Sentences with phrase «bass synth»

The kick drum hits and deep bass synth notes get plenty of head - rattling force at maximum (and unsafe) volumes without a hint of distortion.

With our bass test track, The Knife's «Silent Shout,» bass synth notes distorted slightly but noticeably, and didn't have the power or depth found in the wired, more expensive, Mad Catz Cyborg F.R.E.Q. 5.

Not exact matches

Before computers and software did all the heavy lifting, artists crafted sweeping atmospheric electronic music using looping pedals and synths on top of synths on top of bass guitars.

Draped in synths and bouncy, Top 40 bass lines, Offering turns out to be a lacklustre effort from a group once smothered in critical praise and year - end listings.

This tunnel contains the basic elements of music that include a mixture of bass, beats, drums, guitars, vocals, synth and a whole range of other musical attributes.

Steve Moore is half of one of my favorite bands, Zombi, known for their heavy bass and trippy synth sounds that pays respects to artists like Goblin or Fabio Frizzi.

Swaddled in Angelo Badalamenti's gorgeous synth score, with foreboding bass - thrums occasionally making way for a recurring, cascading piano theme of faltering heartbreak — soaring into lonely, plaintive high notes before falling back into a busier, lower register of despair.»

The slate provided an excellent rendition of Carly Rae Jepsen's «Run Away with Me,» blasting strong synths, clear vocals and sturdy bass.

We could clearly distinguish the synths and vocals of Lady Gaga's «Applause» when listening on the slate, but bass was lacking and the overall sound was canned.

It was easy to hear the snappy snares and synths of Childish Gambino's «3005,» but the song was low on bass and sounded canned at full volume.

When I listened to Kanye West's «No Church in the Wild,» bass was almost nonexistent, highs were tinny and the delicate synths sounded like they came from straight from the 1980s: blown out and fried.

The track's bass thumped well, synths came through accurately, and vocals sounded clear and crisp.

When I listened to BTS» «Mic Drop,» I could hear the booming bass, synth and vocals clearly.

, but if this one is in your wheelhouse, it will be because it lets you shoot many robots while a bass pounds in your ear and synths scream at you.

In more tense moments, the music changes and becomes reminiscent of Castlevania with an organ's melancholy riff being accompanied by a synth - y bass and other elements.

The overall result was sci - funk; a blend of short horn phrases, funky mute guitar, upbeat drums and percussion, groovin» bass, and a whole lotta synth.

Tokyo, Japan (guitars, saxaphone) Los Angeles, CA (percussion overdubs, music arrangement / orchestration / copying) San Juan Capistrano, CA (guitars, synth overdubs, pre-mixing) Hollywood, CA (final mastering) San Francisco, CA (final mixing, electric bass & acoustic guitars) Denver, CO (electric bass & guitar) Atlanta, GA (pro-tools sessiion & pre-mixing) Philadelphia, PA (certain orchestral percussion overdubs) New York City, NY (lead vocals & solo flute) Paris, France (vocals / choir) Prague, Czech Republic (orchestra & choir) Dubia, UAE (pre-mixing, music prep) Santiago, Chile (live music & audience recording) Sao Paulo, Brazil (live audience recording) Lima, Peru (live audience recording) Buenos Aires, Argentina (live audience recording) Toronto, Canada (pre-mixing & recording prep) Washington, D.C. (Chrono remix with BT, vocals) The Netherlands (partial orchestral arrangement) Musical Special Guests!

weighty bass and tinny synths — Hana Risk channels internet tat and Dance Dance Revolution with a Radio Tank Mix of euphoric hardcore beats

Jay - Z and Kanye West's «No Church in the Wild» showcases the Icon Wireless» bass abilities — the sub-bass synth hits on this track, even at moderate volumes, sound like they're coming through a club PA system and you can even feel the bass in the earcups, even at reasonable listening levels.

Porter Robinson & Madeon's Shelter sounded sublime, bouncing synths off a poppy bass line with impressive clarity, and The Notorious B.I.G.'s Hypnotize and Juicy came through cleanly, as if Biggie himself was standing next to us rapping.

When I listened to BTS» «Mic Drop,» I could hear the booming bass, synth and vocals clearly.

When I listened to «Flexicution» by Snow Tha Product, I could hear the bass, strings and synth without issue.

When I listened to «Just One Day» by BTS, I could hear the bass, strings and synth without issue.

The sub-bass synth hits that punctuate the beat are delivered with solid presence, but they aren't as boosted in the lows as they often are through bass - forward earphones.

The drum loop's sustain has some added low - mid and low frequency presence, while the sub-bass synth hits that punctuate the beat have a solid depth, but nothing so powerful that the X12i sounds like a typical bass - forward earphone pair.

The AirPods suffered from weak bass and muted hand claps but served up some clean strings and synths.

The sub-bass synth hits that punctuate the beat are delivered with gusto, but they never approach subwoofer - in - your - skull levels of bass presence.

The low end has some extra oomf to bring kick drums and synth bass to the foreground without drowning out the mids.

When I listened to Bruno Mars» «That's What I Like,» the synths and percussion were pretty clear, although the bass was a bit weak.

The sub-bass synth hits that punctuate the beat are delivered with some strong depth — again, nothing that overwhelms the mix's balance, but it's a sound that will have bass lovers smiling.

But in the bass - focused mode, the kick thuds are a bit heavier and more pronounced, and the sub-bass synth hits on this track are more noticeably present.

They tackled the kick drum hits and synth bass notes of our bass test track, The Knife's «Silent Shout,» without a hint of distortion at top volume.

The bass drum hits won't shake your head, but they have enough presence and mesh with the rapid high - hat to bring the entire track together without disappearing against the synth sweeps or overpowering the spoken vocals.

With our bass test track, The Knife's «Silent Shout,» the low synth notes got very loud without distorting, to the point that my ears began to vibrate uncomfortably at maximum volume without any noticeable crackle.

The sub-bass synth hits that punctuate the beat are delivered with admirable gusto for such an affordable price — this is definitely a bass lover's sound signature.

The sub-bass synth hits that punctuate the beat and often sound thunderous on bass - forward earphone pairs are powerful here, but the bass presence isn't insanely strong like it often is — we hear just as much of the synth's raspy top notes as we do its depth.

The sub-bass synth hits that punctuate the beat are not delivered with subwoofer - style force, but still have plenty of bass depth, as does the drum loop's sustain, which is given some extra thump.

The sub-bass synth hits that punctuate the beat are more implied than delivered — we get their raspy top notes and a little of their bass depth, but almost none of their sub-bass.