Sentences with phrase «beautiful museum shows»

Here's an absolutely canonical figure of postwar American modernism — the artist that curator Walter Hopps picked out for the Smithsonian's 1976 Bicentennial exhibition — and here's a show that seems to be trying, after all the many beautiful museum shows of Rauschenberg's objects, to capture another and crucial side of the artist.

Not exact matches

Dr Greg Edgecombe from The Natural History Museum in London, a co-author on the study, says: «Evidence of symbiotic relationships are rare in the invertebrate fossil record, and this beautiful example shows how these associations began to develop as ecosystems became more complex in the Cambrian Period.

«We've seen this connection before through fossil plants and animals, but these insects show this in a beautiful way,» says Bruce Archibald, a research associate in SFU's Department of Biological Sciences and the Royal BC Museum.

«This beautiful example shows how these associations began to develop as ecosystems became more complex in the Cambrian Period,» says Museum scientist Dr Greg Edgecombe, who worked on the study.

This documentary shows the beautiful artworks and treasures found within the Grand Kremlin Palace, the Terem Palace, the Armory Palace Museum, and other historical Russian sites.

Its long history, stretching all the way back to the fourth millennium BC, is always on show, with numerous museums and beautiful historic buildings found throughout the islands, particularly within the UNESCO World Heritage lauded capital, Valletta.

You can go see a theater show in the Amstelveen Schouwburg or check out beautiful artwork in the Cobra Museum.

In homage to Nochlin, who died last year, and as part of her quietly beautiful solo show at the Whitney Museum of American Art, artist Zoe Leonard has printed excerpts from «Why Have There Been No Great Women Artists?»

Some of the most breathtakingly beautiful drawings are on show at the British Museum.

His first US retrospective «Juan Downey: The Invisible Architect» was held last year at MIT's List Visual Arts Center and the Bronx Museum of the Arts, and the Tamayo show presents many of the same works, including «Plato Now», «The Invisible Eye series», «Video Trans Americas», and many beautiful topographical drawings and installations.

Recent shows include: «The end of magic» at Outpost, Amsterdam 2012 (solo); «Women's lines» at Pantocrátor gallery, Barcelona 2012; «Sphinx» at Fake Space, Beijing 2011 (solo), «This joke ain't funny anymore» at Zina Athanassiadou gallery, Thessaloniki 2009 (solo); The Beautiful is just the first degree of the Terrible» at the State Museum of Contemporary Art, Thessaloniki 2009; «Women only» - Leonidas Beltsios collection at Margaris Art Foundation, Amfilochia 2008 and the 13.

May to September were electric building - filling months at the New Museum, with four standout concurrent solo shows by women artists: the late under - known Italian visionary Carol Rama, the gnarly art of Kaari Upson, the materially complex alchemical sculptures of Elaine Cameron - Weir, and the steamy, seductive portraits of a beautiful community of black dancers and others by Lynette Yiadom - Boakye.

Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.

MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

The beautiful new and greatly expanded museum space enabled the Museum of Art to organize major scholarly exhibitions of contemporary and historic artists, from significant solo shows to thematic group shows that investigate ideas important to disciplines across the liberal arts curriculum, and permanent collection exhibitions, supported by scholarly publicamuseum space enabled the Museum of Art to organize major scholarly exhibitions of contemporary and historic artists, from significant solo shows to thematic group shows that investigate ideas important to disciplines across the liberal arts curriculum, and permanent collection exhibitions, supported by scholarly publicaMuseum of Art to organize major scholarly exhibitions of contemporary and historic artists, from significant solo shows to thematic group shows that investigate ideas important to disciplines across the liberal arts curriculum, and permanent collection exhibitions, supported by scholarly publications.

2016 Light, Form, and Symbol, Williamsburg Art & Historical Center, ブルックリンー ／ NY 2016 Synaesthesia Playground, Spectrum NYC, New York, NY 2016 * New York Electroacoustic Music Festival 2016, Abrons Arts Center ／ NY 2014 * Long Island Biennial 2014, The Heckscher Museum of Art, ハンティングトン ／ NY 2012 * Made in New York 2012, Schweinfurth Memorial Art Center, オーバーン ／ NY 2012 * BIG QUEENS DRAWING SHOW, W.P.M.Jr.Gallery, ジャマイカアートセンター, クィーンズ ／ NY 2011 個展 «Takafumi Ide» The Gallery （ オノンダガ ・ コミュニティ大学 ） シラキュース ／ NY 2010 個展» Life is fleeting; therefore, life is beautiful» AC Institute チェルシー ／ NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー ／ NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス ／ NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル ／ VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery （ ニューロッシェル大学 ） ／ NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン ／ NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 ／ 東京 2009 個展 «propagate» Hartnett Gallery （ ローチェスター大学 ） ／ NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts ／ NY 2007 Projects «07, The Carriage House アイスリップ美術館 ／ NY

Gallery, Jamaica Center for Arts & Learning, Queens, NY 2011 Solo show: Takafumi Ide solo exhibition, The Gallery, Onondaga Community College, Syracuse, NY 2010 Solo show: Takafumi Ide / Life is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East Islip, NY

Upcoming shows include the world just makes me laugh at Berkeley Art Museum and Pacific Film Archive, Berkeley; and good evening beautiful blue at Bass Museum of Art, Miami.

2009 Moyniham, Miriam, St Louis artist's imagery is intense, The Post-Dispatch, 11 June Rosenberg, Karen, More Over, Humble Doily: Paper Does a Star Turn, The New York Times, 19 October 2008 Applin, Jo, Bric - a-Brac: The Everyday Work of Tom Friedman, Art Journal, Spring, pp.69 - 81 Artner, Alan G, Beautiful art books published on 2008, Chicago Tribune, 13 December Cullinan, Nicholas, Tom Friedman, London, The Burlington Magazine, September, pp. 627 - 629 Jenkins, Amy, The Independent (Review of show at Gagosian Gallery, London), 5 July Johnson, Ken, Hunting a Tribe of Minimalists on the Streets of the Upper East Side, The New York Times, 5 January Johnson, Ken, Unwrapping the Secrets of Ordinary Objects, The New York Times, 17 May Lack, Jessica and Clark, Robert, The Guardian (Review of show at Gagosian Gallery, London), 31 May - 6 June Degen, Natasha, Frieze, June Wilk, Deborah, The Complexity of the Simple, Time Out New York, 17 - 23 January Wallpaper.com, Tom Friedman exhibition, London, 4 June 2006 Otten, Liam, Tom Friedman at Kemper Art Museum, Washington University Record, 26 October Tom Friedman at Gagosian Gallery Beverly Hills, The Week, 24 November Vogel, Carol, Why Small is Big, The New York Times, 17 November Knight, Christopher, Art as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 October

There's a stunning solo show of Shirin Neshat in the Correr Museum and Lucy MacKenzie's beautiful occupancy of the little Palazzetto Tito with paintings, painted furniture and ornaments.

Translating to Sirens and Serpents from the original Kiswahili phrase Nguva na Nyoka and on view through December 19th, the new works were debuted at a lovely tea and champagne reception organized by the gallery, and attended by Studio Museum Chief Curator and Director, Thelma Golden, artist Kerry James Marshall (whose beautiful show of paintings, Look / See, can be seen at David Zwirner's London space) and many others.

We set up Museum Bookstore for art, fashion and design lovers whether they want to read up on an exhibition they are about to visit; read more about an exhibition being held far afield, revisit an old favourite show or just add another beautiful coffee table book to their collection.

Morgan Library & Museum: «A Dialogue With Nature: Romantic Landscapes From Britain and Germany» (through Sept. 7) With Johann Georg Wagner (1744 - 67), Caspar David Friedrich and J.M.W. Turner in attendance, this beautiful show contrasts drawings by German and British artists in a series of often stunning alternately exacting and flamboyant works, which were drawn from the Courtauld Gallery in London and the Morgan.

The curators of We Wanted a Revolution, the museum's astute Catherine Morris and the rising star Rujeko Hockley (who is now at the Whitney), reminded us that black women were at the front lines of second - wave feminism — as artists, activists, writers, and gallerists — in a show that was as vibrantly beautiful (notably the paintings of Emma Amos, Dindga McCannon, Faith Ringgold, and Howardena Pindell) as it was edifying.

Ashley has shown work on the walls of the High Museum, the billboards of Atlanta, the televisions in Finland, and been published in Wired UK, Beautiful / Decay, Burnaway, and WABE.

Rostarr has had solo exhibitions in Tokyo, Paris, Milan, New York, Los Angeles, Miami, Puerto Rico, to name a few, and has participated in group shows on both a national and international level, also extensively as part of the esteemed Beautiful Losers show which has toured museums and contemporary art centers worldwide.

On the same day,» Young America: Roy Lichtenstein and the America's Cup» a show that celebrates Roy Lichtenstein «s beautiful design of a mermaid - decorated sailboat — with its own America's Cup history — goes on view at the Middlebury College Museum of Art in Vermont.

A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US

His projects have included exhibitions of Jean - Michel Basquiat's work at the Brooklyn Museum; a show focused on contemporary art and hip hop that traveled from the Bronx Museum of the Arts to centers in Minneapolis, Atlanta and Munich; and «Fútbol: The Beautiful Game» at LACMA, about soccer and its importance to societies globally.

There has never been a gallery that could satisfy any gallerygoer all the time, and even those who have been dismayed by the spectacles engineered by Dan Colen, Damien Hirst, and Mike Kelley at Gagosian in recent years will point out that Gagosian has also mounted beautiful exhibitions of the sculpture of David Smith, and shows of paintings by Picasso and Monet that are routinely and quite accurately described as «museum quality.»

1978 Audio Works / Artists Space, Artists Space, New York, US Small is Beautiful, Freedman Gallery, Reading, Pennsylvania, US A Selection of Conceptual Works by Eight Americans, 176 Franklin Street, New York Sound Art, Julian Pretto Gallery for WBAI Union Fund, New York, US Audio Art, Apropos, Luzern, CH Les Livres d'Artistes, Une Selection, Palais des Beaux - Arts, Brussels, BE Work from the Crex Collection, Ink, Zurich, CH; Louisiana Museum, Humlebaek, DK; Stadtische Galerie im Lenbachhaus, Munchen, DE; Van Abbemuseum, Eindhoven, NL Zomer 1978, Art & Project Gallery, Amsterdam, NL Group Show, Gallery A +, Amsterdam, NL America en la Mira, Muestra de Grafica Internacional, Morelia, MX; Galeria Universitaria Antonio Ximenez de las Cuevas, MX; Escuela de Diseno y Artesanias, Mexico City, MX; Galeria Universitaria, Toluca, MX; Universidad Autonoma Metropolitana, Mexico City, MX; Universidad Autonoma de Baja California, MX Made for TV?

She cited a 1978 Mark Rothko show, «that showed the museum itself could look exquisitely beautiful,» and a subsequent show featuring work by Joseph Beuys, the German sculptor and installation artist, «who took the place over and used it as a venue for almost a site - specific exhibition.»

★ Whitney Museum of American Art: «Wade Guyton: OS» (through Jan. 13) Something of a rarity this fall season, a beautiful, thoughtfully staged show makes a cogent case for a young painter with no overt political ax to grind working in New York.

Category ART, PERFORMANCE, VIDEO · Tags Beautiful Radiating Energy (Hardy and de Nieves), John Kelsey, K8 Hardy, K8 Hardy How To: Untitled Runway Show, Participant, Raúl de Nieves, Reena Spaulings Fine Art, Whitney Biennial 2017, Whitney Museum of American Art

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

Una aproximación al arte norteamericano del siglo XXI, Eutopia 08, Sala museística de Cajasur, Córdoba, curated by Alejandro and Mario Martín Pareja 2007 Paper Trails, V1 Gallery, Copenhagen 2006 High Math, V1 Gallery Copenhagen Arkitip, with KAWS, Venice Beach, California; travelling to Venice and Tokyo 2005 Beautiful Losers, Baltimore Contemporary Museum, Baltimore, Maryland; Orange County Museum of Art, Orange County, California 2004 Beautiful Losers, Cincinnati Contemporary Arts Center, Cincinnati, Ohio; Yerba Buena Center for the Arts, San Francisco, California 2002 Beloved Fiend, Tate Liverpool Biennal, Liverpool Pot o'Gold 3, PAM Gallery Australia, Perks 2001 Tits and Ass, with Jamil GS, Huston Gallery, Seattle, Washington Pot o'Gold 2, with Chris Johanson and James Jarvis, PAM Gallery Australia, Perks 2000 Street Market, with Steve Powers and Barry McGee, Deitch Projects, New York; Parco Gallery, Nagoya; Venice Biennale, Venice Untitled 2000, Japan Group show Keith Haring Foundation, Tokyo 1999 Indelible Market, with Steve Powers and Barry McGee, ICA - Institute for Contemporary Art, Philadelphia, Pennsylvania 1998 Daze / Crash with guest Reas, Recent Works, Pallazzo Enrico Coveri Florence, Florence Adventures of the Four Letter Word, with Steve Powers

Reactions to this unquestionably beautiful gathering of seven paintings by the fifteenth - century Italian master are so hushed and reverent that I find myself wondering if people are transfixed by the paintings or by their participation in what has been widely recognized as this season's perfect little museum show.

Now there is: until April, nearly all the major combines are on view at the Metropolitan Museum of Art in New York in a beautiful show organised by Paul Schimmel.

She was recently featured in Beautiful Decay magazine and has shown in museums and galleries across the United States.

2007 Apex: Wes Mills, Portland Art Museum, Portland, OR Drawings, solo show, PDX CONTEMPORARY ART, Portland, OR Small is Beautiful, Gasser & Grunert, Inc..

My friend Ian «Kid Zoom» Strange has left me in New York to embark on an incredible adventure of creating museum shows and transforming earthquake - affected homes in New Zealand into a beautiful film, giving these condemned former homes one last breath of life before they are leveled, along with the memories of the families who lived in them.

Her exhibitions include The Art Show: Art of the New Millenium in Taguchi Art Collection, Museum of Modern Art, Gunma, Japan; Futbol: The Beautiful Game, Los Angeles County Museum of Art (2014); Taguchi Hiroshi Art Collection: A Walk around the Contemporary Art World after Paradigm Shift, Museum of Fine Arts, Gifu, Japan (2015); So Athletic, Kunstverein Rosa - Luxemburg - Platz, Berlin (2012); Informal Relations, Indianapolis Museum of Contemporary Art (2011); Hue & Cry, Sotheby's S 2, New York, N.Y. (2012); Idealizing the Imaginary: Invention and Illusion in Contemporary Painting, Oakland University, Mich. (2012); Third Thoughts, CCA Andratx, Mallorca, Spain (2010); and Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha, Neb. (2010).

On Friday, she'll introduce a documentary portrait of her mother — «Happy Birthday to a Beautiful Woman» — as part of a new solo show of her work at the Brooklyn Museum.

«The Whitney Museum has a hit on its hands: a beautiful show organized by a young curator that makes a cogent case for the work of a young artist.»