Related Reviews:
New:
Of Gods and Men • Rango • Red Riding Hood • Miral • The Incredibles (Blu - ray) • Arthur Criterion Collection: Night Train to Munich • Stagecoach • Paths of Glory • Kiss Me Deadly 1946: It's a Wonderful Life • The Stranger • The Films of Rita Hayworth • Esther Williams Collection, Volume 1 • Beauty and the Beast (1991) • Beauty and the Beast: Belle's Magical World • Sleeping Beauty (1959) • Enchanted The Brothers Grimm • The Curious Case of Benjamin Button • Stardu
Of Gods and Men • Rango • Red Riding Hood • Miral • The Incredibles (Blu - ray) • Arthur Criterion Collection: Night Train to Munich • Stagecoach • Paths
of Glory • Kiss Me Deadly 1946: It's a Wonderful Life • The Stranger • The Films of Rita Hayworth • Esther Williams Collection, Volume 1 • Beauty and the Beast (1991) • Beauty and the Beast: Belle's Magical World • Sleeping Beauty (1959) • Enchanted The Brothers Grimm • The Curious Case of Benjamin Button • Stardu
of Glory • Kiss Me Deadly 1946: It's a Wonderful Life • The
Stranger • The Films
of Rita Hayworth • Esther Williams Collection, Volume 1 • Beauty and the Beast (1991) • Beauty and the Beast: Belle's Magical World • Sleeping Beauty (1959) • Enchanted The Brothers Grimm • The Curious Case of Benjamin Button • Stardu
of Rita Hayworth • Esther Williams Collection, Volume 1 •
Beauty and the Beast (1991) •
Beauty and the Beast: Belle's Magical
World • Sleeping
Beauty (1959) • Enchanted The Brothers Grimm • The Curious Case
of Benjamin Button • Stardu
of Benjamin Button • Stardust
- Kataoka believes the
world of The Legend
of Zelda: Breath
of the Wild is the true protagonist
of the game - at times, really beautiful and delicate, and other time's it's rough and ruthless - the natural
beauty is one
of the main appeals
of the game - she wanted the music to not just reflect, but also enhance that appeal - she wanted the music to reflect the long History
of Hyrule, but also the ordeals
of the Link and Zelda
of this particular entry - in order to express the idea
of a
world in ruin, yet so vibrant, she decided to use traditional instruments - these included the shinobue and the erhu, which are not commonly used in orchestras - these contrast the synthesizer sounds
of the ancient civilization - the main theme includes chord progressions which are not really suited to classical music - Kataoka wanted reflect Link's 100 - year sleep in the main theme, which explains the rather
strange break in the song - the break represents Link taking a «
new breath», after 100 years in stasis - the break basically serves as the division between Zelda and the past, and Link and adventure in the present day - she usually does not pay much attention to such details, but had the opportunity to do so this time