Sentences with phrase «became curator of contemporary art»

Rubin, who has a master's degree in art history from Harvard University, became curator of contemporary art at SAMA in 2006.

Pfohl replaces Miranda Lash, who in August 2014 became curator of contemporary art at the Speed Art Museum in Louisville, Kentucky.

I want to talk about Crystal Bridges, where you are headed to become curator of contemporary art.

Not exact matches

Molesworth, who is chief curator at MOCA and has become known for her work reassessing contemporary art's canon, first contacted him about the idea of a painting survey around six years ago, on behalf of the MCA Chicago.

To understand Kate Fowle's job at Moscow's Garage Museum of Contemporary Art, and how she does it, consider the case of Rashid Johnson, from whom Fowle commissioned a sculpture shortly after she became the museum's chief curator in 2013.

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

LOS ANGELES HAS BECOME a bonafide art capital with world - renowned museums, important artists, cholars and curators, a respected cadre of galleries and collectors, the Art Los Angeles Contemporary art fair, Paris Photo Los Angeles, and Made in L.A., the Hammer Museum's biennial exhibitiart capital with world - renowned museums, important artists, cholars and curators, a respected cadre of galleries and collectors, the Art Los Angeles Contemporary art fair, Paris Photo Los Angeles, and Made in L.A., the Hammer Museum's biennial exhibitiArt Los Angeles Contemporary art fair, Paris Photo Los Angeles, and Made in L.A., the Hammer Museum's biennial exhibitiart fair, Paris Photo Los Angeles, and Made in L.A., the Hammer Museum's biennial exhibition.

André Schlechtriem studied Art History in Cologne, and in 2002 became curator of the Judith Rothschild Foundation Contemporary Drawing Collection in New York, which then became part of MoMA's permanent collection.

Brandt became the Chrysler's first curator of modern and contemporary art in 2011, just as she was completing her PhD at the Graduate Center at the City University of New York.

In 1952 when the curator of the Batley Art Gallery accepted the piece as a gift from the Contemporary Art Society on behalf of Batley, it became the second work by Bacon to enter a public collection, the first being Painting, 1946 acquired by the Museum of Modern Art in New York.

Miranda Lash, NOMA's curator of contemporary art, said that the piece commemorates a tragic, but significant happening that became a rallying point for the New Orleans gay community.

When Frieze Masters opened two years ago it was a very of - the - moment event, combining contemporary and classical art in a single setting in a way that has become increasingly voguish among curators — just look at the last Venice Biennale or dOCUMENTA, for example.

The Museum's signature survey of contemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversecontemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each overseContemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor.

NORFOLK, Va. (November 16, 2016)-- Kimberli Gant will become the McKinnon Curator of Modern and Contemporary Art at the Chrysler Museum of Art, Museum Director Erik Neil announced today.

Raphaela Platow became the Alice & Harris Weston Director and Chief Curator of the Contemporary Arts Center in July, 2007 and provides strategic leadership and management expertise for one of the oldest and most celebrated Centers for Contemporary Art in the U.S..

With recent projects like curator Germano Celant's recent show «When Attitudes Become Form: Bern 1969 / Venice 2013» at Venice's Fondazione Prada — a dramatic re-staging of the 1969 exhibition organized by Harald Szeemann that introduced conceptual art to Europe — there's suddenly widespread interest in examining the curatorial history of certain exhibitions that are considered major milestones in contemporary art's development.

As Connie Butler, one of the curators of the exhibitions: «The work of Marisa Merz exists in the intersection of art and life that has become so central to contemporary practice.

Under the guidance of Assistant Curator of Education for Teen and University Programs, Taylor Browning, You [th] Pace Teen Art Council members are trained to become contemporary art - savvy ambassadors of Artpace, tasked with creating engaging content and programs for their peers in the San Antonio communiArt Council members are trained to become contemporary art - savvy ambassadors of Artpace, tasked with creating engaging content and programs for their peers in the San Antonio communiart - savvy ambassadors of Artpace, tasked with creating engaging content and programs for their peers in the San Antonio community.

In November the Costa Rica — born curator will become director of the CCA Wattis Institute for Contemporary Arts in San Francisco.

The artist will be selected by an independent advisory committee made up of curators and art historians, which this year includes Eungie Joo, a curator at the San Francisco Museum of Modern Art; Helen Molesworth, who recently left the Museum of Contemporary Art in Los Angeles to become a critic; and Lilian Tone, an assistant curator at the Museum of Modern Art in New Yoart historians, which this year includes Eungie Joo, a curator at the San Francisco Museum of Modern Art; Helen Molesworth, who recently left the Museum of Contemporary Art in Los Angeles to become a critic; and Lilian Tone, an assistant curator at the Museum of Modern Art in New YoArt; Helen Molesworth, who recently left the Museum of Contemporary Art in Los Angeles to become a critic; and Lilian Tone, an assistant curator at the Museum of Modern Art in New YoArt in Los Angeles to become a critic; and Lilian Tone, an assistant curator at the Museum of Modern Art in New YoArt in New York.

That's senior curator Philipp Kaiser, who on Nov. 1 will become director of Museum Ludwig in Cologne, Germany, which is dedicated to modern and contemporary art.

He was curator of contemporary art there from 1986 to 1991 under Demetrion, prior to becoming director of Atlanta's High Museum of Art, where the Menil found hart there from 1986 to 1991 under Demetrion, prior to becoming director of Atlanta's High Museum of Art, where the Menil found hArt, where the Menil found him.

In 2006 he was appointed associate curator of the DAK» ART Biennial for African Contemporary Art in Senegal; later in 2008 he became co-curator of the Position Papers program for the Gwangju Biennale, and in 2009, the curator of the 3rd AiM International Biennale in Marrakesh, followed by the curatorial project «Sentences on the Banks and other activities» in Darat Al - Funun in Amman, in 20ART Biennial for African Contemporary Art in Senegal; later in 2008 he became co-curator of the Position Papers program for the Gwangju Biennale, and in 2009, the curator of the 3rd AiM International Biennale in Marrakesh, followed by the curatorial project «Sentences on the Banks and other activities» in Darat Al - Funun in Amman, in 20Art in Senegal; later in 2008 he became co-curator of the Position Papers program for the Gwangju Biennale, and in 2009, the curator of the 3rd AiM International Biennale in Marrakesh, followed by the curatorial project «Sentences on the Banks and other activities» in Darat Al - Funun in Amman, in 2010.

Or as Anthony Elms, curator at the Institute of Contemporary Art and the 2014 co-curator of the Whitney Biennial in Greenwich Village, succinctly puts it: «You can become accidentally successful in New York.

The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporary art.

In 1998, she became the Executive Director and Curator of Blue Star Contemporary Art in San Antonio, TX.

Even before her time in New York her career was solidified by becoming the inaugural International Curator of the Ullens Center for Contemporary Art in Beijing followed in 2002 and 2007 by becoming Chair of the Master's Program in Curatorial Practice at California College of the Arts, San Francisco, which she co-founded with Ralph Rugoff.

She spent a year at the Fogg Art Museum, working on an exhibition of Eli Broad's collections; moved on to become an assistant curator at Chicago's Museum of Contemporary Art; then landed a job as chief curator at the ICA in Boston, where she put on a dizzying number of exhibitions, including the first American museum shows of non-American (and non-British) artists Olafur Eliasson, Carsten Höller, Marlene Dumas, and others.

The intention is to breathe new life into the exhibition process with which «When Attitudes Become Form» was staged, so as to go beyond the necessity for photographs and films of the past event, and to be able to experience and analyze it literally, just as it was, even though it has been transported from the past to the present.The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporarBecome Form» was staged, so as to go beyond the necessity for photographs and films of the past event, and to be able to experience and analyze it literally, just as it was, even though it has been transported from the past to the present.The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporarbecome a founding element of the history of modern and contemporary art.

Walker joined the museum in 1991 to establish its prints and drawings department and in 2002 also became curator of modern and contemporary art.

Since the 1960s, the «arts establishment» (meaning: government officials who control the Arts Budgets; directors / owners of galleries; curators of exhibitions; committees that run the important artist - organizations; teaching staff in arts colleges, and so on) as well as the contemporary art now being practised and encouraged, has become significantly more radiarts establishment» (meaning: government officials who control the Arts Budgets; directors / owners of galleries; curators of exhibitions; committees that run the important artist - organizations; teaching staff in arts colleges, and so on) as well as the contemporary art now being practised and encouraged, has become significantly more radiArts Budgets; directors / owners of galleries; curators of exhibitions; committees that run the important artist - organizations; teaching staff in arts colleges, and so on) as well as the contemporary art now being practised and encouraged, has become significantly more radiarts colleges, and so on) as well as the contemporary art now being practised and encouraged, has become significantly more radical.

After studying at Tel Aviv University (1976 — 85), Edelsztein founded and directed Artifact Gallery in Tel Aviv (1987 — 95), and in 1998 he founded and became director and chief curator of the Center for Contemporary Art (CCA), also in Tel Aviv.

Most contemporary art curators of a certain age — those who went to graduate school before curatorial programs became prominent — were trained as art historians.

Less than a year after her arrival at the High Museum of Art, Lily Siegel, assistant curator of modern and contemporary art, is leaving to become associate curator at the Contemporary Jewish Museum in San FrancisArt, Lily Siegel, assistant curator of modern and contemporary art, is leaving to become associate curator at the Contemporary Jewish Museum in Sacontemporary art, is leaving to become associate curator at the Contemporary Jewish Museum in San Francisart, is leaving to become associate curator at the Contemporary Jewish Museum in SaContemporary Jewish Museum in San Francisco.

Lisa Binder, Curator of Contemporary Art at the Museum for African Art states, «Jane Alexander's creatures expose the human animal for all it is and all it could become.

The Alex will become chief curator at the Dallas Contemporary by the age of 20 and a wing of the Dallas Museum of Art will be named after him.

2013 Jonathan Ferrara Gallery, New Orleans, LA, «Goddesses and Monsters» 2012 Meadows Museum of Art, Shreveport, LA, «Becoming» 2009 Heriard - Cimino Gallery, New Orleans, LA, «Gathering» 2007 Contemporary Arts Center, New Orleans, LA «Matador» 2006 Heriard - Cimino Gallery, New Orleans, LA, «Becoming and Un-Becoming» 2004 Soren - Christensen Gallery, New Orleans, LA 2002 Galerie Simonne Stern, New Orleans, LA Lauren Rogers Museum of Art, Laurel, MS, «Curator's Choice: Monica Zeringue» 1999 Galerie Simonne Stern, New Orleans, LA SELECTED GROUP EXHIBITIONS

After months of rumors it's official: Paul Schimmel, the former chief curator of the Los Angeles Museum of Contemporary Art, is becoming a partner at Hauser & Wirth, the dealers who run galleries in Zurich, London and New York.

Now that they seem a little drastic, but the agenda of the curator has become the flash point for the definition of contemporary art.

Past biennial curators have either arrived as or have subsequently become superstars in the world of contemporary art.

Blazwick took a job as a receptionist with a publisher of Pop Art books and prints and later became curator, then director of exhibitions at London's Institute of Contemporary Arts (ICA).

Becoming Imperceptible is curated by Andrea Andersson Ph. D., the Helis Foundation Chief Curator of Visual Arts at the Contemporary Arts Center (CAC) New Orleans, and was originated by the CAC.

«It has become abundantly clear, as Julian Schnabel's painterly vision has evolved, that cinema has served to germinate his pictorial imagination, inspiring his paintings in diverse and dynamic ways,» says AGO curator of modern and contemporary art David Moos.