What happened right after the Ninth Street Show was that some of the artists
became Abstractionists.
I heard Rebecca Morris speak earlier this year in Chicago, and was struck by how she discussed
becoming an abstractionist at a time when both abstraction and painting were under attack.
Not exact matches
In fact the Lyrical
Abstractionists became invisible, unmentionable and untouchable, and no one spoke out.
Shaw quickly
became an integral member of the budding American
abstractionists and a vocal advocate for the recognition of American abstraction.
It is guided by large, geometric structures — planar outlines that present variations on the rectilinear shape of the canvas; and sometimes these outlines multiply, acquiring a luminous near - solidity, as if Tworkov were about to
become a geometric
abstractionist.
In Newsom's 2015 catalog of work from the past 10 years to the present exhibition, critic Barry Schwabsky writes in his essay, «what keeps «strong painting» from
becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an
abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.»
On a leave of absence during 1956 — 57, he spent time in New York City, where he
became friends with Elaine and Willem de Kooning [1] and Franz Kline, and was much influenced by these
abstractionists as well as by proto - pop artists Robert Rauschenberg and Jasper Johns.
He would go on to
become one of the most important geometric
abstractionists of the mid-20th century.
This approach to design
became a hallmark of Minimalism, important because it was a departure from the more relational approach of European
abstractionists such as Mondrian.
During this period he
became aware of the group called de Stijl, whose membership included Piet Mondrian and Theo van Doesburg, two of the most influential
abstractionists of the early twentieth century.
The great Catalan painter and sculptor began by painting scenes of rural peasant life, and went on to
become a wayward surrealist,
abstractionist and creator of a freeform symbolic world.
In Paris he
became a confirmed
abstractionist; in his work illusionistic space in figurative paintings yielded to uptilted planes and increasingly to a Cubist fracturing of the picture plane.