Sentences with phrase «became artistic director»

Theater director Lee Strasberg co-founded the Group Theatre, where he directed experimental plays, and later became artistic director of the Actors Studio.

Following her exclusion from university, Brătescu worked principally as an illustrator and graphic designer, and in the early 1960s became the artistic director of prestigious literary magazine, Secolul 20.

In 2013 Curiger became the Artistic Director of the Fondation Vincent van Gogh Arles in Arles, France.

De Nieves became the Artistic Director of Rupert (Vilnius) in 2013, a new educational and residency program established in Lithuania.

With determination and love of dance, he became the artistic director of the renowned Alvin Ailey American Dance Theater.

In 2005, Italian fashion designer Riccardo Tisci became the artistic director of womenswear.

Since former Louis Vuitton studio director Julie de Libran became artistic director, Sonia Rykiel has become synonymous with feminine confidence and French chic.

[The Art Newspaper] Director of the Tate Modern Chris Dercon will be leaving to become the artistic director of... Read More

Joanna Stella - Sawicka, current Deputy Director of Frieze Art Fair, will become Artistic Director and «lead on gallery and institution relationships within Europe, the Middle East, Russia and Africa,» says the press release.

Not exact matches

Levine made his Met debut in 1971 and became one of the signature artists in the company's 135 - year history, conducting 2,552 performances and ruling over its repertoire, orchestra and singers as music or artistic director from 1976 until he stepped down two years ago due to Parkinson's disease.

Since then, the UnionCinema has maintained an ambitious program under a sequence of managers, including Jonathan Jackson, who went on to become programming director of theMilwaukee International Film Festival and executive - artistic director of itssuccessor, the Milwaukee Film Festival.

Here's a synopsis of the movie: As a darkness builds at the center of a world - renown dance company, its artistic director (Swinton), a young American new to the troupe (Johnson), and a grieving psychotherapist become entangled in a bloody, sighing nightmare.

Its artistic director (Tilda Swinton), a young American new to the troupe (Dakota Johnson), and a grieving psychotherapist (Lutz Ebersdorf) become entangled in a bloody, sighing nightmare.

As artistic director Peter von Bagh writes, the aim is «to make film screenings shimmer like live performances — through our efforts to guarantee the original format, the best technical care...» (1) And indeed thanks to that care, which includes live accompaniment by great musicians or the use of a large orchestra for new commissioned scores, or again the availability of new and recently restored prints within the walking space of four close venues, the experience of watching a film becomes something unique, a concert - like event.

Bad edits occur all the time, becoming the backbone to legends of studios versus directors, artistic vision versus marketability, and the reason why so many director's cuts exist in this world.

Doubling as an effective romance, Zemeckis story of Hanks's FedEx worker Chuck Noland becoming stranded on a deserted Pacific Ocean island after a plane crash, driven to survive by the thought of returning to his girlfriend Kelly (played by Helen Hunt) is one of the director's most restrained (even the music cues by Alan Silvestri don't start till over an hour into the film) and in - command pieces of work that sees the esteemed filmmaker largely hold back on artistic flashes and instead focusing on his leading man Hanks working his magic as the determined Chuck.

After teaching Art and Drama for several years, I became founder member and artistic director of Compact Theatre and have acted professionally (as Harry Connolly) since 1992.

«At a time when everything has become intensely politicized, FotoFocus felt it would be timely to discuss photography from an overtly political perspective,» says Kevin Moore, FotoFocus Artistic Director and Curator.

It was as chief curator in the rough and tumble of the Bronx that she met Colo, who became her husband and Exit Art's artistic director.

«With the 25th anniversary of Robert Mapplethorpe's exhibition, we wanted to revisit the past as it is the basis of history; it reminds us of where we come from and who we have become,» says FotoFocus Artistic Director and Curator, Kevin Moore.

Plus: Coventry named UK City of Culture 2021 Palais Bellevue in Kassel is to become a museum Sarah Cosulich appointed artistic director of Rome Quadriennale Foundation and recommended reading

In 1991, Weinberg became the Artistic and Program Director of the American Center in Paris.

Moderated by Artistic Director, Elizabeth Ferrill, Esteban del Valle takes us on a journey through his experiences as a young art student, to gallery representation, to supporting himself as an artist, and answers your most burning questions about becoming a vital participant in the contemporary art world.

In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri - Georges Clouzot's classic 1955 film The Mystery of Picasso.

«One Armory programming strand has been to invite music and visual artists to stage concerts in the drill hall, beginning in 2013 with Stockhausen's OKTOPHONIE by Rirkrit Tiravanija, followed by Massive Attack and Adam Curtis and most recently Hélène Grimaud with Douglas Gordon's tears become... streams become...,» said Artistic Director Alex Poots.

Anne Pasternak became the first woman to head one of New York's two encyclopedic museums when she was named director of the Brooklyn Museum in 2015, and Nancy Spector rejoined the Guggenheim in New York as chief curator and artistic director earlier this year.

«Chaimowicz has suddenly become an urgent artist in the age of the internet, as boundaries become more porous,» says the Serpentine's artistic director Hans Ulrich Obrist.

Kalmár, born in 1970 in the GDR, studied at Goldsmiths College and, after stints as the artistic director of London's Cubitt Gallery and as an editor of artist's books at the London publisher Book Works, became the director of Cambridge's Institute of Visual Culture in 2000.

He returned in 1986 as part of New Contemporaries (which later went on to become Bloomberg New Contemporaries), when Bluecoat's Artistic Director, Bryan Biggs, was a selector, and again in 1992 with the groundbreaking commissioned project, Trophies of Empire.

In 1947 Steichen gave up his artistic practice and became director of the photography department at the Museum of Modern Art (MoMA), where in 1955 he organized the Family of Man exhibition.

Prada Foundation artistic director Germano Celant discusses «When Attitudes Become Form» at the Reel Artists Film Festival in Toronto.