Sentences with phrase «beautiful in art history»

Not exact matches

Until sixty years ago, the Church had earned a lasting place in history for inspiring Christian culture through the literary, visual, and musical arts, understood as beautiful.

Covered in beautiful mosaic buildings and glowing from the post-shower light to an eclectic combination of food and a serene coastal backdrop, Lisbon is truly a beautiful melting pot of art, history, and culture.

Her love for art history and design is evident in every nook and cranny of her beautiful home, so it's no surprise that she works at Christie's, one of the most prestigious fine arts auction houses in the world.

We're steeped in history and beautiful architecture, we've got an overwhelming selection of dining choices, our music scene is rich, and our art scene is even richer.

With its sparse dialogue and strikingly beautiful, color - saturated imagery — almost all of it framed in boxy, anachronistic Academy ratio — the movie doesn't really look or sound like any martial arts flick ever made, offering an original and idiosyncratic take on one of film history's most durable genres.

They made handsome movies about casually wealthy people, usually members of an academic and artistic elite, who loll about in beautiful European locals — here an Italian estate where an art history scholar, Professor Perlman (Michael Stuhlbarg), hosts a student named Oliver (Armie Hammer), who develops a reciprocated attraction to Perlman's 17 - year - old son Elio (Lady Bird «s Timothée Chalamet).

Amid some of the most beautiful art and architecture that Europe has to offer, and often accompanied by a soundtrack of history's most enduring composers (Bach, Beethoven, Vivaldi, Strauss), the two leads, Jesse (Ethan Hawke) and Celine (Julie Delpy), search for meaning and permanence in a world that emphasizes disposability.

This is a beautiful, patient, and timeless book, one that builds upon centuries and shows how the smallest choices — like the chosen mix for yellow paint — can be the definitive markings of an entire life» - Kirkus Reviews «The Last Painting of Sara de Vos is a tremendous story of art, deception, love, ambition and the place of women in the world, and in history.

Santa Cruz California is the quintessential beach town rich in history, art, culture, natural beautiful and is home to the oldest seaside wooden roller coaster.

If you want to take in some history and culture during your shopping break in London, head to Piccadilly, where you'll be able to admire beautiful old buildings and shopping arcades, as well as visit galleries like the Royal Academy of Arts.

Through Art in the Parks, visitors can experience a wide range of site specific experiences that reflect and respond to the beautiful setting and unique history of the Golden Gate National Parks.

Children will explore the artistic and natural wonders of this beautiful renaissance city through exciting and engaging activities in art history, fine arts principles, nature walks, sketching and painting, collage, architecture, sculpture, craftsmanship, and science.

From the swish ski resorts of the French Alps to the glorious rolling vineyards of Bordeaux or the Loire Valley and on to the fashionable beaches of Perpignan and St. Tropez, France is a destination steeped in arts and culture, history, and some of Europe's most beautiful and inspiring landscapes.

Ubud is being one of the famous village most visited in Bali islands due this village offered with many kind beautiful art, myth, and history.

Oceanfront Bed & Breakfast beach resort on beautiful St. Augustine Beach and 10 minutes to historic St. Augustine, the nation's oldest city is a special place that's rich in history, art and culture.

These thick umbrellas — known as a palapas — are part of the beauty and history that is Belize, and if you'd like to see some of the most beautiful ones, visit Chabil Mar Resort, an award - winning all - inclusive resort located in Placencia where the art of the palapa has been taken to new heights.

The Deponia games are arguably my favorite modern point and click titles, packing in a beautiful art style with a great sense of humor and fun story that centres around the biggest douchbag in history, a character who somehow manages to keep you playing through his adventures despite how big of a prat he is.

The Wizard's Edition will include a 300 + page hardback physical copy based on the in - game book that Oliver carries with him, The Wizard's Companion, and will have an in - depth bestiary, item descriptions, spells, history of the Ni No Kuni world and, I assume, concept art as they'll be missing something big if they don't include beautiful Studio Ghibli artwork.

For the first time in the series history, players will create their very own Keyblade wielder and adventure through Disney worlds with beautiful and stylized art, while interacting with a rich cast of memorable Disney characters.

We typically associate Milton Avery «s style with fauvist seascapes, quiet domestic interior scenes where people with blue, red and green bodies dissolve into shapes and outlines, abstracted flat shapes that hold on to representational elements and beautiful color fields that will forever hold their importance in the history of art.

MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21

This beautiful monochromatic print has been created to accompany Armando Andrade Tudela's work included in Adventures of the Black Square: Abstract Art and Society 1915 — 2015, an exhibition at the Whitechapel Gallery, 14th January — April 2015) which presents a survey of the history of the black square in modern and contemporary aArt and Society 1915 — 2015, an exhibition at the Whitechapel Gallery, 14th January — April 2015) which presents a survey of the history of the black square in modern and contemporary artart.

Referencing the Japanese art of Kintsugi — repairing broken pottery with lacquer mixed with powdered gold or silver to highlight the breakage — Smith is interested in how breakage and repair becomes part of the object's history and dignity, and is viewed as beautiful.

As a meditation on the many lives and deaths of art, Adam McEwen has created a space that conflates a beleaguered present with the afterlife of a potent and contentious moment in art history, in much the same way as his obituaries narrate the future - perfect of the rich, the famous, the beautiful, and the notorious.

Along with being one of the most beautiful coastal cities in the world, San Francisco is widely considered the cultural capital of Northern California, with outstanding museums and exhibition venues dedicated to art, science, design, and history.

Few artists reward prolonged scrutiny more than Matisse, and in scrutinizing him, a beautiful paradox arises: The Cut - Outs are some of the easiest great works to love in the history of Western art.

On the same day,» Young America: Roy Lichtenstein and the America's Cup» a show that celebrates Roy Lichtenstein «s beautiful design of a mermaid - decorated sailboat — with its own America's Cup history — goes on view at the Middlebury College Museum of Art in Vermont.

Not just because it is astoundingly beautiful or because Gorky was, with de Kooning, perhaps the most talented draftsman in the history of American art.

Southern Accent: Seeking the American South in Contemporary Art was a beautiful example of what we do best: organize a groundbreaking contemporary exhibition, publish an accompanying scholarly catalogue, attract diverse audiences with exciting programs, teach a new chapter of art history, feature global artists of color, and invite meaningful dialogue and debaArt was a beautiful example of what we do best: organize a groundbreaking contemporary exhibition, publish an accompanying scholarly catalogue, attract diverse audiences with exciting programs, teach a new chapter of art history, feature global artists of color, and invite meaningful dialogue and debaart history, feature global artists of color, and invite meaningful dialogue and debate.

Drawn from the holdings of the Dakis Joannou Collection and installed in the beautiful spaces of Geneva's Museum of Art and History, False Friends proposes unexpected connections between artworks and aesthetics, methods and materials, offering a reading of contemporary art as a magnetic field of elective affinities and striking variations — a cacophonic concerto of forArt and History, False Friends proposes unexpected connections between artworks and aesthetics, methods and materials, offering a reading of contemporary art as a magnetic field of elective affinities and striking variations — a cacophonic concerto of forart as a magnetic field of elective affinities and striking variations — a cacophonic concerto of forms.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyin the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, BrooklyIn Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

They are currently showing some beautiful work by Italian artist Pier Paolo Calzolari who has been loosely associated with the Arte Povera movement but departs from that movement's philosophy in his engagement with the history of art.

E, p. 22 Lee, Sasha, Review: Tree Service, Beautiful / Decay Anthology Online Duncan, Michael, Eric Beltz at Acuna - Hansen, Art In America, June / July, p. 203 Zehler, Mara, Eric Beltz, Flaunt Magazine, no. 94, p. 103 Britt, Douglas, CAMH Exhibit Relates Skewed History, Houston Chronicle, July 9

The art historian Sue Scott has this to say of the Grey Area series: «In these somber, simplified tonal paintings, many of which were based on the facades of beautiful nineteenth - century buildings destroyed in World War II, one gets the sense of buildings in the process of disappearing, much like the history of the city she was depicting.&raquIn these somber, simplified tonal paintings, many of which were based on the facades of beautiful nineteenth - century buildings destroyed in World War II, one gets the sense of buildings in the process of disappearing, much like the history of the city she was depicting.&raquin World War II, one gets the sense of buildings in the process of disappearing, much like the history of the city she was depicting.&raquin the process of disappearing, much like the history of the city she was depicting.»