Sentences with phrase «beauty as an art form»

They use their creativity and appreciation of beauty as an art form.

Not exact matches

I wouldn't be so bold as to name the purpose of art, but I think one thing that unifies its many forms is the desire to distill the chaos of existence, in all its wonder and tragedy, into a single, unified image of beauty.
Of course we know that music as well as other art forms can equally be cathartic — alchemising pain into beauty.
There is so much beauty in French culture and I adore the way that French cuisine approaches cooking more as an art form than a chore.
One of the beauties of art and music is that, as art forms, they are subjective and open to interpretation.
Only now are we realizing that as much beauty can be found in a video game as in any form of art, or more.
Upcoming at Virginia Museum of Fine Arts Posing Beauty in African American Culture April 27 — July 26 This exhibition examines the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the IntBeauty in African American Culture April 27 — July 26 This exhibition examines the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the Intbeauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the Internet.
As we approach the current moment, when the allure, social use, and bodily affect of color and form permeate contemporary art, Pretty Raw reveals the social implications and physical beauty already present in this history.
The book is a beauty... There is, throughout Ms. Jones's essay and the book as a whole, voluminous documentation of work by major artists who still rarely figure in most histories of American postwar art, like Betye Saar, who made intricate figurative drawings on covered glass windows; Senga Nengundi, who was conjuring unusual forms from sand and pantyhose before Ernesto Neto was even a teenager; and John Outterbridge, whose multifarious assemblages took on a gamut of styles.
Dubuffet (1901 — 1985) eschewed traditional notions of beauty in art in favor of what he perceived as more authentic forms of expression, inspired by graffiti, children's drawings, and the creations of psychiatric patients.
In many ways, he opened ways for other artists not only to see but to understand conceptually the importance of working in a reductive manner as signaling a new approach to art somewhere between late industry and the virtual age of digital formsforms that emit a language consistent with the twenty - first century, with all their elegant and paradoxical beauty.
As Kant indicates, an attractive wallpapering may possess even the highest form of beauty: «free beauty,» which is to be found equally in the decorative arts and in arts approaching «pure form,» like music without a thema, or, after Kant's time, in abstract art.
It is an art that celebrates inherent qualities — the simplicity of geometric forms, and the beauty of such unadorned means as aluminum and plywood.
All the while maintaining an overarching interest in celebrating beauty as a pure form in an ideology redolent of the statements of art historian Bernard Berenson — who advocated the passage «from the observation of forms to that of a form».
They disrupt the traditional art historical notion of the female form as a site of natural, transcendent beauty and instead inspire a Freudian fear, as hulking totems of base desire.
Besides, she is invited for significant art events worldwide, such as «Viva Arte Viva», the 57th Venice Biennale, Venice, 2017; «Deutschland 8 — German Art in Beijing», Beijing, China, 2017; «The Garden — End of Times; Beginning of Times, # 3 The Future», Denmark - Aarhus, Denmark, 2017; «Forming in the Pupil of an Eye», Kochi - Muziris Biennale, India, 2016; «Me», Schirn Kunstalle, Frankfurt, 2016; «Le Precieux Pouvoir des Pierres», MAMAC, Nice, France, 2016; «Night Begins the Day: Rethinking Space, Time, and Beauty», Contemporary Jewish Museum, San Francisco, USA, 2015, etart events worldwide, such as «Viva Arte Viva», the 57th Venice Biennale, Venice, 2017; «Deutschland 8 — German Art in Beijing», Beijing, China, 2017; «The Garden — End of Times; Beginning of Times, # 3 The Future», Denmark - Aarhus, Denmark, 2017; «Forming in the Pupil of an Eye», Kochi - Muziris Biennale, India, 2016; «Me», Schirn Kunstalle, Frankfurt, 2016; «Le Precieux Pouvoir des Pierres», MAMAC, Nice, France, 2016; «Night Begins the Day: Rethinking Space, Time, and Beauty», Contemporary Jewish Museum, San Francisco, USA, 2015, etArt in Beijing», Beijing, China, 2017; «The Garden — End of Times; Beginning of Times, # 3 The Future», Denmark - Aarhus, Denmark, 2017; «Forming in the Pupil of an Eye», Kochi - Muziris Biennale, India, 2016; «Me», Schirn Kunstalle, Frankfurt, 2016; «Le Precieux Pouvoir des Pierres», MAMAC, Nice, France, 2016; «Night Begins the Day: Rethinking Space, Time, and Beauty», Contemporary Jewish Museum, San Francisco, USA, 2015, etc..
They have been cast, like Burton and Taylor, in a variety of showy roles: as painters interested in reviving aspects of the art form in its most staid and classical modes; as Marxist or Marcuseian critics of commodity culture and its discontents; as leering champions of youth movements and counter-culture stylings; as strict, detached, ironic appropriationists; and, finally, as sincere and romantic poets attendant on the tragedy of age's advancing degenerations of the body and of the melancholy states of nostalgia associated primarily with the waning of youthful beauty.
A group exhibition of art that explores the cultural and scientific uses of flowers and blooming plants, as well as their form, color and beauty.
First, there is theatre as thing of beauty in and of itself — an art form that is made and shared collectively, and that can be a focal point for reflection and discussion that leads to action.
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