Being part of the biggest financial purchase anyone will possibly make and seeing the smiles on their faces when
they become new home owners, makes my job so rewarding!
Not exact matches
whether for the right or wrong reasons, our leader chose to stay on when things took a turn of sorts... a
new owner arrived on the scene, plans for a
new stadium emerged and Wenger
became the bearer of bad news... he sold us on a
new story, one that required patience on our parts... financial constraints were the order of the day, so that the enormous sums spent on the
new venue could be recouped... although some would question the validity of such claims, why wouldn't they believe their faithful leader... according to those within the hierarchy, the future never looked so bright, as this
new home would ensure our place among the elites for years to come... as we all know now these claims were a well constructed fabrication and so those who feel they were duped in the process are infuriated and rightly so... the fact that this club and it's manager have continually misled the fans, especially following Gazidis's claims about our financial liquidity, simply rubbed more salt in an already gaping wound... this surely isn't how you treat your «family», especially when they supported you through the supposed «lean» years... it was a dirty trick played by Kroenke but the fact is was orchestrated by Wenger himself hurt the most... as for those in the media, many of whom are former players or longtime pundits, who observed the early years firsthand, saw this as the perfect opportunity to vent the anger they felt towards this pretentious man once and for all... all in all, karma's a bitch
Our objective is to help
home buyers understand some of the costs involved in buying a
home as well as the process to go from having an accepted Contract of Purchase and Sale and an approved mortgage to
becoming the legal
owner and receiving the keys to their
new home.
CLOSING DATE The date on which the sale of the property
becomes final and the
new owner takes possession and / or the date on which the mortgage funds are advanced OR the date you receive the keys and officially take possession of your
new home.
He is telling me to stay in the
home and
become a squatter although, the
new owner has taken necessary steps to have me evicted.
Purchasing a
home is a substantial investment and
becoming more aware of how the interest rate of a
home loan is determined can help you decide when to apply for a mortgage and ultimately
become the
owner of a
new home.
Because the disease may be difficult for the shelter to detect during the incubation period, apparently healthy animals with panleukopenia may be adopted out only to
become ill a few days later in their
new homes, causing heartache for the shelter staff and the
new owners.
The Academy looks for applicants who will use their education to keep shelter / rescue dogs in adoptive
homes, to prepare dogs to
become integrated with
new families, and to help
owners train, manage, and modify behavior using non-aversive, evidence - based practices.
After they are brought to a
new home with a
new owner / leader,
become acclimated to their
new environment and people, then things can get started pretty quickly with training.
Newfoundland puppies and dogs can
become so attached to their
owners that they can not adapt to
new homes.
When you bring
home a
new puppy you
become that puppy's
owner and caregiver — it is your responsibility to make sure that he stays safe and that all of his needs are met.
I need an experienced
owner who can calmly and firmly work on my over-exuberance and channel it in the right direction so I can
become the excellent companion doggy I want to be for my
new home and
owner.
Puppies and newly adopted dogs may
become overdependent if allowed unrestricted access to their
owners during the initial time in their
new home.
It also offers insight into the richly rewarding experience the
new owner may have as their newly adopted Malinois
becomes comfortable and confident in having finally reached their forever
home.
It is for situations like these that animal shelters exist — to help care for pets and find them
new loving
homes if their
owner becomes truly unable to care for them.
They neglect to note that a large number of these animals are either surrendered by their
owners for euthanasia because they are old and sick, seriously injured, or dangerously aggressive; that many of the dogs euthanized are unidentified, unclaimed strays that are too old, sick, injured or aggressive to be placed in
new homes; and many of the cats euthanized are feral animals that were never owned but were trapped and impounded because they have
become nuisances.
It is for situations like these that animal shelters exist - to help care for pets and find them
new loving
homes if their
owner becomes truly unable to care for them.
Separation anxiety is a problem that can develop in a young puppy, a rescue dog who may have suffered in its previous
home and has now attached itself to a
new owner, or even a well - established family pet dog who has
become used to always having a human friend around and now, for whatever reason, finds himself left
home alone, maybe even only for a short period of time.
Many first - time dog
owners welcome their
new pets
home without knowing what anal glands are, or that these can
become a source of problems in future.
Still, those dog
owners who are looking to
become parents in the future must consider the dog's response to a
new baby in the
home.
As wood floors for the entire
home become an increasingly popular trend,
new challenges arise for pet
owners dealing with accidents.
Separation anxiety is a problem that can develop in a young puppy, a rescue dog who may have suffered in its previous
home and has now attached itself to a
new owner, or even a well established family pet dog who has
become used to always having a human friend around and now, for whatever reason, finds himself left
home alone, maybe even only for a short period of time.
Birds that are tame and bonded to their
owner can
become very aggressive and / or unresponsive to the
owner if another bird is brought into the
home, unless that
new bird is a very different species and size — still, it all depends on the birds and their personalities.
When you
become an
owner of a
new home in the community at Grand Baymen, you can find out firsthand how true this all is.
Within two months after signing the contract and
becoming new home and business
owners, the Barrett's were completely moved in, had 12 guests staying the night, were planning a guest's wedding, and cooking breakfast for 6 couples.
In 2005, the artist opened lesser
new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york in her Williamsburg loft, which was a response to Greater
New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser
new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser
new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new yorkten years later at Greater
New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an
owner of its own critique; so that lesser
new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its
new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's
home with no clear identification and no commercial validity
becomes untethered when it is greater, and this particular lesser
becomes greater in the Greater
New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the great
New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art
becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
A
new study about smart speakers, which had its world release at yesterday's RAIN Podcast Business Summit, revealed that the voice - activated devices (e.g. Amazon Echo / Dot and Google
Home) encourage audio listening, music service subscription, and have
become extremely valued additions to their
owners» lifestyles in sometimes surprising ways.
I'm certainly going to enjoy your software I previously spend thousands of dollars with a different company I did not get near training or the product that you are offering here at the great price you have offered I've been well over a year now I have recently
become a private money broker but that was due to the company that I purchased my real estate investment education from but the resources that you offer is great I would have had to spend thousands more for this software I think I will have a better opportunity now to fulfill my dream and real estate investment for fixing and flipping
homes I have Ben in the
Home Building business sis 2000 and have built over 800
homes around the Masters in Augusta as a superintendent and general contractor but I believe this will help me on my
new adventures in real estate investment I thank is it a great software and if you have anything that can help me along the way with my lending business I am a private money lender and the
owner of Northstar Capital Lending newly in buisness thank you
In a housing market characterized by a short supply of properties and by bidding wars, some buyers are hoping to get a competitive edge by writing sellers short notes about why they fell in love with a
home and want to
become its
new owners.
«Foreclosures can present a
new opportunity for buyers to
become home owners, especially considering the discounted purchase prices and lower down payment requirements,» says Errol Samuelson, Realtor.com's president.
If you are hoping to
become a
home owner in
New York state and you plan to stay put in your new digs for a while, you will likely end up with a 30 - year fixed - rate mortga
New York state and you plan to stay put in your
new digs for a while, you will likely end up with a 30 - year fixed - rate mortga
new digs for a while, you will likely end up with a 30 - year fixed - rate mortgage.
In advance of the
new Home Owner's Bill of Rights, (SB321) which
becomes effective in Nevada next Tuesday, October 1st,...
Moorhead, the designated broker and
owner at Bentley Properties, said some renters who have been holding off are now
becoming more active in hopes of taking advantage of longer market times and
homes new to the market not receiving expected offers within the offer review date.
This is when buyers formally
become owners of their
new home.
CLOSING DATE The date on which the sale of the property
becomes final and the
new owner takes possession and / or the date on which the mortgage funds are advanced OR the date you receive the keys and officially take possession of your
new home.
Those considering purchasing a
new home may want to consider
becoming a condo
owner.
Supply is created by move - up buyers, who also contribute to demand by buying a
new home; by
new home construction; by seniors and other
owners who sell to
become renters; by
owners who relocate to another market; and by deaths.
The homeowners, a Toronto couple with four adult daughters and two toddler grandchildren, weren't planning on purchasing a
new place — they bought a cottage only five years ago (featured in Style at
Home's July 2013 issue)-- but when this 7,000 - square - foot three - storey structure directly next door to the first
became available, the
owners decided to take advantage of the unique opportunity to keep their rapidly expanding family together on these adjacent vacation properties.
This large terraced
home in London, recently converted from three flats back into a whole house, has in the hands of its
new owners become a place where hand - crafted heirlooms and modernity happily co-exist.