Sentences with phrase «beautiful little film»

It was the same kind of style and really kind of a beautiful little film,» Welsh explained about how Baird came on board.

Blending comedy and a hint of magical realism, this beautiful little film really gets under the skin.Stefek...

Touching and sad, anyone with a family history can find a reason to relate to this beautiful little film, which takes us on a painful journey with Alma (Anna Castillo), who wants nothing more than to take back something that matters to her, even though it often feels impossible.

Not exact matches

i wouldn't exactly consider myself «high - maintenance» because i'm okay with outdoors - y activities and i never mind breaking a little sweat, but i just have a fine appreciation for beautiful film photographs in obscure locations, and if i can be in the photographs wearing vintage, well that's all the more fun!

Since I became a little obsessed about editing video lately, this time around a vlog comes before photo diary Rome is obviously such a beautiful city that I couldn't stop myself from filming everything around me, and the result is this little vlog of me hanging around the city with my family, eating a lot of pizza, posing in front of Trevi Fountain and admiring this incredibly beautiful city.

Since I became a little obsessed about editing video lately, this time around a vlog comes before photo diary Rome is obviously such a beautiful city that I couldn't stop myself from filming everything around me, and the result is this little vlog of me hanging around the city with my family, eating a...

The film's superb action sequences, beautiful cinematography, fine performances and haunting soundtrack are real stand - outs, but, unfortunately, they're undercut by uneven pacing and the inclusion of a little too much padding.

You don't go to this film for the story, but for the scenery: Bikini - clad girls riding waves, surf photography as beautiful as it is breathtaking, sun, surf, sand, even a little PG - 13 romance.

Emma Watson has grown up to a beautiful lady - when I first saw her in the first harry potter film she was really a little girl.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Wonderfully theatrical in conceit and frequently beautiful to look at, Archangel is nevertheless choppy and listless in pace, and has little of the surrealist zing of the earlier film (Tales from the Gimli Hospital).

The film closes on a little girl who plays JonBenét strutting down the hallway to «There She Is, Miss America,» which sums the movie up well: It's both beautiful and ridiculous, emblematic of an American obsession with over-the-top spectacle and lurid crime.

Needless to say, this hyper - atmospheric art film is a little too reliant on its environment, but the deep snow setting of this lyrically bleak drama was always going to be instrumental in the establishment of both tone and aesthetic value, and sure enough, this film's beautiful environment goes complimented by cinematography by Bedřich Baťka which, while held back by a black - and - white palette, is playful enough in lighting and scope to attract you into this film's handsome world.

You can still find a few little streets and alleyways in Ménilmontant where The Red Balloon was filmed, and a few years ago I found myself on the same beach in Normandy where Jean - Pierre Léaud runs in those beautiful long tracking shots that end The 400 Blows.

The film, itself, is not always up to Patel's level, but it is mostly competently made, with beautiful cinematography courtesy of Greg Fraser (Zero Dark Thirty), whose opening shots of a little child playing in a cloud of butterflies sets a dreamscape tone for the innocence soon to be lost.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical.

Brothers in arms The most dementedly elegiac thriller you've ever seen, distilling a lifetime's enthusiasm for American and French film noir, with little Chinese about it apart from the soundtrack and the looks of the three beautiful leads.

Filled with surprising and unexpectedly beautiful images of people and places, FACES PLACES is a perfect little gem of a film, a pleasant way to spend a couple of hours, on the road with two fascinating and ever - curious people as they see what is around the next bend, in life and on the road.

This Blu - Ray Dual Format edition from The Criterion Collection boasts a truly beautiful black and white image, with authentic natural film grain, surprisingly good fine object detail, and very little scratches or other anomalies.

I was expecting more from this film (after watching the engaging trailer, and knowing the screenplay is by Nick Hornby), so I got a little disappointed... It is a very decent film, the acting is flawless (Saoirse Ronan can definitely carry a film), the colours, the sets and locations, the costumes are all beautiful and the story does grab your attention... and then it ends: when it seemed the real drama would happen.

Sure its beautifully polished from an aesthetics stand point, with rich and beautiful production design by Scott Chambliss, but little else to grab onto in terms of a script or just a normal comfort adventure movie, Bird's film turns out to be his most ambitious failure.

Princess Raccoon — This bizarre little pan-Asian film stars Favorite Actress © Zhang Ziyi, as, well, Princess of the Raccoons who falls in love, against natural law, with a human, who's on the run from his villainous father, the King of a neighboring Mountain, who's trying to kill him because a magic mirror claimed that the son would one day become more beautiful than the king.

While I wouldn't say that May in the Summer is a film that is ground - breaking by any means, it is definitely a quiet little indie flick with good acting, a decent although predictable story, and some beautiful direction from the film's star, writer, and director Cherien Dabis.

The year lacked a single towering masterpiece, but this John Crowley film, based on the Colm Toibin novel, was a little treasure, with beautiful, invested performances and an air of enchantment.

Terrence Malick direction in this movie was pure brilliant, even when sometimes it dose get a little pretentious with some of the imagery, but all that aside, this is a beautiful film that's not going to be for everyone.

This film was a little treasure, with beautiful, invested performances and an air of enchantment.

Alien: Covenant and Prometheus were beautiful, ponderous films that had little coherency or common - sense infused in them.

Unsurprisingly, Little Nicky isn't a satirical indictment of the consumer culture of the twenty - first century but rather follows the familiar mould that usually involves the audience being introduced to an unlikeable half - wit, who surprises both us and inexplicably a beautiful woman by improving and getting slightly less detestable over the first half of the film, before losing our confidence with a stupid mistake and then winning it back again with a rousing finale.

were beautiful, ponderous films that had little coherency or common - sense infused in them.

The little - noticed ACID section yields a mesmerizingly beautiful nonfiction film about an Argentine jack - of - all - trades

Director Waititi's next film is Thor: Ragnarok, so this makes us appreciate even more his pleasant little indie film that features not just colorful and interesting characters, but the beautiful landscape of the New Zealand bush... much of which we see during the humorous manhunt for Hec and Ricky.

This is a powerful, haunting little film — the term «achingly beautiful» might have been invented for it.

Not to be confused with the upcoming live - action Disney remake (nor the upcoming Universal / Working Title movie starring Chloe Grace Moretz), the film reimagines the classic Hans Christian Andersen tale and follows a reporter and his niece who discover a beautiful and enchanting creature the believe to be the real little mermaid.

Beautiful Boy is a great little film that I never want to see again.

So when I say this film is beautiful, I suppose I'm being shallow because if you do a little thematic digging you are sure to find some things that are actually quite ugly.

Despite it being the duos first feature film, their astute direction assures this gritty Texan crime thriller simmers with all the right tones, atmosphere, stand - out performances and beautiful artistic flourishes, to make this little indie picture stand tall amongst the other great crime thrillers of recent years, while firmly planting the Hawkins brothers as two incredibly talented, visual and character driven filmmakers.

Similar to Terrence Malick's The New World but thankfully a little more accessible, River Queen is another beautiful film from Vincent Ward that doesn't quite hit the mark.

Italy looks beautiful, and you'll be visiting a varied range of locales on your jolly little subterfuge expedition, but what's not beautiful is seeing a nazi stuck running in a chest high wall, or the bad lip syncing on display during cutscenes that would make Bruce Lee films look like Oscar - bait.

Its a beautiful piece that for some reason reminds me of the 1989 animated film «Little Nemo: Adventures in Slumberland `.

Based on the 1989 animated Little Nemo film, this game is full of beautiful, vibrant levels, but is probably best remembered for teaching children that if you feed a frog candy, it will open its mouth and let you crawl inside it.

This Paris Review essay explores Disney's lore - laundromat through the career of an ill - fated illustrator, Kay Nielsen, whose gorgeous, rejected concept sketches for films like The Little Mermaid depict a hauntingly beautiful fantasy world that might have been.

With that theme in mind, I'd like to recommend to all you married couples who are celebrating an anniversary this season to give each other a little silk / steel as inspired by the beautiful, award - winning short film Head Over Heels.