Director and writer, Kenneth Lonergan, has a background as a playwright so I shouldn't be surprised that brooding drama and interpersonal look into the story's character's make for something more than
the basic film drama.
Not exact matches
They are
films that are either documentaries or real life
dramas that take the
basic true elements of a story and put it in a fictional setting.
It's not just the jarring score or the way Perry's camera lingers distrustfully on both Catherine and Virginia that make Queen of the Earth so evocative of its predecessors - Perry's
film is more than the
basic components of psychological
drama.
While the
basic premise is essentially your typical boxing plot, the
film turns out to be very special due to the strong writing and superb acting, as well as a nicely paced
drama directed by the extremely talented David O. Russell.
My biggest heros in this art are Bernard Herrmann («Psycho», «Taxi Driver», «Citizen Kane», «Vertigo») and Jerry Goldsmith («The Omen», «Poltergeist», «
Basic Instinct»,» Papillon»), both of whom were pioneers in understanding the psychology of
film and communicating
drama through music, and I'm doing my best to follow in their example, and try to be one of the more considerate
film composers out there... so, I was anxious to hear back if they agreed I hit the bullseye, blind.
The
film works on three
basic levels, as a comedy, a cat - and - mouse chase, and a family
drama.
So perhaps Every Thing Will Be Fine is supposed to be the director's back - to -
basics movie, putting him in the mode of the»50s Hollywood
dramas (see: Alexandre Desplat's throwback score) that haunted his early German
films like dreams — and maybe Wenders has just depleted whatever
basics he could go back to.
To be fair, some aspects of his
basic argument are sound — the term «adult
film» is now exclusively related to... well, adult
films of a more illicit nature, not mature
dramas like Don't Look Now.