Sentences with phrase «battle scene shot»

Not exact matches

At the end of a big rhinoceros battle, a male character submits to Gurira in the film's single most iconic shot, while an earlier scene in which she tosses aside a bad wig ranks as the most gay - friendly Marvel moment to date.

When we finally get to the battle against the Armada, Kapur also demonstrates he has no knack for shooting fight scenes, meaning the boffo climax looks less like epic warfare and more like «Shark Attack 3.»

You won't need your arm twisted to see the movie, artfully shot by Tom Stern (Mystic River) as the scene shifts from the perverse lushness of the Capitol to the stark landscape of the battle zone.

The director can't be faulted in his ability to capture the hearts and minds of an audience and this is no more apparent than the impressively choreographed battle scenes and wonderfully ethereal afterlife sequences — shot with a highly artistic eye.

Graphic ringside scenes of boxing (including blood) make this classic a questionable choice for the Saturday morning cartoon crowd, but Rocky's million - to - one shot at realizing the American dream and proving himself against a formidable challenger may inspire teens who face their own battles.

Battle scenes depict men being shot down with hundreds of arrows.

An epic battle scene was shot at Cahir Castle, while Powerscourt Waterfall and the Wicklow woodlands featured prominently (a naked love scene between Lancelot (Nicholas Clay, pictured above) and Guinevere was filmed in a freezing forest).

Violence: This movie includes frequent battle scenes with countless characters being beaten, stabbed and shot at with arrows.

The worst moments are ported complete from the Tolkien source material (and the theatrical version of The Two Towers): the convenience of a fortuitous in - battle as little Sam storms an enemy keep by himself, the deus ex machina of giant eagles arriving at moments of crisis (in fairness, it seems as though the scene establishing their summoning has been jettisoned), the curiously limp money shot of Aragorn's grasping of his legacy, and a general narrative choppiness that defeats pacing and deadens interest for all but the most invested.

The Monday after shooting on the battle scene wrapped, Rolling Stone contributing editor Jonah Weiner visited one of these warehouses to observe a day of shooting.

Returning director J. Lee Thompson manages to stage some exciting desert battle scenes, cutting on motion from one rapid horizontal tracking shot to another (reminiscent of his excellent 1958 WWII film ICE COLD IN ALEX, aka DESERT ATTACK), but the story is simply a routine

Wright, whose character is the designated gadget - maker (during battle, she sports vibranium - shooting panther paws), brings enchanting little - sister glee; and Nyong» o, who the camera adores, brings her own brand of light to every scene.

The action itself was very enjoyable as the shrinking shots and battle scenes were awesome, funny and well crafted.

EXTRAS: In addition to a feature - length documentary on the making of the movie, there's a behind - the - scenes look at the cast table read, featurettes on creature design, visual effects and shooting the climactic lightsaber battle, as well as some deleted scenes.

The scene he was shooting was part of the German trench battle during the WWI fantasy and sitting near Snyder was Emily Browning.

Battlefield Earth over-relied on these shots, and made a bad movie completely unwatchable; Gladiator did too, and sucked a lot of pure joy out of the battle scenes.

The tense tracking shots interspersed with static point - of - view sets the scene more than any line of dialogue could - it's two years on from events of 2014 film Dawn and the battle between humans and apes, fuelled by the traitorous Koba (Toby Kebbell), has rendered the world a post-apocalyptic wasteland.

The CG backdrops veer into screensaver territory, and the battle scenes are often shot in turbulent closeup; the last 30 minutes are so frenetic it feels like there are defibrillator pads sewn into the theater seats.

Paths Of Glory — One of my favorite, and one of the least misanthropist, of all of Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shot.

The first battle scene is full of brief shots of men slipping, intercut with explosions, as the platoon takes shelter in a cave.

The Reykjanes Peninsula was one of the major filming locations, with Sandvik beach being used to shoot many of the battle scenes.

Like there's a scene in «Avengers» during the New York battle where Cap says, «It's like shooting fish in a barrel.»

The gunplay feels meaty and refined and the special attacks and mayhem abilities elevate some battles into epic scenes of digital carnage; after you've taken down enough enemies to fill your mayhem gauge, you can unleash a devastating attack that's unique to each character — Gat automatically locks onto enemies and unloads his shot gun whilst immunologist Rama infects enemies with a quick spreading plague.

In execution, story mode strives for variety, mixing animated cut - scenes with static stills, more conventional fights with at least a dozen epic boss battles - and even the unexpected on - rails shooting sequence where players can take control of characters like Susanoo.

A quick introductory scene starts to get you caught up, and then it's right into the battle as your airship is shot down.

Views of a Confederate general's monument, a burning sugar cane field and a battle scene being shot for a Civil War film reward lengthy examination.

Canadian Lawyer editor Gail J. Cohen was on the scene of the cover shoot for the May issue featuring Osgoode Hall law professor Alan Young, who fought a decades long battle to update Canada's prostitution laws.

It's a gorgeous film, full of sweeping shots and grand battle scenes, a film worthy of its place in the canon.