I thought the haunting score and
beautiful cinematography really helped the film.
Not exact matches
For as far as the scenery,
cinematography and music score goes, this was like delving into a
really lush and
beautiful painting.
There are a few good things about it, the gunfights were gritty and non exaggerated proving that Mann can still do decent gun play that is more accurate opposed to the infinite clip that we are used to seeing in many other movies, the
cinematography is also very good and it was
really nice to just look at the
beautiful landscapes and backgrounds of the locations they filmed in Hong Kong and Jakarta.
The
cinematography is
beautiful,
really turning a rather dull summer home into something more, and takes full advantage of the camera's main drawback — zero peripheral vision.
In terms of
cinematography, I do think there are some
beautiful scenes, but that's all I
really got from it.
Aiding the
beautiful cinematography is another pulse - pounding and emotional original score from Johann Johannsson (a frequent collaborator of director Denis Villeneuve) that
really heightens the simultaneous feelings of suspense and dread whenever the humans make contact.
The film has a unique pace that is
really highlighted by
beautiful cinematography.
The
cinematography is
beautiful, and the film
really captures the trials and tribulations of this long - forgotten profession.