its trustees, officers, employees, and agents from any and all liability, claims, suits, actions, damages, settlements and expenses, including reasonable attorney's fees, arising out of injuries to persons, damages to property, claims based on alleged defamation or infringement of rights to copyright, trademark, service mark or other intellectual property, or rights to privacy and / or any and all other damages in connection with Photographer's activities and use of the Museum's facilities or equipment, whether from an occurrence at the Museum facility during such use, or at any other time and place, AND NOTWITHSTANDING ANY NEGLIGENCE THAT MIGHT BE ALLEGED AGAINST, OR ATTRIBUTED TO THE MUSEUM OR ANY PERSON INDEMNIFIED HEREMuseum, its trustees, officers, employees, and agents from any and all liability, claims, suits, actions, damages, settlements and expenses, including reasonable attorney's fees, arising out of injuries to persons, damages to property, claims based on alleged defamation or infringement of rights to copyright, trademark, service mark or other intellectual property, or rights to privacy and / or any and all other damages in connection with Photographer's activities and use of the Museum's facilities or equipment, whether from an occurrence at the Museum facility during such use, or at any other time and place, AND NOTWITHSTANDING ANY NEGLIGENCE THAT MIGHT BE ALLEGED AGAINST, OR ATTRIBUTED TO THE MUSEUM OR ANY PERSON INDEMNIFIED HEREMuseum's facilities or equipment, whether from an occurrence at the Museum facility during such use, or at any other time and place, AND NOTWITHSTANDING ANY NEGLIGENCE THAT MIGHT BE ALLEGED AGAINST, OR ATTRIBUTED TO THE MUSEUM OR ANY PERSON INDEMNIFIED HEREMuseum facility during such use, or at any other time and place, AND NOTWITHSTANDING ANY NEGLIGENCE THAT MIGHT BE ALLEGED AGAINST, OR ATTRIBUTED TO THE MUSEUM OR ANY PERSON INDEMNIFIED HEREMUSEUM OR ANY PERSON INDEMNIFIED HEREUNDER.

It's an idea closely linked to the impetus behind Black Mountain College, which was «born out of a desire to create a new type of college based on John Dewey's principles of progressive education,» according to the Black Mountain College Museum + Arts Center website.

2014 «Shit and Die», Maurizio Cattelan, Myriam Ben Salah, Marta Papini, Published by Damiani, Bologna, ISBN: 9788862084024 «De Generation of Painting», published by Fondazione 107, Turin, 2014 «Il Piedistallo Vuoto / The Empty Pedestal», Mousse, texts by Boris Buden, Keti Chukhrov, Vit Havránek, Marco Scotini and Joanna Warsza, Milan, ISBN: 9788867490691 «of course blue affects my way of shitting», Chert and Motto books, Berlin, ISBN: 978294052418 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 2, Self - published 2013 «Kosovo Pavilion — Venice Biennale», Walther König, edited by Kathrin Rhomberg & Erzen Shkololli, Cologne, ISBN - 10: 3863355474, ISBN - 13: 978 - 3863355470 «Poisoned by men in need of some love», exhibition catalogue, edited by Elena Filipovic, WIELS and Motto books, ISBN: 978 -2-940524-07-5 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 1, KOSOVO 2.0 «SUPER Visions — Zeichen und Sein», exhibition catalogue, Museum Schloss Moyland, Verlag für Moderne Kunst, ISBN: 3869844191 2012 «New Public», exhibition catalogue at Museion, Walther König, edited by Rein Wolfs, texts by Federico Campagna, Maria Lind, Rein Wolfs, Cologne, ISBN: 9783863352400 «30 Künstler 30 Räume», exhibition catalogue, Verlag für Moderne Kunst, text by Franz Xaver Baier, Dietrich Mahlow, Angelika Nollert, Nürnberg, ISBN: 978 -3-86984-320-9 2011 Artist's book, published by Kunstraum Innsbruck and Chert, Berlin «Struktur & Organismus», exhibition catalogue, edited by Stefan Tasch, Marillenhof — Destillerie Kausl, Austria «Ostalgia», exhibition catalogue, published by New Museum, New York «Based in Berlin», exhibition catalogue, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783863350451 «Kostërrc (CH)», brochure, Chert and Bonner Kunstverein, Bonn «My work and me», edited by Susanne Pfeffer, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783865609052 2010 «Blau Orange 2010 — shortlist Simon Denny, Petrit Halilaj, Klara Liden, Nora Schultz», published by BVR — National Association of German Cooperative Banks «Drinnen & Draussen», exhibition catalogue, Chert and Motto books, Berlin «What is waiting out there», Berlin Biennale 2010, curated by Kathrin Rhomberg, DuMont Buchverlag, Cologne «Liste», fair catalogue, Basel

Sleepwalkers is the title for an investigational programming format based on «exhibition making» where one's non-specific expectations of museums can be stretched out.

The Hammer Museum in L.A. also just featured his work, which often consists of sculptures that come out of a performance - based process, and bringing together found materials along with foams and resins.

During his time in the United States, he received a BFA from the San Francisco Art Institute, an MFA from the University of California, San Diego, and participated in the Whitney Museum of American Art's Independent Study Program as well as the P.S. 1 National and International Studio Program, both based out of New York.

«Jonathan knew that I had been working on Alma Thomas... When he began thinking about a show based on the Columbus Museum's collection of Alma Thomas's works and related materials, he reached out to share ideas.

Andrew Schoultz will create a site - specific installation and mural on the walls of the Jane and Justin Dart Gallery at the Museum's La Mirada location, based upon the local histories of Monterey, and present his wildly gilded Fall Out installation in the McCone Gallery.

Chelsea Jessica Stockholder Stockholder was left out of «Unmonumental,» at the New Museum's inaugural show of assemblage - based sculpture, but the fifty - year - old artist helped pioneer the approach, whose roots reach back through Rauschenberg's «Combines» to Dada.

5 «DANCING AROUND THE BRIDE: CAGE, CUNNINGHAM, JOHNS, RAUSCHENBERG, AND DUCHAMP» (PHILADELPHIA MUSEUM OF ART; CURATED BY CARLOS BASUALDO WITH ERICA F. BATTLE) This magisterial and thrilling show stood out among the growing genre of performance - based exhibitions, bringing the works of Duchamp, Cage, Cunningham, Johns, and Rauschenberg into a theatrical setting masterminded by artist Philippe Parreno, who carefully choreographed the interaction of radical paintings, sculptural installation, dance, music, and set design, complete with entrance marqueOF ART; CURATED BY CARLOS BASUALDO WITH ERICA F. BATTLE) This magisterial and thrilling show stood out among the growing genre of performance - based exhibitions, bringing the works of Duchamp, Cage, Cunningham, Johns, and Rauschenberg into a theatrical setting masterminded by artist Philippe Parreno, who carefully choreographed the interaction of radical paintings, sculptural installation, dance, music, and set design, complete with entrance marqueof performance - based exhibitions, bringing the works of Duchamp, Cage, Cunningham, Johns, and Rauschenberg into a theatrical setting masterminded by artist Philippe Parreno, who carefully choreographed the interaction of radical paintings, sculptural installation, dance, music, and set design, complete with entrance marqueof Duchamp, Cage, Cunningham, Johns, and Rauschenberg into a theatrical setting masterminded by artist Philippe Parreno, who carefully choreographed the interaction of radical paintings, sculptural installation, dance, music, and set design, complete with entrance marqueof radical paintings, sculptural installation, dance, music, and set design, complete with entrance marquee.

Nancy Mitchnick's exhibition at the Museum of Contemporary Art Detroit features oil paintings of landscapes and post-industrial Detroit that Hyperallergic says «ricochet out into the real world, conveying a sense of how a place looks based on how it feels.»

Let's come right out with it: on the basis of his installation of one old and seven new rolled steel sculptures at the Guggenheim Museum in Bilbao, we can call Richard Serra not only the best sculptor alive, but the only great one at work anywhere in the early 21st century.

These artists were selected out of a pool of 249 applicants by a panel of arts professionals that included Naima Keith, deputy director of the California African American Museum in Los Angeles; Bently Spang, multimedia artist, writer, and curator based in Montana; and Yasufumi Nakamori, curator of photography and new media at the Minneapolis Institute of Art.

Disparate faces in the crowd — those of the Dalai Lama, Anne Frank, and LeBron James among them — peered out from the more than 140 paintings dating from the late»90s to the present that filled the walls of «My American Dream,» the first solo museum exhibition of Los Angeles — based artist Keith Mayerson.

Moderated by Robert Storr, curator and dean of Yale's School of Art, «Comics and Canon Formation» pitted curator and author John Carlin, who helped mount the 2006 exhibition «Masters of American Comics» at the Hammer Museum and the Museum of Contemporary Art, Los Angeles, and coedited its massive catalogue, against Dan Nadel, proprietor of PictureBox, a Brooklyn - based publisher of comics and visual books and the author of Art Out of Time: Unknown Comics Visionaries, 1900 — 1969.

The peak of this reading of Pollock as primarily a performance artist or a creator of environments might have occurred this past year in Los Angeles at the Museum of Contemporary Art in its ambitious history of performance - based art, «Out of Actions: Between Performance and the Object, 1949 - 1979.»

«The curator of Public, Nicholas Baume, has taken time out from his day job as the director of the New York - based Public Art Fund to organise (for Art Basel in Miami Beach, in collaboration with the Bass Museum of Art) the site - specific installations and performance pieces that are now on show in Collins Park.»

The Museum of Art, Franklin, OH 2/2011 — 1/2013 Gallery Aide • Welcomed visitors in a charged and enthusiastic manner and provided introduction of the type of art displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularMuseum of Art, Franklin, OH 2/2011 — 1/2013 Gallery Aide • Welcomed visitors in a charged and enthusiastic manner and provided introduction of the type of art displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularmuseum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularmuseum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regularmuseum was in good repair and cleaned and maintained on a regular basis