Sentences with phrase «beautiful original score»

A special physical edition of RiME, featuring a download code for a digital copy of the game's beautiful original score, will also be available on Nintendo Switch at major retailers for $ 39.99 / $ 44.99 / # 39.99.

The film opens on a massive, stunning waterfall with a sample from the films beautiful original score.

Not exact matches

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

It features the superb high - definition master from the original Blu - ray release — the image is sharp and rich, with deep blacks and textured shadows, a reminder of just how beautiful black - and - white can be on a well - mastered, well - produced Blu - ray — and the isolated score, attributed to Columbia's musical director Mischa Bakaleinikof but including musical cues from the studio's music library, plus a booklet with an essay by Julie Kirgo.

Shrek Best Foreign Language Film Amelie Elling Lagaan No Man's Land Son of the Bride Best Original Screenplay Amelie Gosford Park Memento Monster's Ball The Royal Tenenbaums Best Adapted Screenplay A Beautiful Mind Ghost World In The Bedroom The Lord of The Rings Shrek Best Score AI: Artificial Intelligence A Beautiful Mind Harry Potter The Lord of The Rings Monsters, Inc..

A huge thank you to commenter Markku who points us to emusic.com's sampling of Paul Cantelon's original score for Oliver Stone's «W.» I have to say, it's a beautiful piece of work on the whole.

The New World: The Criterion Collection Rotten Tomatoes Score: 62 % Available on DVD and Blu - ray While the 172 minutes extended cut of Terrence Malick's beautiful vision of the John Smith / Pocahontas story has been available for some time now, Criterion has taken the production to a new level with this set which includes the extended cut as well as the original theatrical 135 minute cut and the 150 minute first cut, all remastered in HD.

Aiding the beautiful cinematography is another pulse - pounding and emotional original score from Johann Johannsson (a frequent collaborator of director Denis Villeneuve) that really heightens the simultaneous feelings of suspense and dread whenever the humans make contact.

Giving the crime movie a well - deserved amphetamine - kick up the backside, Nicolas Winding Refn's «Drive» (about a getaway driver, Ryan Gosling, who becomes unexpectedly involved in the life of his beautiful neighbor Carey Mulligan) wasn't original in its separate elements: virtually every plot beat had been deployed somewhere before, and its neon - lit, synth - scored aesthetic called back to classic Michael Mann, Walter Hill and William Friedkin pictures of the»70s and»80s.

The high scores, the beautiful graphics, extremely fun gameplay and let's not forget, the amazing story all make for a tough game to have missed, but many people have not played the original BioShock's.

Players will also enjoy a beautiful and haunting original score by Grammy nominated, and two - time BAFTA winner, composer Austin Wintory conducting The Dallas Winds orchestra, as well as a powerhouse trio of acclaimed YouTube sensations: Peter Hollens, Malukah and Taylor Davis.

A beautiful and haunting original score by Grammy nominated, and two - time BAFTA winner, composer Austin Wintory completes this unforgettable journey.

Players will enjoy a beautiful and haunting original score by Grammy nominated, two - time BAFTA winning composer Austin Wintory conducting The Dallas Winds orchestra, as well as a powerhouse trio of acclaimed YouTube sensations: Peter Hollens, Malukah and Taylor Davis.

Great throwback to the original series with beautiful level design complimented by an amazing score.

It is just as beautiful as the original version, but it also plays twice as fast and doesn't require any math on your part to tally scores.

Players will enjoy a beautiful and haunting original score by Grammy nominated, two - time BAFTA winning -LSB-...]

and, like most Kirby games, a beautiful musical score that will, sadly, probably become underappreciated (the game playfully uses orchestral pieces for most stages, whether original or remixed tunes, while the aforementioned secret stages pull a classic track right out of Kirby's past).