Sentences with phrase «beautiful screen in»

The Nook Color has a more sophisticated air, perhaps due to the graphite color, the metallic feel of the casing, or the big, beautiful screen in front.

We spent most of our time on the beautiful screened in porch feeling the cool breeze and loved the two minute walk to the beach.

Not exact matches

In other words — if your web forms aren't beautiful to look at and easy to fill out on mobile screens, they're pretty much guaranteed to bleed leads.

It's a flagship phone that launched in March 2017 with a big, beautiful 5.7 - inch screen that took up nearly the entire front of the phone.

Pepsi was not first in this market — Coke was — but its latest version is beautiful, a simple white or black frame with a touch screen that offers as many as 1,000 flavor combinations.

In a culture of self - absorption built on doubts about our own self - worth, we desperately attempt to make ourselves appealing to others» dieting, exercising, nipping, and tucking» and appear as young, beautiful, and useful as all the bodies and faces that fill our magazines, billboards, and television screens.

The children sang at the top of their lungs, beautiful in their simple costumes, surrounded by hay bales and iPhone screens, and in that moment, the grief of longing nearly overwhelmed me.

With this event, we'd like to give you a more intimate glimpse into the lives of ordinary people in Syria with a screening of «I Want to Live», a beautiful and moving documentary, and offer you a chance to savour the flavours of the region, to celebrate the vibrant and resilient food culture, where the act of sharing food and communal eating is the act of living!

Coinciding with the launch of «A Beautiful Future» and to screen the hero film, Belvedere and Monáe will gather a special group of speakers and guests for a Fem the Future (FTF) Brunch in Los Angeles on March 2nd.

These beautiful lunar phase calendars are screen - printed by hand on great - quality paper in Providence, RI, and look amazing on any wall.

The beautiful photography drew me in and it was almost as if I could smell them through the computer screen.

Anna Maria: After years of sharing the love of making through a screen, I foresee Craft South to be a place where any one can walk in, any time, for any reason, and share what they are working on, learn something, knit, sew, stitch, talk, buy beautiful materials for all of it and be an important part of a community of crafters.

In addition to a tween room and arcade, there's regular programming through the day for kids (field day, parachute games, arts and crafts, etc.), including outdoor movies on a mega screen in the beautiful courtyarIn addition to a tween room and arcade, there's regular programming through the day for kids (field day, parachute games, arts and crafts, etc.), including outdoor movies on a mega screen in the beautiful courtyarin the beautiful courtyard.

In the aftermath of a raw - image dump, «about every five minutes I refresh my screen, and each time I find there are more of these beautiful, hugely valuable products,» says Candice Hansen, lead scientist for NASA's JunoCam team.

With Cate Blanchett in Chopard, Isla Fischer in Bulgari, and Julia Roberts in Wilfredo Rosado, there was plenty of beautiful jewelry on the red carpet at the Screen Actors Guild Awards 2014.

It's been an inspiring week getting to screen and talk movies / film with like - minded and diverse people from all over the world in this beautiful city.

We have a great room for nesting, but lately the screened in porch has been more of a hangout with this beautiful fall weather.

As you may have seen in an earlier blog post, I also commissioned Maki's previous business partner Laura Kimsey for the matching bag, which is every bit as beautiful in person as it looks on screen.

There's also a cosmic injustice to casting Peter Capaldi, who lit up the screen with beautiful vitriol in In the Loop and «The Thick of It,» as a stock doctor that could have been played by any old man in a sweatein In the Loop and «The Thick of It,» as a stock doctor that could have been played by any old man in a sweateIn the Loop and «The Thick of It,» as a stock doctor that could have been played by any old man in a sweatein a sweater.

You can't blame studios for trying to re-create the young - adult page - to - screen successes of the Twilight and Hunger Games sagas, but like Beautiful Creatures and The Host before it, The Mortal Instruments: City of Bones failed to catch fire when it arrived in theaters this summer.

Erich von Stroheim commands the screen as a vaudeville sharpshooter who hates women but falls in love with his beautiful assistant — who manipulates his affections so she can get him to murder her husband.

Adele Haenal and Kevin Azais both give strong performances, and the chemistry is certainly present on screen, while the flick's bizarrely charming score and array of beautiful shots create definite impact; one of the film's final scenes, that takes place in an abandoned town, surprised me in its method of creating danger.

Jones is definitely one of the most beautiful women ever to grace the sliver screen, and her projected intelligence has never hurt her, even in the acting work she does nowadays.

You'll back the tractor trailer in carrying the Godzilla Plus sized combo packs of popcorn and soda and whatever and just meld into the theater seat as the beautiful CGI scenes of China fill the screen.

It's such a pleasure to see four mature women, more beautiful, glamorous, desirable and pulled together than most of the ladies today who are half their age, share the screen in all their glory that it's easy to forget how disappointing the movie is.

«In order to recreate a living, systemic and majestic open world of Ancient Egypt, where players can witness all of its stunning details, its beautiful landscapes & incredible cities, in a completely seamless way with no loading screens, Assassin's Creed Origins uses the full extent of the minimum and recommended PC system requirements.&raquIn order to recreate a living, systemic and majestic open world of Ancient Egypt, where players can witness all of its stunning details, its beautiful landscapes & incredible cities, in a completely seamless way with no loading screens, Assassin's Creed Origins uses the full extent of the minimum and recommended PC system requirements.&raquin a completely seamless way with no loading screens, Assassin's Creed Origins uses the full extent of the minimum and recommended PC system requirements.»

Jennifer Merin: In her first narrative feature, filmmaker Gabriela Cowperthwaite does a beautiful job of bringing the true story of a heroic woman to the screen.

Smith may no longer be the box office king he once was, but he still has the screen presence to carry a movie, and he turns in a solid performance as the too - smooth con artist who develops a weakness for Robbie's beautiful criminal - in - training.

Tense and beautiful, Sweet Country is utterly gripping from the first scene, an extreme close - up of white sugar being stirred into black tea and boiling in a billy, while racist violence occurs off screen, heard but not seen.

While there are standout examples — like Darren Aronofsky's disorienting, eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas like this one usually work better on the page than on the screen; the brief gloss of film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappealing.

I highly advise watching the movie in Disney View, which adds a beautiful letterbox to the sides of the screen.

And he creates some of the most hauntingly beautiful and terrible images I've seen on the screen in the chaos of the climax: orange and yellow flames devouring the black - and - white image on a theater screen, the image reforming on the billowing smoke like a phantom cackling over the destruction.

Kwanten and Canning are beautiful people to look at on the big screen; they're also quite charming in their roles.

Alison Brie stars as Ferrell's fiancée and she is absolutely, stunningly beautiful in her brief screen time.

Wow Speaking English, I so disagree with you about Tomei's work in «Before the Devil Knows You're Dead», I thought she was terrific and deserving of some Oscar attention — have always loved her, and have always believed she deserved that Oscar she did win for «My Cousin Vinny» as it was a terrific piece of comedic acting, incredible timing — I think the rumors that Jack Palance read the wrong name is hurtful and cruel — she is a wonderful actress and will be nominated again for «The Wrestler» and would be a most worthy winner — have had the pleasure of interviewing her and she is as beautiful in person as she is on screen... and a nice gal.

Shot in Super 35 mm, the film pays special attention to its visuality and contains some of the most beautiful shots ever seen on the silver screen.

The beautiful and mysterious Android 21 gets more screen time in a new trailer of Dragon Ball FighterZ for Xbox One, PS4 and PC.

It plays more like myth or metaphor than literal flashback, a beguiling, beautiful, terrible fantasy of sex and magic and flesh and fur in what could be the most magnificent cinematic snow globe ever shaken on screen.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Never mind Sid and Nancy; Fatih Akin's tale of two beautiful losers in a marriage of convenience is the greatest punk - rock romance ever to grace a screen.

In the hands of del Toro, the strangest of premises is transformed into one of the most consistently beautiful love stories to have played out on the big screen in years — and it's largely down to the strong sense of innocence and humanity that stops it from playing out like an interspecies freak shoIn the hands of del Toro, the strangest of premises is transformed into one of the most consistently beautiful love stories to have played out on the big screen in years — and it's largely down to the strong sense of innocence and humanity that stops it from playing out like an interspecies freak shoin years — and it's largely down to the strong sense of innocence and humanity that stops it from playing out like an interspecies freak show.

Filmed over five years and in twenty - five countries on five continents, Samsara is a meditation on our beautiful planet where you can just sit in amazement as you marvel at the images on screen.

«Being fans of the «Cities of Love» series, we at Screen Media couldn't be more excited to bring this beautiful film to American audiences, just in time for Rio's big summer,» added Tom Yagielski, Senior Vice President at Screen Media.

The intensity of the OLED screen makes the pixel art of Hotline Miami pop in a beautiful way, really doing the art's 80s neon colour scheme justice.

If you've yet to create your own hunter, the short version of the situation is that MH World's character creation screen shows finely - detailed, exceptional quality faces, while those same faces are noticeably less beautiful in the actual world.

Generally, when Hollywood is shown on screen, for example in A Star Is Born and The Bad and the Beautiful or, more recently, in The Artist, it is depicted as a hotbed of viciousness, egotism and backstabbing.

Sometimes they share the screen with the people they depict, creating an ironic counterpoint: the grossly enlarged picture that looms behind Charles Foster Kane as he gives his disastrous stump speech in Citizen Kane; or the absurdly beautiful, marmoreal image of Buster Keaton that winds up plastered on a billboard Wanted poster in the short comedy The Goat (1921), and in front of which Keaton himself enacts a silent aria of slapstick befuddlement.

Besides «Marshall» director Hudlin, stars Chadwick Boseman, Josh Gad and Sterling K. Brown and producer Paula Wagner, high - profile guests expected at various screenings and events during the festival include Patrick Stewart (subject of an Oct. 25 career retrospective tribute and a conversation with yours truly); Vanessa Redgrave (Oct. 16, presenting her documentary «Sea Sorrow» and represented elsewhere in the festival by a revival screening of «Blow - Up»); Alfre Woodard (subject of an Oct. 21 career retrospective tribute); Michael Shannon (Chicago's own, as the locals like to call him, representing «The Shape of Water» on Oct. 26); Tracy Letts (Chicago's own, as the locals also like to call him, participating Oct. 18 on behalf of Greta Gerwig's acclaimed directorial debut «Lady Bird»); Michael Stuhlbarg (arriving Oct. 25; he gives a beautiful supporting turn in the coming - of - age drama «Call Me by Your Name»); Jon Lovitz (part of the Chicago - sprung comedy «Chasing the Blues,» appearing Oct. 14); and, in an Oct. 23 addition announced after the program went to press, Bill Pullman (getting good notices for the western «The Ballad of Lefty Brown»).

In an exclusive interview with Screen Rant for his upcoming action film Den Of Thieves, Butler mentioned his recent work recording for How To Train Your Dragon 3, and called it «beautiful»:

The game's hands - on demo was purely in docked mode, lush and beautiful on the big screen.