Sentences with phrase «beautiful cinematography from»

The four minute short film is intended to be released online, free to the public and features beautiful cinematography from DP EVAN PESSES, and bloody special FX from make up FX artist and FACE OFF!

As well as amazing direction direction, the movie has beautiful cinematography from director of photography Emmanuel Lubezki.

It can be hard to express great love visually but Dolan splashes the passion all over the screen with striking visuals and beautiful cinematography from Yves Belanger.

The film features beautiful cinematography from Laszlo Baranyai, and a haunting score by Dave Graney and Clare Moore.

With a pulse - pounding score by Alan Silvestri, beautiful cinematography from Trent Opaloch, impressive special effects, and an incredible cast, Avengers: Infinity War is more than a great movie, it's an honest - to - god achievement in blockbuster filmmaking.

Not exact matches

Denis Lenoir's cinematography is beautiful, evoking the eternal nature of the dance - club scene and yet sensitive to its nuanced changes, how it moved from DIY to corporate.

Beautiful settings and cinematography and excellent performances from Eileen Brennan, Cloris Leachman and Mildred Natwick offset the damage somewhat but its still a miss.

Some beautiful cinematography distracts from the dramatic inadequacies, but it's not the best product of its time.

Clouds of Sils Maria is a very good film from Olivier Assayas with fantastic acting, a compelling story, and beautiful cinematography.

The sometimes - campy, somewhat noir-esque tale, told from the perspective of the self - absorbed police inspector who fancied his search for his prey as his own work of art, presents its material with ample laughs, great style and beautiful cinematography.

Killing Ground combines great aesthetic elegance - including beautiful cinematography and naturalistic editing - with an acrid, lingering foulness, derived from knife - edge performances and a terrifying premise executed with airtight verisimilitude.

Chon's tale is... praiseworthy, from its beautiful cinematography (by Ante Cheng in her feature debut) to its take on infamous events from a fresh perspective.

From outstanding writing to beautiful cinematography and all of the inbetween of characters and their actors, Three Billboards outside Ebbing, Missouri is nothing short of classic Americana cinema that is worthy of notice and heaps of praise.

From the beautiful cinematography by Janusz Kaminski to the rousing score by John Williams, it's impeccable to look at and listen to.

With stunning cinematography from Moorhead, Spring unfolds at a dreamy pace, ultimately becoming an absolutely beautiful horror movie / love story hybrid.

From what was shown - the music, song, dance numbers, beautiful cinematography and rich costumes, I'm sure many can not wait to see the actual movie!

The beautiful black - and - white cinematography from Robert Krasker looks fantastic on Blu - ray, digitally transferred from the BFI National Archive's 2008 restoration.

Geoffrey Simpson's cinematography is beautiful from the very first frame.

While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.

In terms of cinematography, I do think there are some beautiful scenes, but that's all I really got from it.

Carol is a beautiful film, gorgeously assembled from the costume design (Sandy Powell), to Carter Burwell's score, and Edward Lachman's cinematography.

The cinematography is beautiful, and sets the tone for a part of the world that knows beauty from architecture to gardens.

Sammy Sheldon Differ's costumes meanwhile are similarly beautiful and classy, while cinematography from Kurzel regular Adam Arkapaw brings out the best in everything, adding atmosphere to breathtaking sets and lavish production design.

Nightcrawler is a great character study, beautiful cinematography and an award worthy performance from Jake Gyllenhaal.

From the classic Tarantino - style dialogue to the beautiful cinematography, audience members are in for a real treat.

We love it for its globe - spanning cast of should - know - better Shakespearian talent; for its mixed bag of ideas (most originating in Herbert's book, others, like the gratuitous heart plugs, from Lynch's own warped mind); for its twisted wedding of ornate Euro - pudding epic, grotesque experimental horror flick and action blockbuster; for the stunning cinematography, immersive sets and beautiful costumes — and yes, even Sting's black nappy.

Tasmanian - born writer - director Damien Power's holiday - from - hell thriller Killing Ground combines great aesthetic elegance — including beautiful cinematography and naturalistic editing — with an acrid, lingering foulness, derived from knife - edge performances and a terrifying premise executed with airtight verisimilitude.

The cinematography from Bonnie Elliott is beautiful, solid editing from Adrian Chiarella, and the direction is fantastic and Boreham is definitely one to watch.

There's also the beautiful look of the film, from Hill's use of lush locales and romanticized vistas, to Conrad Hall's (The Professionals, Fat City) Oscar - winning cinematography, which makes the West as real as if we were actually there.

Aiding the beautiful cinematography is another pulse - pounding and emotional original score from Johann Johannsson (a frequent collaborator of director Denis Villeneuve) that really heightens the simultaneous feelings of suspense and dread whenever the humans make contact.

From Phyllis Nagy's script (adapting the 1952 novel The Price of Salt) through the loving cinematography from Edward Lachman (not as flashy as the Mad Max: Fury Roads and Sicarios of the world, but no less impactful), from the shrewd editing of Affonso Goncalves to Carter Burwell's understated yet foundational score and Sandy Powell's beautiful costuming, Haynes has put together a professional crew that sets the tone with aplFrom Phyllis Nagy's script (adapting the 1952 novel The Price of Salt) through the loving cinematography from Edward Lachman (not as flashy as the Mad Max: Fury Roads and Sicarios of the world, but no less impactful), from the shrewd editing of Affonso Goncalves to Carter Burwell's understated yet foundational score and Sandy Powell's beautiful costuming, Haynes has put together a professional crew that sets the tone with aplfrom Edward Lachman (not as flashy as the Mad Max: Fury Roads and Sicarios of the world, but no less impactful), from the shrewd editing of Affonso Goncalves to Carter Burwell's understated yet foundational score and Sandy Powell's beautiful costuming, Haynes has put together a professional crew that sets the tone with aplfrom the shrewd editing of Affonso Goncalves to Carter Burwell's understated yet foundational score and Sandy Powell's beautiful costuming, Haynes has put together a professional crew that sets the tone with aplomb.

With smart writing, excellent performances (particularly from an almost unrecognizable James Franco, who should have snagged an Oscar nod), beautiful cinematography and brilliantly innovative editing, Spring Breakers is that rare creation: an intelligent and insightful exploitation film that uses its titillating story to make a larger point.

Filmed almost entirely in Switzerland, the beautiful cinematography, the fables of the snake clouds, and Assayas's choice in the editing room to allow this film to unfold as unpredictably as the «Maloja Snake» captivated me from beginning to end.

On show here is the stunning cinematography (from regular Sorrentino DP Luca Bigazzo) and the kind of beautiful despairing decadence that Sorrentino had previously mined with «The Great Beauty.»

The cinematography from Sean Bobbit (The Place Beyond the Pines, Byzantium) is a true standout, especially in unison with Hans Zimmer's (Man of Steel, Rush) sometimes beautiful, sometimes unsettling score.

Also, the location where they shot the film was beautiful while the cinematography helped convey the idea of how far away from civilization the group was, adding to the idea they were completely on their own.

From its perfect casting, to its beautiful story, to its gorgeous cinematography — which includes an early 1960's era California, this film is a real treat for the Disney fan or just any movie fan.

The cinematography by Bojan Bazelli is beautiful and haunting and the film delivers a fine level of mystery for its first two - thirds, recalling great haunted house and asylum movies from the 50s and 60s.

Woody Allen's love letter to Hollywood and New York in the 1930's is everything you would expect from the man himself: beautiful cinematography, endless movie references and an elegant production design.