Sentences with phrase «because digital rights»

Not exact matches

This was mainly because it was easier for most journalists of the early 1990s to envision and get personally excited about the potential of educational software, or of managing their personal finances, or organizing their recipes in the «digital» kitchen, or imagining how amateur architects could design funky homes right on their home computers.

That's a cool concept, because right now Alexa and every other voicebot is essentially just a generic digital butler that works the same for every user.

One digital - rights advocate says criticisms of Facebook's privacy practices won't go away just because Cambridge Analytica has decided to close.

There are signs that this is beginning to change because colleges are increasingly reaching out to CEOs and well - known marketers to help them craft courses for students, but right now the best course is a digital marketing certification.

That is such a great idea to having the photo book, it's so rare right now, because everyone uses only digital stuff for that.

Season One hit Blu - ray last week in a really nice package but it loses a couple of grade points because of its incredibly stupid use of Ultraviolet digital copy — a service that is garbage in it's own right.

Oh, that's right, it's because of movies like «Grandma's Boy» that naively associate the digital pastime with smoking weed 24/7.

«With this digital portfolio, the teacher can correct their work right away, make corrections, review it, and then the examiners can also correct the work from elsewhere, from anywhere in the world, because this tool is oriented to the international Baccalaureate.

Kevin Hobart, Head of Catering at Juniper Ventures (Newham) says, «Working with the right supplier is key — we chose JJ's because they are responsive, competitively priced and can work in a fully digital environment.»

In fact, if I hadn't already bought all your other books because of their feminist - awesomeness, I would probably have gone out and done so right then in support of your reasonable approach to digital content.

Yes, being an indie author is a great responsibility, because you retain all control over your book, including the creative, digital, international rights, and promotion.

Impressively, it grabbed music from my iTunes library, skipping over some songs only because those tracks were protected by digital rights management.

Barry's digital backlist earns him very little per sale, is priced high, and if I'm reading the lengthy discussion on Konrath's blog right, doesn't matter because he hasn't earned out any of his advances yet.

That is the kind of restriction and hassle that e-book enthusiasts face today, according to critics, because of the widespread use — misuse, they would argue — of digital rights management (DRM) technology.

You're right that giving up the Amazon print business wouldn't cripple them because Amazon is not as important in print as it is in digital.

Image Comics is having a half - price sale on all the comics in its digital store right now, and that's a great opportunity to fill up your e-reader, because Image is the publisher behind some of the most talked - about comics of the year.

Part of the reason why Hachette has seen a dramatic increase in digital sales is primarily because they are betting on the right books.

The content in Yen Press has been severely limited because they haven't negotiated the digital rights to their manga, so it's mostly their book adaptations (I'm not that into teen and pre-teen lit about vampires and werewolves).

I used to buy comics online, and when I did so, I'd always download a digital copy of my purchase as well (yes, yes, illegality aside) because I enjoy the convenience of being able to open a folder, find the comic I want to read, and read it right there on my computer without having to search through a stack of musty physical copies.

Both had not made the transition to the digital realm yet at the time, in part because of rights issues, in part because they simply weren't all that familiar with the process.

You can not however transfer the documents to your computer because they are protected by digital rights.

When we publicize and blog about self - published authors we should note that at least right now they fascinate us not because of their talent but because they're underdogs, writing risqué books, and achieving unheard - of monetary success... Perhaps the digital age will produce e-editors, e-agents, and e-publicists that specialize in bringing e-literature, rather than just e-books, to a reading public ready for more.

There is no way to buy ebooks and then load them on the device smoothly, because right now it is incompatible with Adobe Digital Editions and there is no Calibre support for it yet.

However, she left $ 36 million on the table because in January of 2012 no publishing company would split the digital and print rights to a book.

Because of the changes in Internet commerce, the electronic reader and digital content business, current extensive patent coverage, and the rapid rate of issuance of new patents, it is possible that certain components of our products and business methods may unknowingly infringe existing patents or intellectual property rights

The writing was on the wall for Sony because cheaper rivals allowed books to be purchased right on the device, while their e-readers required Adobe Digital Editions and shopping for books on your PC.

Copy / paste, sharing passages, and generally moving files from one place to another is much harder with ebooks than with other digital goods, because of a combination of constraints in the EPUB format, digital rights management, and device / platform lock - in.

DRM (digital rights management protection) and similar software measures against piracy are usually counterproductive, because they impose inconveniences on paying customers while failing to stop determined hackers.

[Publisher Jeremy] Trevathan said: ``... We believe we are the right partner for agents because in addition to our proven digital skills, we will bring all the attributes and reputation of the Macmillan brand to tailored marketing and social media campaigns, print and online publicity and direct - to - consumer e-commerce.»

It will do so because it will increasingly resemble other digital goods (music, movies, games, software), and from a practical point of view it will work best in fairly managing the various rights of the different parties.

Is it because they will buy your other rights only if they get the digital rights, too?

DMG: It's interesting because a lot of the questioning that's going on right now about how digital media can be used is similar to people's reactions at the advent of the internet, when they asked, «What can we do with this?

Nils McCarty, Chief Financial Officer at Sounds True, explained the reasons for switching to Klopotek: «Because of the dynamic development of the digital rights sphere, contract creation, rights sales and acquisitions, and royalty statements are getting more complex.

If print publishers wish to retain the digital rights then they will maintain their current level of advance and allow a greater share of royalties for authors, not because it is fair or logical, but because they wish to retain the author.

Because it's so easy to publish your own digital book (or novella, or short story, or poetry chap book) why not put one together right now?

The reason we were able to do that was because we were already making money on our digital rights.

Because of the hated Digital Rights Management and nearly 10 different software platforms for ebooks, deciding which device to buy can be more traumatizing than... more >

I've come to the conclusion that because the library market is so small that publishers believe, at least right now, that limits that would reduce library participation in digital book lending is a) not a negative and b) if negative, one that can be made up with just a few purchases by readers.

For example, Digital Rights Management, or «DRM,» matters not only because of the limits it places on users, but because of its impact on innovation and competition.

But readers should also be concerned because recent events demonstrate that the forces making digital books and digital readers a reality routinely fail to respect the kinds of rights and expectations that have been built and defended over generations of experience with physical books.

Wariness because the various entities that will help make this digital book revolution possible may not always respect the rights and expectations that readers, authors, booksellers and librarians have built up, and defended, over generations of experience with physical books.

While ebooks are cheaper to distribute because there are no physical shipments, professional - looking ebooks require additional investments that print books might not: in special formatting, adding multi-media (and clearing the rights for them), proofreading specifically for the digital product.

Everytime you buy a new computer, you have to authorize your reading software because of DRM or digital rights management.

I asked for everything in writing (requested no digital) because sallie mae had so screwed things up in the past and was trying to do everything right.

Right now I have a lot of digital only because they are indies games to which I like.

We've opted to not negotiate those rights because the economics don't make sense, nor does it dovetail with what we feel works in the digital - only space.»

Sony having digital sales often is what your doing right because all the digital games that I have purchased (which is now 15 games a combination of PS vita PSP and PSOne games) is largely due to the fact that the games I bought were close to 50 % sometimes even more I even signed up for PlayStation Plus because I could save more other wise I wouldn't buy your digital games.

This works because of Microsoft's form of DRM (Digital Rights Management).

While we as adults might struggle with finding a balance between being «wired in'to the digital world and being fully present and paying attention to the «real world» right in front of us, it's even more difficult for kids, because they're not fully capable of making the best choices in general, and when it comes to screen time, they don't self - regulate well.

Look at the motion: When the camera pans from left to right, it is so jerky because the new digital models just can't process a picture in the same way.»