The film, itself, is not always up to Patel's level, but it is mostly competently made, with
beautiful cinematography courtesy of Greg Fraser (Zero Dark Thirty), whose opening shots of a little child playing in a cloud of butterflies sets a dreamscape tone for the innocence soon to be lost.
The
cinematography is stunning, the
beautiful yet harsh South Australian landscape in perfect harmony with the haunting score
courtesy of Frank Tetaz (known for his work with David Thrussell and Snog, and more generally on the Dorubo label).