Sentences with phrase «based photography practice»

Not exact matches

Her photography - based practice investigates family relationships and examines gender roles and race and class issues.

The creative partners have worked together since the late 1990s, challenging the concepts and structure of power through their photography - based practice.

Scheduled to open in June, Summer of Photography 2018, the Brussels Biennale for Contemporary Photography will revisit 1960s protest movements and consider the «legacy of visual activism in contemporary lens - based practices.»

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

Exploring identity, family relationships, gender roles, and race, class, and social justice issues, Weems's photography - based practice often employs text, audio, video, digital images, fabric, and installation.

These workshops will contribute to promoting the discussion on environmental, cultural and social transformations through the artistic practice of photography, image - based media and texts.

Showcasing the modern mastery of his paintings, while also presenting the «other stuff» which has drawn less attention over the years — drawings, woodcuts, collage, sculpture, photography and video — the exhibition demonstrated the depth, breadth and intellectual rigor of Marshall's Chicago - based practice.

The curriculum is designed to create a broad - based knowledge of photography from traditional photographic techniques to the digital darkroom, including aesthetics, history, and artistic and professional practice.

This was among the many reasons «women pioneered conceptually driven artistic practices, including text - based work, photography, film, video, and performance,» which were cheaper, more accessible, and «not burdened by the weight of the past.»

However, unlike Dara Birnbaum, Joan Jonas, and Martha Rosler for example, Rist did not pick up a video camera as a means of documenting or recording movement, sound, and actions alongside the use of photography or film in a studio - based practice.

Over and over again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.»

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

With the CONTACT Festival as the current site of contemplation, issues around curatorial practice, photography and lens - based media will be a focal point to usurp spaces of agency primed for decolonization.

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

London based artist Jonny Tanna, known primarily for his aggressive street photography, separates this practice from his fine art, finds his way into the higher end of institutions and establishments, catering to those who are usually banned from galleries and those who make his acquaintance.

The artist's personal, ambulatory studies of cities form the basis for his practice, through which he compiles extensive documentation that reflects his process, producing complex and diverse bodies of work that include video, painting, performance, drawing, and photography.

Meet the Austrian artist changing the status quo of photography through an experimentation - based artistic practice and digital post-production processes.

Accompanied by a generously illustrated catalogue with essays by Brandt, Joshua Takano Chambers - Letson, Alexandra Chang and Muna Tseng, the Grey Art Gallery exhibition makes a strong case for Tseng's photography - based performances as an essential critical intervention in the historical representation of the Asian «other» in the West — and one that is rooted in an interventionist queer practice.

The photography curriculum is designed to create a broad - based knowledge of photography from traditional photographic techniques to the digital darkroom, including aesthetics, history, and artistic and professional practice.

Fulton has made walking the basis of his practice for the past three decades, producing photography, text and sketches that evolve from the experience of solo and group walks in the landscape.

Erika Råberg is an artist dedicated to a lens - based practice based on slow, careful observation, using primarily photography, video, and performance to explore nonverbal communication and moments of transition through sight and sound.

Lorna Simpson is a New York - based photographer and multimedia artist whose practice examines documentary photography from a conceptual perspective.

Fotofocus is a nonprofit arts organization based in Cincinnati, whose mission is to bring artistically, intellectually, and academically rigorous photography and lens - based works and practices to the greater Cincinnati region.

Her research - based practice spans video, installation, photography, performance, and text.

Moran's research - based practice is directed by a preoccupation with evidence of unknown or little - understood histories and often takes form through photography, audio, text, and found objects.

Kyle Jenkins is a Queensland based artist whose cross-disciplinary practice expands from reductive painting into a variegated discourse including sculpture, drawing and music as well as photography and wall painting.

Since the 1970s, Chicago - based artist Barbara Kasten (born 1936) has developed her expansive practice of photography through the lens of many disciplines, including sculpture, painting, theater, textile and installation.

Her first solo exhibition in a UK commercial gallery, «Color: Real and Imagined» features a selection of key works that define her photography - based practice over the past three decades.

Los Angeles - based Enrique Martínez Celaya (b1964, Cuba) is a cross-disciplinary artist whose practice includes painting, sculpture and photography.

Join Los Angeles - based artist Awol Erizku for a conversation on his diverse practice that includes painting, photography, sculpture, and music.

Marco Scozzaro (b. 1979) is an Italian artist based in New York City, whose practice incorporates photography, music, video and installation.

Dispensing with a strictly lens - based practice, the artists in Hagedorn Foundation Gallery's «The New Photograph» promiscuously jumble photography with other media.

Artist Kia Labeija in Conversation with Zach Stafford: Art AIDS America Chicago artist Kia Labeija discusses her artistic practice, which includes photography and voguing, with Zach Stafford, nationally known Chicago - based journalist and editor - at - large for OUT Magazine.

Melanie is a London - based visual artist who works with photography, film and video as a performative and participatory practice.

She will discuss the relationship of this work, and peripheral practices in collage and photography, to her new film based on surfing and individual's experiences with the Pacific Ocean.

Sheri Rush is a Chicago - based painter whose practice includes photography and collage.

His practice includes painting, drawing, time - based works, photography, and installation.

Artists» Conversation with Rodney Graham & Gerard Byrne Saturday 25 November 2017, 2 pm — 3 pm, Johnston Room Since the 1980s, Vancouver - based Rodney Graham is recognized for his diverse practice of photography, painting, sculpture, film, video and music.

Anna Virnich's artistic practice incorporates a variety of media, such as sculpture, installation, photography, video and textile - based tableaus made of found fabrics as well as new materials, stretched on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.

The installation practice of Yuki Kimura (b. 1971 in Kyoto; based in Berlin) borrows from architecture, design, photography, and sculpture to make the immaterial material.

Founded in 1980 as a non-profit venue for photographic practices, TPW is committed to a media - specific but expanded mandate, addressing the vital role that images play in contemporary culture and exploring the exchange between photography, new technologies and time - based media.

However he soon switched to photography, developing a practice based around constructing tableaux which he then photographs.

The practice of New York - based artist Grayson Cox incorporates photography, printmaking, architectural building, painting and carpentry to create works that «challenge the viewers» notions of space and parameter.»

What: Of Metal and Light, a photography exhibition highlighting the work of three artists using chemistry - based practices.

Lucretia Moroni (based in New York and Italy) approaches photography from a background in the decorative arts, a form that she has practiced for over thirty years.

From limited editions to publications, the exhibitors offer a diverse array of print media and object - based practices that span across photography, sculpture, and monographs, and other multiples.

From limited editions to publications, the Editions + Books section offer a diverse array of print media and object - based practices that span across photography, sculpture, monographs, and other multiples.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the Internet on artistic practice and contemporary culture.

Her art practice incorporates performance, text - based installations, textiles, print, neon, video, photography and protest tactics.

Halawani is based in Jerusalem, where, in addition to her artistic practice, she is the founding director of the Photography program at Birzeit University, where she also teaches.