Both artists have a strong R&D
based studio practice, an environment of exploration and experimentation for the artists producing fusions of form and materials providing very different results.
Leading a way into new territories of abstraction, Cain moves fluidly between works on site and her object -
based studio practice.
This piece considers the intersection of abstraction and representation and the conceptual underpinnings of an object -
based studio practice.
In addition to this core residency, our 2017 - 2018 phase of programming offers additional tracks to provide options for project -
based studio practices, emerging local artists, and a pilot program for young artists.
Not exact matches
There are opportunities for you to
practice with Ahlia privately, semi-privately, in
studio, and her outdoor donation
based classes (see the Sunshine Yoga Group on Facebook for updates and locations.
I started
practicing yoga in a donation -
based studio for the physical therapy benefits, but I was surprised how many times I ended the class crying.
About Blog Julia Thomson run an award - winning garden design
studio based in South London which I founded in 2011 after having worked for a renowned international design
practice for eight years.
In a major shift from the
studio's standard
practice of serving up scarce copies on a first come, first served
basis — of which these titles often sell out in minutes — LRG has decided to allow anyone who wishes to purchase a copy to pre-order one over the next two weeks.
I think it also speaks to my traditional
studio -
based painting
practice; I am bringing all these things from the outside in, filling my space and translating my encounters.»
Lee Quiñones (b. 1960, Ponce de Leon, Puerto Rico) has been painting since the 1970s, first on New York City's streets and subway cars, and then shifting to a
studio -
based practice.
The first traces a tradition of expressiveness, materiality, and the handmade in what the curators call the «
studio -
based»
practice of twentieth - and twenty - first - century sculpture.
He candidly voiced the angst of striving to sustain a hermetic
studio -
based existence, of imbuing painting with conceptual and metaphysical validity, of being stuck with oneself and one's compulsive behaviors, and of constantly seeking the means to short - circuiting one's predilections in pursuit of an innovative artistic
practice that retains urgency for both practitioner and viewer.
Darren's
studio practice consists of text -
based observations, and arrangements of common objects, as cultural commentary.
Her art
practice is
based out of a shared
studio space at Russell Industrial Center in Detroit, Michigan.
«Social
practice is a term that people now know, and there's a kind of integration happening with
studio -
based practices,» he says.
For students enrolled in the full - time programs, the School offers the opportunity to combine historical
practice with independent, creative thought, and benefit from the
studio -
based method while having the time and space to explore their own individual creative efforts.
Based in the United Kingdom for ten years, Gontarski established a
studio practice and exhibited his sculptures, drawings and paintings worldwide.
The artist's
studio practice is
based on her feel for visual texture, a rich and adventurous palette, and a level of draftsmanship that takes full advantage of an expressive linear technique.
In parallel with his
studio work, Bradford is deeply engaged with social issues, as co-founder of Los Angeles -
based nonprofit organization Art +
Practice, which encourages education and culture by supporting the needs of foster youth predominantly living in South Los Angeles, and providing access to free, museum - curated art exhibitions and moderated art lectures to the community of Leimert Park.
How did you come to depart from a
studio -
based practice and move in to the wider world?
However, unlike Dara Birnbaum, Joan Jonas, and Martha Rosler for example, Rist did not pick up a video camera as a means of documenting or recording movement, sound, and actions alongside the use of photography or film in a
studio -
based practice.
The series chronicles the lives of New York -
based emerging artists in the first decade of their career, and provides glimpses into their artistic
practice, taking visitors into their
studios and apartments, places of work and leisure.
Renown for her oversized objects, found pieces, and her examination of the ecology of the
studio, Ross - Ho expanded her
practice to include a series of paintings
based on works on paper created over the past year.
In my
studio practice, I tend to approach technology with the eye of a folk artist, often using found, damaged, or impromptu materials as the
basis for my work, and I combine high and low tech to draw atte ¬ ntion to the machinic circuits of art and representation.
Chronicling an abstract personal account of his relationships,
studio practice, and his sense of history through a spectrum of techniques, New York -
based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.
Based on the intersection of visual phenomena, critical studies, and creative production, the program combines aspects of a studio - based program and theoretical study, and can include art history, criticism, the general liberal arts, and studio prac
Based on the intersection of visual phenomena, critical studies, and creative production, the program combines aspects of a
studio -
based program and theoretical study, and can include art history, criticism, the general liberal arts, and studio prac
based program and theoretical study, and can include art history, criticism, the general liberal arts, and
studio practice.
Using a process -
based and itinerant approach (she has worked outside a permanent
studio since 2008), Kasper creates a kind of living sculpture she calls the Nomadic
Studio Practice Experiment.
Although his main
studio practice is painting, Kum's incorporation of time
based media and text within his
practice reflects on multi-dimensional scapes where notions of analog and digital are merged and new realities are presented.
Her work entails not only a
studio -
based practice, but also a dedicated feminist activity, such as founding and directing the South Asian Women's Creative Collective, for which she has had the opportunity to work «in collaboration with hundreds of amazing women practitioners across disciplines.»
Traveling widely from her home in Brooklyn, Halvorson's experiential process reaches outside the more common
studio -
based painting
practices of New York City, taking her to train yards in Tennessee, a slaughterhouse in Iceland, and the English countryside.
The residency supports Chicago -
based artists in a variety of ways — from providing a vibrant home and community for an art
practice, to developing an ambitious solo exhibition, to navigating being an educator and artist, to creating space for experimentation.The rotating spaces in our
studio block supports artists of varying
practices and backgrounds.
Couwenberg was awarded the Joan Mitchell Foundation Award for his achievements in painting and was recently featured as the subject of Los Angeles
based filmmaker Eric Minh Swenson's documentary which focuses on the artist's life and
studio practices.
Stepping aside from performance as a medium and the performative act of production, best characterised by Mota's
studio -
based compositions, her recent exhibition at the gallery, marks a major shift in the
practice of the artist, materialising a new form of sculptural animism and a new agency, while shifting the instrumentalization of the performative into a series of coincidental and strictly conceptual acts.
Currently
based in the USA, Linnenbrink works from a
studio in Brooklyn and effortlessly moves between three dimensional, site - speciTic and painting -
based practices and projects.
Scherezade Garcia explores collective and ancestral memory in her
studio -
based practice and her public interventions, examining quasi-mythical portraits of migration and cultural colonization.
Because I Could Not Stop for Death — Anthony Panzera, Memento Mori Paintings marks the first pedagogically
based presentation of the artist's
studio practice, displaying each painting alongside the preparatory drawings and studies that facilitated its making.
Weekly informal gatherings, inter-
studio visits and activities, as well as monthly field trips and meals together, are designed to form a community, foster cultural and exchange of artistic
practices and ideas among residency and
studio artists, and provide exposure to New York
based artists and art institutions.
Hannah Givler's
studio practice is
based between the south side of Chicago and the University of Iowa, where she teaches sculpture.
Lauren Carter is a Chicago -
based visual artist whose current
studio practice incorporates anthropomorphized representational structures and objects as metaphors for the corporeal experience and notions of degeneration, nostalgia, and anxiety.
Following a 1993 visit with the prominent San Francisco -
based artist Barry McGee, the twins developed a rigorous
studio practice while continuing to make murals.
In 1996, the Addison opened an apartment designed by San Francisco -
based artist David Ireland and a
studio space for visiting artists to explore new dimensions of their
practice.
Bowdoin builds upon her own experiences and illustrates literary passages to create pictorial, multi-colored and tiered interpretations
based on a ritualistic and methodical
studio practice.
The game of chess thus becomes a metaphor for a
studio -
based art
practice that revolves around the ego of the artist and gives structure to the unsurpassable chaos of the «outside» world, which consists of an abundance of images.
Drawing on Birmingham Museum's Collection Centre, which consists of over 500,000 objects dating from the Palaeolithic era 200,000 years ago to the present, the commission offers the artist a unique starting point for her research and encourages a new direction for the artist whose
practice until now has been entirely
studio -
based.
This commission will enable the artist to use Birmingham Museums» Collections Centre as her expanded
studio, encouraging a new direction for the artist whose
practice until now has been entirely
studio -
based, and enabling a new and wider repertoire of information and engagement.
Freedom, exploration, experimentation, and the value of risk are key themes in the
studio practice of Asheville -
based alumnus artist Kevin Hogan.
My
practice involves site - specific installation and
studio -
based production.
By integrating teaching, community leadership, multidisciplinary research, and writing into their
practices, they challenge the boundaries of art production as a purely
studio based pursuit.
Richard Aldrich, If I Paint Crowned I've Had It, Got Me, 2008 Oil and wax on wood, on cut linen 84 x 58 inches January 21 — May 1, 2011 Chronicling an abstract personal account of his relationships,
studio practice, and his sense of history, New York -
based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it -LSB-...]
The exhibition rather reveals the arc of a specific art movement through a continuum of works whose shared exuberance connects street - and
studio -
based practices, and aims to reveal (and challenge) how a «school» may form and evolve.