Two of the main aspects of art are invisible;
the basic nature of art is invisible.
Two of the main aspects of art are invisible;
the basic nature of art in invisible» (D. Judd, «Some Aspects of Color in General and Red and Black in Particular,» in N. Serota (ed.)
Not exact matches
Any specification
of the responsibilities that accompany our
basic rights, any articulation
of the content
of the «laws
of nature,» any acknowledgement that the Church might be necessary for the state to judge and fulfill its obligations to the «power in heaven,» or any specification
of the meaning
of «
nature and
nature's God» — though article 1, sec. 8
of the Constitution may provide a clue when it empowers Congress «to promote the Progress
of Science and the useful
Arts.»
In that great hymn, «Come, O thou Traveler unknown» [which Wystan Auden and T. S. Eliot both considered one
of the finest religious lyrics in the English tongue), the
basic gospel proclamation is given: «Pure universal Love thou
art: to me, to all, thy mercies move: thy
nature and thy Name is Love.»
Students describe and compare the
basic nature, materials, elements, and means
of communicating in theatre, dramatic media, musical theatre, dance, music, and the visual
arts
It's each
of our
basic needs, duty and the purpose for the
art of right living by understanding the natural state
of each soul, with compassion, liberty and solidarity within to protect the dignity
of our divine life and living as a means for keeping us united as oneness in
nature to balance natural health.
The narrative is portrayed by some
of nature's
basics elements: sky, fog, clouds, water and terra firma; and further reduced to white through near black by the use
of charcoal: probably human's first
art medium.
Tolleck's
art stems from his early fascination with the
basic nature of raw materials.
The traumatic
nature of recent experience altered
basic assumptions, and realistic depiction
of life in the
arts seemed inadequate when faced with the fantastically surreal
nature of trench warfare.
His oeuvre comprises travels all over the world, in the course
of which he creates fascinating, temporary
art works from stones or wood, as well as sculptures as results
of long walking tours, that appear calming and are seemingly guided by a great respect for
nature and the structure
of basic shapes such as circles.
[2] Despite this historical highlighting
of artistic unselfconsciousness, the field
of outsider
art presently exhibits an intense self - consciousness about defining its roots and basic nature, as evidenced by the 2015 Outsider Art Fair's published explanation of its origi
art presently exhibits an intense self - consciousness about defining its roots and
basic nature, as evidenced by the 2015 Outsider
Art Fair's published explanation of its origi
Art Fair's published explanation
of its origins:
Like Richard Shilling's use
of twigs and leaves to remind us
of the simple beauty
of nature or the guns Sonia Rentsch forms with flower buds, nuts and sticks to raise the issue
of environmental degradation and violence, Yulia Brodskaya utilizes paper — perhaps the most
basic art material available — and a technique called «quilling» that involves twisting and folding strips
of paper in such a way that she forces the viewer to not only appreciate her finished work, but also reconsider how we look at the raw materials she's using.