Rent it for Selma Blair's brief but memorable horror turn, and
because ghost stories are always more claustrophobic and often more effective on smaller screens.
To say much more would be venturing deep into spoiler territory, especially
because Ghost Stories pivots on a conceit that's always more effective onstage than onscreen.
But sometimes they are,
because Ghost Stories appears to be really bloody spooky.
Not exact matches
You reject the peasant's
story about the
ghost either
because the man is a peasant or
because the
story is a
ghost story.
I was attracted simply
because of the media and a lot of children's books and TV programmes to do with
ghost stories.
@warmest
ghost There it is, atheists are smarter
because they do not believe in some silly
story similar to the tooth fairy, Easter Bunny, or Santa Clause correct?
This is so late, but I just found a podcast - family
ghosts — not
ghost stories, but family mysteries,
stories of things not quite figured out — a secret relative, or question about how a house fire started — its gripping, turning my 20 minute workout into 50
because I want to listen to it all!
[img] http://images.rottentomatoes.com/images/user/icons/icon14.gif [/ img] The Pact feels as if it's been constructed from an infinite number of inspirations stretching from classic
ghost story horror cinema to the recent wave of found footage films but at the same time
because of such great execution you could never actually call it generic.
A
Ghost Story achieves these things
because of the brilliant vision and execution of its writer and director, David Lowery (Ain't Them Bodies Saints, Pete's Dragon), who does a lot with a little.
That's
because «A
Ghost Story» is, at least in part, about time, and our place within it.
So what the screenwriters and Mark Waters, the director of «
Ghosts of Girlfriends Past» and «The Spiderwick Chronicles,» do is turn it into a generic and sentimental dad - lost - his - family -
because - he - was - married - to - his - job
story, sort of «The Haunted Mansion» or «Imagine That» without Eddie Murphy.
«
Ghost Stories» actor Martin Freeman has admitted he's open to the idea of paranormal, and he embraced his role in the new horror flick
because he loves being scared.
«The Keeping Hours» is a gentle
ghost story about that deserted house in your neighborhood and works
because of the tragic chemistry between Pace and Carrie Coon.
Not
because of it's Ocean's Eleven - lite heist
story, rather how it was made, written by a
ghost - writer that no one has supposedly officially met, and unique on how it was distributed, which was by Soderbergh's own company, Fingerprint Releasing.
Yet,
Stories We Tell often feels more like a dramatic suspense saga, or even a gothic romance, more than a movie about Sarah Polley
because even though she sits at the very centre of the frame, this is really a biographical portrait of a
ghost.
The film works
because it is much more than either a
ghost story or the tale of a man afraid to come to terms with his sexuality.
David Lowery's A
Ghost Story before the Sundance Film Festival even began puts A24 in a tight position
because while this avant - garde poltergeist drama certainly fits their pedigree, it's going to hav...
In this magical
story about loneliness,
ghosts, adventure, letting go, and true friendship, Liesl explains that she likes the word ineffable
because it means «a feeling so big or vast that it could not be expressed in words.»
Here was I, eighty - some years later, and Tarzan (and other Burroughs books and similar) are still beloved and popular, while I had never even * heard * of this author and only grabbed the book in the library
because I was hoping for a good
ghost story.