Sentences with phrase «based rock sound»

In addition, he explored a riff - based rock sound for many of the game's action themes and also contributed a few nostalgic arrangements.

Not exact matches

As for rock cred: the Binghampton, N.Y. — based McIntosh Labs designed the famous Wall of Sound tour amps for the Grateful Dead.

By the way Peter never identified himself as the rock... Explain to me these passages, Acts 4:8 - 11» then, Peter, filled with holy spirit, said to them: «Rulers of the people and older men, 9 if we are this day being examined, on the basis of a good deed to an ailing man, as to by whom this man has been made well, 10 let it be known to all of YOU and to all the people of Israel, that in the name of Jesus Christ the Naz · a · rene», whom YOU impaled but whom God raised up from the dead, by this one does this man stand here sound in front of YOU.

Some of last season's favorites: jet skiing in Maui, an ultimate Frisbee tournament and base jumping, which is parachuting off skyscrapers and bridges — all to the sounds of various artists» rap, hip - hop and rock music.

Good ole rock and roll howling from the gutters of NYC, The London Souls based their name and sound primarily on British rock pioneers such as Cream and Led Zeppelin.

Josh Schwartz is the guitarist for the Washington D.C. based rock / metal band A Sound of Thunder.

A FAREWELL TO ARMS 1/2 * / **** Image B Sound B - Extras D starring Rock Hudson, Jennifer Jones, Vittorio De Sica, Mercedes McCambridge screenplay by Ben Hecht, based on the novel by Ernest Hemingway directed by Charles Vidor

Elsewhere on the soundtrack, the more trap - based «King's Dead» is a collaboration between Jay Rock, Future and Lamar, whose distinctive sounds are combined with James Blake's assertive beats.

Finally, the Rubicon Hard Rock is based on the Rubicon and has black 17 - inch wheels and exterior trim, winch - ready steel bumpers, a «Power Dome» hood, red tow hooks, upgraded rock rails, black leather upholstery, heated seats, the Alpine sound system and special badgRock is based on the Rubicon and has black 17 - inch wheels and exterior trim, winch - ready steel bumpers, a «Power Dome» hood, red tow hooks, upgraded rock rails, black leather upholstery, heated seats, the Alpine sound system and special badgrock rails, black leather upholstery, heated seats, the Alpine sound system and special badging.

(16 Days - Departs Daily on a Private Basis) Sydney, Uluru (Ayers Rock), Daintree Rainforest, Great Barrier Reef, Auckland, Rotorua & Taupo, Queenstown & Milford Sound

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Coming from the music industry (he was bass guitarist in the Boston - based rock band Tribe) he started out as music / sound designer on System Shock, eventually becoming project lead on Thief 1.

In their first show with the gallery since 2009, artist duo Jennifer Allora and Guillermo Calzadilla present a show focused on three works that represent the breadth of their collaborative multimedia practice and explore existential themes — a sculptural installation made from acrylic lecterns, dinosaur bones, and the remains of extinct species; a performance in which three vocalists whistle at a four - billion - year - old rock; and a sound work based on recordings of breath.

The Man Base, Burningman 2017 The Federal Hall, NYC 2016 Summit Series, Summit at Sea 2015, 2016 Symbiosis Gathering, Oakdale, CA 2015 Latitude, Sussex, UK 2015 Body and Soul Festival, Ireland 2013, 2015 Summit Series, Summit Outside 2013 The Temple at Burningman, Nevada 2011, 2013 PEX Summer Festival, Maryland 2009 — 2013 Electric Picnic, Stradbally, Ireland 2010, 2012 Boom, Idanha - a-nova, Portugal 2010, 2012 Fuji Rock, Niigata Prefecture, Japan 2012 Lightning in a Bottle, Irvine, CA 2010, 2012 The Joshua Tree Music Festival, CA 2010 University of Dayton Dayton, Ohio 2012 Proekt Fabrika Theater, Moscow, Russia 2010 Vozduh Hall, Moscow, Russia 2010 The Experimental Sound Gallery, St. Petersburg, Russia 2010 Apostista Music Forum at Manege Hall, St. Petersburg, Russia 2010 Telfair Museum, Savannah, GA 2010 The World Financial Center, NYC 2009 Pittsburgh Children's Museum, Pittsburg, PA 2008 New Britain Museum of American Art, CN 2008

Based on Justyna Wąsiks «Songs from Gotland» the band flirts with bygone music genres like Krautrock, spacesynth, new age and art rock in their mix of synthesizer, percussion and theremin sounds.

For Tate & Egg Live he will use Tate Britain as a backdrop to create a sound installation, entitled «Big Box Statue Action», based on familiar artwork from the collection, including Jacob Epstein's Rock Drill.