Sentences with phrase «based video surveillance»
A strong advantage of IP network - based video surveillance systems over analogue video systems is scalability.
http://educationmattersmag.com.au/
Since launching in 2012, Eagle Eye Networks has become the largest cloud - based video surveillance provider in North America.
It's also the largest cloud - based video surveillance provider in Asia.
Not exact matches
-- Daniel Putterman, cofounder, co-CEO, and head of business for Kogniz, Inc. which recently released AICam, fully - autonomous surveillance cameras with artificial intelligence that identify people and threats in real - time, using video - based facial recognition and object detection; also having founded and run venture - backed technology companies over the last 20 years including MaxInfo, Inc. (acquired by NETM), EoExchange (S - 1), Mediabolic, Inc. (acquired by ROVI), and Cloud Engines, Inc..
Perth based DTI Group Ltd has reinforced its position as a market leader in mass transit video surveillance systems by winning new contracts in Australia and Europe.
While DTI's core business is the supply of video surveillance cameras for buses and trains, the company is building on this base.
Based in Delray Beach, CommandScape offers control centers, video surveillance and security for buildings.
In recent years, the Park District has enhanced customer service delivery using a variety of technology - based systems, which include our IP - based telephone system, free wireless service at 12 Park District facilities, fixed video surveillance cameras, and mobile technology used by employees to improve response time.
Based on recent vandalism incidents involving eight school sites and buses, the grant will go toward the purchase and installation of lighting and video surveillance of the high - incident areas.
Based in one large gallery with adjoining exhibition spaces around the periphery, Kessler's work is comprised of a network of kinetic sculptures, each of which incorporate surveillance cameras acting in tandem with the sculptures» movements to create video imagery occurring in real time.
The gallery has put together a large - scale survey of the L.A. - based artist's video work that draws from the culture of surveillance and the internet.
Part 5 — Steve McQueen, End Credits, from April 29 to May 14 Academy Award winner British video artist and filmaker Steve McQueen (b. 1969) will present at Open Plan an extended version of his 2012 work End Credits, based on the documents the FBI compiled during years of surveillance of the African - American singer, actor and civil rights activist Paul Robeson (1898 — 1976).
Considering an international array of video, sculpture, installation, photography, and web - based projects, To See Without Being Seen: Contemporary Art and Drone Warfare reveals the unique potential of art to further our understanding of — and give visual form to — drone warfare and digital surveillance in today's world.
Taking the guise of a video game, «Factory of the Sun» is loosely based on a fictional light and information dependant hegemony that raises urgent questions about the proliferation of reality - based news programming, the tyranny of public opinion, the pitfalls of corporate sponsorship, and the increasing unavoidability of mass surveillance.
2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video w / Karen Hatch
Many shoplifting and other theft charges are often based on video surveillance at stores and in homes.
The first involved a supermarket cashier who was dismissed for gross misconduct for theft on the basis of covert video surveillance.
I do think claims will be inevitable because if you terminate someone based on the strength of out - of - facility video surveillance why wouldn't that employee allege a wrongful dismissal and a breach of privacy?»
San Antonio, TX About Blog Pro-Vigil prides itself on being the largest and most effective provider of mobile surveillance units, live video surveillance, event - based surveillance, and IP health monitoring.