I did so not because I agreed wholeheartedly with everything the student said, but
because as the curator of the opinion section, I strive to facilitate an open exchange of ideas.
While a curation blog won't showcase your written communication skills, it will show that you know what you're talking about,
because as a curator you recommend «best of» content for others to read.
Not exact matches
«This exhibit was one we intentionally made very broad,
because it covered the 230 - year history of music and politics in the US,» says the exhibition's guest
curator Daniel Cavicchi, who also serves
as an associate professor of American Studies at the Rhode Island School of Design.
«I loved science
as a kid
because we were able to go out and just sort of see what was going to happen,» says Rosie Cook, a
curator at the Chemical Heritage Foundation in Philadelphia.
Known on the site only
as peacay or pk, he says his digital guise isn't an effort to create what he calls a «secretive persona» but rather the result of a desire to take a backseat to the art, «
because, after all is said and done,» he adds, «I'm just a
curator, and it is the content that deserves center stage.»
because here we get writers to comment about my art such
as the
curator... Anyway great sharing....
As mentioned by gallery owner and
curator, Elizabeth Denny, including an artist whose work is cross-generational is important to the exhibition
because it reveals diverse generations tackling similar ideas.
It was the same with Carol Bove — I did a solo booth of her work at Art Basel in 2002, and that's what really broke her
as an artist,
because European
curators and collectors warmed to her work before Americans did.
Because EXPO is known
as a place for the Midwest's
curators to hunt for upcoming exhibition fodder, the folks at David Zwirner made sure to bring a slate of first - class works by artists ranging from Isa Genzken to Flavin and Judd.
The
curators of the Block exhibition seem to think so
because they've included an early section which focuses on artists, including Still, working in the 1940s «who discovered Blake's unique voice in such poems
as «The Tyger» and the «Shepard».»
That was an important MoMA show for me
because Barbara was functioning
as a
curator, a picture editor, and an organizer of other people's works.
Thinking of painting
as a form of technology is a very interesting vantage point,
because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde
curators to engage the kinds of crowds that come to biennials and exhibitions.
As a DIA
curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work
curators perform is one of the most interesting in the museum profession
because of the multiplicity of duties that it entails.
«For me
as curator,» Williams confides, «it's a wonderful overview of abstraction
because everything you could possibly want is here.
My background
as a maker has helped to give me a fairly fluid M.O.
as a
curator,
because I identify with what it is to physically and mentally create something.
«Anyone can apply and have their work looked over by their peers... It's a kind of anti-
curator thing,
because there's this idea of the
curator as a very powerful individual.
ML
As I was still a student, I mostly invited people who already knew me, but I also sent invitations to many well - known artists, critics and
curators because I considered it to be my first solo exhibition.
When I became
curator at the New York Studio School in 2001, that was a change of identity for me
because from 1986 to 2001 my professional profile was
as a writer and more specifically
as a critic.
The 45 paintings, prints, and photographs selected for this exhibition all focus on the human body
because,
as collection
curator Don McNeil points out, the age - old need to understand the human condition is vital and the human form remains its most direct manifestation.
Because I knew so many artists from my generation, who exhibit mainly at publicly sponsored exhibitions and felt suffocated by the traditional art world, we started various projects such
as: group exhibitions,
curators exhibitions, architecture exhibition and educational projects with universities; We made a foundation for different fields of artists to interact.
As much as the show is a heartfelt nod to Noah and Karon Davis» love, says MOCA chief curator Helen Molesworth, the work is particularly powerful because it transcends their personal stor
As much
as the show is a heartfelt nod to Noah and Karon Davis» love, says MOCA chief curator Helen Molesworth, the work is particularly powerful because it transcends their personal stor
as the show is a heartfelt nod to Noah and Karon Davis» love, says MOCA chief
curator Helen Molesworth, the work is particularly powerful
because it transcends their personal story.
Ms. Spector, the
curator of the exhibition at the Palladian - style United States pavilion here, said she chose Mr. Gonzalez - Torres
as her Biennale candidate partly
because his work had become more influential since his death, inspiring many prominent young artists like Pierre Huyghe, Rirkrit Tiravanija and Tino Sehgal.
Of course quality was the first selection criterion to bring these 36 artists from different countries together, but for
curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work
because of the limited infrastructure of the island: Barbados —
as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and went.
As the AMDM's first guest
curator, Eccles said, «I chose to work with Tony on this project
because he's been consistently at the forefront of new technologies and was one of the first artists to give dimensionality to video, TV screens and projected spaces.»
As young, practicing curators they were invaluable to their local contexts — places like Amman in Jordan or Skopje in Macedonia — because they were acting as conduits between artists and publics in regions where there was virtually no infrastructure and certainly no marke
As young, practicing
curators they were invaluable to their local contexts — places like Amman in Jordan or Skopje in Macedonia —
because they were acting
as conduits between artists and publics in regions where there was virtually no infrastructure and certainly no marke
as conduits between artists and publics in regions where there was virtually no infrastructure and certainly no market.
«The show first opened at the Rubell Family Collection,
because all the work comes from that collection, and it has changed
as the show has toured,» exhibition
curator Valerie Mercer tells The Creators Project.
«And it remains one of the most significant contemporary art events in the calendar, not just
because of the scale of the event itself but
because of the increasing number of people who come form all over the world, whether that is professionals, critics,
curators, other artists, dealers and collectors
as well
as the international visitors over the following six months.»
Today,
curators prefer to refer to it
as digital art or new media art
because this implies it is more serious or fundamental than simply the adoption of a new tool.
Tinguely painted the entire construction white
because,
as he confided to Peter Selz (the
curator in charge), he wanted the Homage to be so beautiful that people would be dismayed when it began to destroy itself (which it was designed to do).
Curators and critics, however, sometimes prefer not to engage with these invigorating rival claims, perhaps
because any attempt to characterize or evaluate can be dismissed
as judgmental or elitist, an effort to draw distinctions at a time when what can look like the gray zone of mixed media or multimedia is embraced by an increasing number of artists.
Curator Francesco Bonami says he and associate curator Gary Carrion - Murayari visited artists from Poughkeepsie, N.Y., to Portland, Ore., last year and encountered a surprising refrain: Artists weren't selling as much work because of the ailing art market, but they were using the free time to experimen
Curator Francesco Bonami says he and associate
curator Gary Carrion - Murayari visited artists from Poughkeepsie, N.Y., to Portland, Ore., last year and encountered a surprising refrain: Artists weren't selling as much work because of the ailing art market, but they were using the free time to experimen
curator Gary Carrion - Murayari visited artists from Poughkeepsie, N.Y., to Portland, Ore., last year and encountered a surprising refrain: Artists weren't selling
as much work
because of the ailing art market, but they were using the free time to experiment more.
I think philosophy
as a field is not dead
because many philosophers can migrate into other fields, for example one of the great philosophers of our generation Daniel Birnbaum is a museum director and a
curator (the Modern Museum, Sweden).
The museum's holdings of 1,215 American paintings alone will grow by 226, including beloved works like Frederic Edwin Church's 1857 «Niagara,» a 7 1/2 - foot - wide blockbuster that Nancy Kay Anderson, the
curator of American and British paintings at the National Gallery, refers to
as «our «Niagara» problem»
because it is so important and so large that paintings at her museum will almost certainly have to move or go into storage to accommodate it.