Sentences with phrase «based video collaboration»

Not exact matches

To create a spirit of collaboration without a lot of face - to - face interaction, IndustryBuilt holds 10 - minute scrums on Fridays over Zoom, a cloud - based video - conferencing platform.
But Gutfreund needed to find a video system that worked in order to help a client build a tablet - based education platform that would integrate live video, remote student / teacher collaboration, curriculum and rich media.
Cisco's WebEx offers HD video conferences with collaboration and file - sharing capabilities for all types of meetings, including presentations, sales demos, online training sessions, web - based events, staff meetings, remote tech support and more.
In role - based SEL / collaboration activity, each team member rotated into a role interacting with video tutorials for each level — actively seeking information in real time to help their team successfully get past parts of the game that were difficult.
Edmodo recently extended its range of online PD courses for teachers, and to date, over 700 teachers have taken part in fifty courses that leverage live instruction, high - quality videos and peer - based learning through social collaboration.
There are six available modules that can also be combined with the base package to build a more tailored support solution, these are: • Vision and Strategy — quarterly consultancy from Stone Group and Stone's Education Specialists on how to integrate ICT into the school's plan • Security — complete back - up solution and anti-virus software • Engagement — technical or pedagogy focused training for staff to maximise benefits and return on investment • Monitoring — proactive remote monitoring service, in combination with helpdesk support • On - site service — regular visits from a dedicated Stone Group technician to provide hands on help and support • Communication — enabling primary schools to benefit from the latest email, instant message, voice, and video communication and collaboration tools.
Barron and Darling - Hammond describe evidence - based approaches to support inquiry - based teaching in the classroom: (1) clear goals and guiding activities; (2) a variety of resources (e.g., museums, libraries, Internet, videos, lectures) and time for students to share, reflect, and apply resources, while debating over information discrepancies; (3) participation structures and classroom norms that increase the use of evidence and a culture of collaboration (i.e., framing debates as productive conflicts, using public performances); (4) formative assessments that provide opportunities for revision; and (5) summative assessments that are multidimensional and representative of professional practice.
Cloud - based collaboration tools require solid Internet connection to properly work, which is becoming more and more widely available worldwide, and under the right conditions, facilitate effective collaboration within the team and with external staffers (e.g. third - party multimedia teams to create interactive videos or simulators).
This free Web - based tool makes it simple to create timelines, and it has built - in capabilities that allow you to conduct research, embed photos and videos, do group editing, and engage in social collaboration.
Prior to this, she was the Associate Dean for Research and Scholarship at Rush University College of Nursing where she and her colleagues developed the Chicago Parent Program, a 12 - session video - guided group - based parenting program developed in collaboration with African American and Latino families.
To manage digital content, officials determined that districtwide computing resources must have the capacity to support such processes as self - evaluation, photo and video annotation, real - time collaboration, mass communication and feedback and project - based learning.
The tool was also honored as a finalist in two other categories: «Collaboration Solution,» and «Video - based Learning Solution.»
After the success of JK Rowling's interactive fan site Pottermore, based on the internationally bestselling books about the wizarding world of Harry Potter, and its collaboration with Sony to create an interactive video game for the Playstation system called Wonderbook: Book of Spells, Pottermore's team is once again building a gaming experience for diehard fans.
Created by Cambridge - based developer Ninja Theory in close collaboration with Capcom, DmC Devil May Cry will release for PlayStation ® 3 computer entertainment system and Xbox 360 ® video game and entertainment system from Microsoft ® on January 15 2013 in North America and Europe.
CUTTING - EDGE MUSIC VIDEO Among the show's featured attractions was GAMEHOTEL's popular Designer Toy Showcase, set up in collaboration with San Francisco - based store Kidrobot, presenting a dazzling selection of some of the wildest Hong Kong designer toys by the likes of Michael Lau and Brothersfree.
Toymunkey Studios in collaboration with Gecco Corp proudly announces a new line of PVC Statues based on the popular Konami video game series Silent Hill 2!
In collaboration with Square Enix and based on the 2013 video game,
In collaboration with Square Enix and based on the 2013 video game, Tomb Raider stars Alicia Vikander in what will solidify a new age of Lara Croft.
The selection of works in Mike Kelley: Single Channel Videos included a one - act melodrama based on a black - and - white yearbook photograph, a hammy and melancholic Superman reciting Sylvia Plath, an invocation of power through juvenile imagination, and collaborations with Paul McCarthy and BDSM dyad Sheree Rose and Bob Flanagan.
Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.
The Brooklyn - based artist is showing his «Icon» video art in collaboration with the Art Production Fund.
The collective Don't Follow the Wind, whose inaccessible, Fukushima - based 2015 group exhibition has been written about before in these pages, is now made accessible via A Walk in Fukushima, 2016 — 17, a 360 - degree video experience of what has been, since the 2011 nuclear - plant disaster, an uninhabitable area, with crafty headsets made in collaboration with artist Bontaro Dokuyama and three generations of a Japanese family who live in a zone deemed «safe to live» by the government but still subject to restrictions due to its proximity to a radioactive locale.
2010Today is not a Dress Rehearsal, SFMOMA live installation in collaboration with Mika Tajima / New Humans, New York Dance With Camera, ICA Philadelphia and touring to Contemporary Arts Museum, Houston Virtuoso Illusion: Cross Dressing and the New Media Avant Garde, MIT / LIST Visual Art Centre, Cambridge, Massachusetts Albrecht Dürer Gessellschaft, Kunstverein Nürnberg, Nürnberg, Germany Recent Acquisitions, De Hallen Haarlem, The Netherlands Move: Choreographing You, Hayward Gallery, London Body / Space Mechanics, De Hallen Haarlem, The Netherlands 100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage «100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage Centre for Contemporary Art, Moscow Time Based Arts Festival, PICA, Portland Institute for Contemporary Art, Portland Nobody Gets to See the Wizard.
Done in collaboration with the San Juan Island National Historical Park, the show ranges from site - specific works that respond to the inside / outside dynamics of the remaining historic buildings and the natural beauty of the island, to videos, paintings, photographs, print - based works, and sculptures that examine the perhaps permanent, never - to - be-resolved nature of the larger understanding of the Americas.
Done in collaboration with the San Juan Island National Historical Park, the show ranges from site - specific works that respond to the inside / outside dynamics of remaining historic buildings and the natural beauty of the island, to video works, paintings, photographs, print - based work, and sculptures that examine the perhaps permanent, never - to - be-resolved nature of the larger understanding of the Americas.
Organized in collaboration with Art + Practice, a Los Angeles - based art and service organization, and co-curated by the BMA's Dorothy Wagner Wallis Director Christopher Bedford and Assistant Curator of Contemporary Art Cecilia Wichmann, the show is built around eight photographs, three sculptural installations, and a video compilation of performance excerpts.
M+B and François Ghebaly Gallery are pleased to announce their second collaboration for KUNSTHALLE M+B with Between Everywhere, an exhibition of video and images lingering on transitory moments and interstitial spaces by New York based artist Mores McWreath.
Recent projects include a parafictional video collaboration with the artist Lisa Young, «Free Fall: The Life and Times of Bud «Crosshairs» MacGinitie,» and an ongoing fMRI - based experiment with neuroscientist Franco Pestilli on the cognitive representation of touch in the visual cortex.
The nine - minute video serves as the nucleus of show transforming all of the conceptual themes into animated embodiments of Newsome's collage figures set to an original score created in collaboration with LA - based DJ and producer Hit Maker Chinx.
The final word of the day came from London - based artist Barby Asante, who presented her video Noise Summit (2015), co-produced with Jack James, which documents the culmination of her yearlong collaboration with children aged 3 - 14 and musicians as part of the South London Gallery's «Play Local» programme.
Sable Elyse Smith's (b. 1986) video, born out of a real - time collaboration with a Baghdad - based university student, showcases the failure of language.
The playful pairing of Paris - based Philippe Parreno's balloons — Speech Bubbles (Transparent Orange)(2016)-- and blue carpet with New York - based Shahzia Sikander's mesmerizing Singing Suns (2016) video animation feels like a collaboration in the making.
Winter in America is a video collaboration between Hank Willis Thomas and Kambui Olujimi that is based on the events leading up to the murder of Songha Thomas Willis on February 2, 2000 outside Club Evolutions in Philadelphia, PA..
Warren's first solo exhibition with the gallery comes on the heels of a six - week residency at the Brooklyn space, culminating in a new photo, video, and performance piece created in collaboration with high school students Kim Corona, Genesis Monegro, Arti Tripathi, and Daria Mateescu — the fourth in a series of projects in which Warren has worked with unique communities in residencies to create new performance - based works.
Monday 25 March, 20h: Charles Atlas with Johanna Constantine and Helm Tate Modern presents a collaboration between Charles Atlas and New York - based performance artist Johanna Constantine with live electronic music by Helm (a.k.a. Luke Younger), video editing and projection.
Moving across video, ceramics and textiles, the London - based artist's Diagonal Z Jeans exhibition, presented at Mexico's Parallel Oaxaca, in collaboration with a residency at Museo Experimental el Eco, takes its title from a denim trouser and details the elements that make them such a good fit.
Ticketed performances Thursday 21 March, 20h: Charles Atlas with Cecilia Bengolea and François Chaignaud Tate Modern presents a collaboration between Charles Atlas and Paris - based dancer and choreographer duo Cecilia Bengolea and François Chaignaud, with live video editing and projection.
Organised in full collaboration with the artist and his studio, the exhibition spans from his early multichannel video installation diamond sea, 1997, to his more recent performance - based works, such as SONG I, 2012/2015.
The Otolith Group is a London - based collaboration working with video, words and workshops in a project to «build a new film culture».
This publication records a new, large - scale video installation based on his personal experiences in Upper Egypt, where, with the collaboration of local children, he restaged the epic story of a local shaman.
2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video w / Karen Hatch
Chicago - Kent College of Law, for example, has been experimenting with digital casebooks since the 1990s.160 Other professors argue that reading in digital format is inevitable.161 In general, those who call for more integration of technology into legal education suggest, besides digital textbooks, the use of online course management; use of listservs, blogs, and email to facilitate collaboration and communication outside of class; and the use of video - based instruction and electronic legal research aids.
91mobiles obtained exclusive factory CAD - based renders and a 360 - degree video of the Galaxy S9 in collaboration with @OnLeaks.
The Sweden - based music and video streaming service initially rolled out the new multimedia format with content in the United States in collaboration with a number of partners that include BuzzFeed News, Cheddar, Crooked Media, Lenny Letter, Gimlet Media, Genius, and Refinery29.
The video chapters offer insight and understanding based on foundational best practices in transition planning: Student - Focused Planning, Student Development, Interagency Collaboration, Program Structure, and Family Involvement.
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