Sentences with phrase «because story scenes»

Xillia is a long slow trek between places, perhaps because story scenes are so expensive.

Not exact matches

And like Genesis, it is a story told not out of academic interest in recovering the distant past and retelling that past for its own sake alone, but because the subsequent scenes of that history, including every «present» scene, are given sense and meaning only when viewed against this formative, exciting, and in every way remarkable first scene of the Exodus events.

More than half admitted that many good behind - the - scenes stories were killed because of untoward pressures.

Alonso's maiden IndyCar outing was meant to be a private test, but because his Indianapolis 500 outing is such a huge story, it was livestreamed with a studio, broadcast panel and behind - the - scenes access.

Which is ironic, because UnReal is a fictional story based on the behind - the - scenes of a fake reality show that's similar to the Bachelor.

I have some exciting news today because I will be taking over the Charming Charlie Insta - stories / Snapchat and taking you on a behind the scenes look at their corporate office and give you all the tips and tricks to the upcoming trends, fashion and accessories they will be selling in the next few -LSB-...]

I have some exciting news today because I will be taking over the Charming Charlie Insta - stories / Snapchat and taking you on a behind the scenes look at their corporate office and give you all the tips and tricks to the upcoming trends, fashion and accessories they will be selling in the next few weeks and months.

Unsolved Crimes strikes me as being a really good game because of its consistent story, thrilling cut scenes and interesting cases!

The best aspect of Spectre, however, is the scene involving Mr White - if nothing else because it is the most effective at tying up a part of the overarching story.

A lot of the scenes are also very visually beautiful, and that's good because the film often pauses the story to have the audience briefly reflect on the interviews.

The writers appear to keep relying on long boring sex scenes because they don't seem to be able to think of any way to develop the story.

the story was stupid because the situation are unrealistic and do not correspond to past event which create a realistic scene.

Up until the disaster scenes the movie is so boring, but it is not that it is a love story because it is really not it is kind of just a story where nothing happens.

Without wishing to spoil, after the mill the characters have been put through, everything's wrapped up in a couple of neatly mirrored scenes that suggest that all those endemic, intractable, literal life - or - death problems are now resolved because someone chose to do the «right» thing, and shazam, the story is over.

Going for seriousness only makes the film all the more funnier, albeit unintentionally, because the only entertainment that's left for us is to laugh at all of the amazing coincidences and guess what predictably boneheaded turn the story takes from scene to scene.

This scene from Jean - Luc Godard's Breathless was a sensation partly because it used jump cuts to advance the story.

-- Deleted / Extended Scenes (7:23 HD): Most of these scenes were likely cut for time, or because they took away from the flow of the Scenes (7:23 HD): Most of these scenes were likely cut for time, or because they took away from the flow of the scenes were likely cut for time, or because they took away from the flow of the story.

That's not because of any specific innovation (although Technicolor was still a novelty back then) but because the story, scenes and dialogue require no explanation or modernization.

With this film, it was difficult because we were trying to get the story right and one would write the music, but then the scenes would change around and it all becomes redundant.

That's because they're the ones that know all the behind - the - scenes stories and they're the ones that have been battling to get the film made.

Not only because I could walk around set without any sort of boundaries, but I got to hang out with Jake Gyllenhaal, Michael Pena, and producer John Lesher between takes and hear them tell great behind - the - scenes stories.

If the choreographed sex scenes break into the pedestrian plot and dialogue of Body of Evidence like numbers in a musical comedy, that's because they appear to be the only scenes the filmmakers really care about; otherwise the characters and story can go straight to hell, one feels, as they eventually do.

Scenes that are already weighted with portentousness because of what we know will happen occasionally dip over into heavy - handedness when something particularly poignant or pointed occurs, leading to a sense of their contrivance — always a thorny issue in a «based on a true story.»

It's hard not to enjoy her steal every scene she's in especially because the story takes knowing pains to show why Mary Poppins was so important to her.

The story, as structured by Hawke, plays like a series of extended flashbacks within flashbacks, and that's a very smart strategy, because it keeps the rambling scenes poised and alive.

I think that for who is listening and watching the film, it takes you back to the beginning, and somehow that scene [where the music is used again] is the beginning of the story, because the plot of the film is really the end.

A noticeably galvanized Brando appears to have a ball sharing scenes with DeNiro (perhaps because, if the stories are to be believed, that DeNiro himself directed them, not Oz, with whom Brando clashed), and the electricity emanates from the screen.

Tolerable while running, the movie shrivels almost immediately following the end credits, partly because Bier roots her story in no plausible social reality outside Audrey's well - heeled suburbia, sketching an especially vague blueprint for drug rehabilitation (one early scene finds Jerry inexplicably mopping the floor at a methadone clinic yet scorning methadone).

It was one of my favorite parts about the entire film, because it was used in such a way that it would enhance each scene and the greater story overall, but never feel overbearing or forced.

Action or fight scenes don't just happen here for the sake of an actor getting to look cool (Affleck looks pretty damn badass in this, I must admit) but rather any fist fight or gun battle takes place because the story demands it.

You never expect a real story or actually developed characters because it's a collection of sex scenes.

I would be shocked to learn this movie had been story - boarded, because it felt like the last half hour of an action - light movie is just one long, repetitive chase - fight scene between Reacher and the Hunter.

A performance of amazing, quiet authority, von Sydow reprised the role in John Boorman's much - maligned 1977 «Exorcist II,» and, because his scenes flashed back to a demon origin story, he played the character as much closer to his own real age!

Leung even said that he believed he had to watch the film until the 9th time before he would be done, because he watched the first time for what scenes were removed, the second time for his own expressions, the third time or other actors» performance, the fourth time for the story structure, the fifth time for costumes and sets, the sixth to the ninth time he would finally consider in depth what director Wong Kar - wai wanted to say.

One of my favourite Oscars behind - the - scenes stories is from 2013 when Anne Hathaway changed her dress last minute because she found out Amanda Seyfried was wearing something similar.

The story is so simple, it could be splashed across a billboard: Jesse (Elle Fanning), fresh off the bus from nowhere, is 16 masquerading as 19, because — as explained by a modeling - agency madam (Christina Hendricks, in a one - scene cameo)-- «18 is too on the nose.»

sure there are still funny scenes after it, but as a story (which was a bigger concern in this picture over his last couple films) it really really REALLY suffers because of it.

Because almost every scene or sequence tells an individual story and the one overriding constant is something understandable to damn near anyone (really wanting something for Christmas), the film becomes a kind of endless Moebius strip, an eternal December that can begin and end at any point but always returns to Ralphie peering in that store window and always concludes with the boy lying in bed, cradling his gun.

In the gravedigger scene, he brings up this story that happens in the nearby town of Russellville, and I've always been curious where that came from, because he brings it up and then gets cut off by Loomis.

Moreover, the film is based on a true story but that does not necessarily mean it works as a two hour motion picture; the story of what happened behind the scenes is interesting but because Affleck's character doesn't actually do anything which translates to a thrilling experience at the cinema (despite it being brave nonetheless), it leads the film to disappoint in the final third, which should be its most entertaining.

Story presentation retelling the story, colour flashcards, character face masks, A4 topic title page, fill in the colours worksheet, make a hand puppet, draw Winnie to add to the scene, addition game, draw new clothes for Winnie, change the house, add a new character, colour in Winnie's face, Wilbur to colour, jigsaws, long banner, lettering for display title, missing word cards, nouns and adjective worksheet, nouns flashcards, high frequency word cards, draw favourite part of the story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to Story presentation retelling the story, colour flashcards, character face masks, A4 topic title page, fill in the colours worksheet, make a hand puppet, draw Winnie to add to the scene, addition game, draw new clothes for Winnie, change the house, add a new character, colour in Winnie's face, Wilbur to colour, jigsaws, long banner, lettering for display title, missing word cards, nouns and adjective worksheet, nouns flashcards, high frequency word cards, draw favourite part of the story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story, colour flashcards, character face masks, A4 topic title page, fill in the colours worksheet, make a hand puppet, draw Winnie to add to the scene, addition game, draw new clothes for Winnie, change the house, add a new character, colour in Winnie's face, Wilbur to colour, jigsaws, long banner, lettering for display title, missing word cards, nouns and adjective worksheet, nouns flashcards, high frequency word cards, draw favourite part of the story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story because... worksheet, draw the house, door hanger to draw.

Resources included are as follows: 3 0 P D F files for you to print: Key word cards, chapter 2 to read, chapter 2 writing task about finding the key, Story elements, Story board to complete, writing pages, A 4 topic title to introduce the book, retell the story from another point of view, write a diary entry task, write a postcard, acrostic poem to complete, make words from letters, photo pack, flashcards of character names, character descriptions, my favourite part of the story is — drawing page, I like this story because writing task, design a new book cover, draw a garden scene, hand puppet template to draw, draw a family portrait, writing booklet cover to keep pupils project work together, large display items door to the garden and large key, long banner to head wall display, large letters to spell out book title, display border to edge wall display, story sack tag to keep resources togeStory elements, Story board to complete, writing pages, A 4 topic title to introduce the book, retell the story from another point of view, write a diary entry task, write a postcard, acrostic poem to complete, make words from letters, photo pack, flashcards of character names, character descriptions, my favourite part of the story is — drawing page, I like this story because writing task, design a new book cover, draw a garden scene, hand puppet template to draw, draw a family portrait, writing booklet cover to keep pupils project work together, large display items door to the garden and large key, long banner to head wall display, large letters to spell out book title, display border to edge wall display, story sack tag to keep resources togeStory board to complete, writing pages, A 4 topic title to introduce the book, retell the story from another point of view, write a diary entry task, write a postcard, acrostic poem to complete, make words from letters, photo pack, flashcards of character names, character descriptions, my favourite part of the story is — drawing page, I like this story because writing task, design a new book cover, draw a garden scene, hand puppet template to draw, draw a family portrait, writing booklet cover to keep pupils project work together, large display items door to the garden and large key, long banner to head wall display, large letters to spell out book title, display border to edge wall display, story sack tag to keep resources togestory from another point of view, write a diary entry task, write a postcard, acrostic poem to complete, make words from letters, photo pack, flashcards of character names, character descriptions, my favourite part of the story is — drawing page, I like this story because writing task, design a new book cover, draw a garden scene, hand puppet template to draw, draw a family portrait, writing booklet cover to keep pupils project work together, large display items door to the garden and large key, long banner to head wall display, large letters to spell out book title, display border to edge wall display, story sack tag to keep resources togestory is — drawing page, I like this story because writing task, design a new book cover, draw a garden scene, hand puppet template to draw, draw a family portrait, writing booklet cover to keep pupils project work together, large display items door to the garden and large key, long banner to head wall display, large letters to spell out book title, display border to edge wall display, story sack tag to keep resources togestory because writing task, design a new book cover, draw a garden scene, hand puppet template to draw, draw a family portrait, writing booklet cover to keep pupils project work together, large display items door to the garden and large key, long banner to head wall display, large letters to spell out book title, display border to edge wall display, story sack tag to keep resources togestory sack tag to keep resources together.

This book report project is unique because it is a 2 dimensional student reading response project with a door and two windows that open up to reveal characters and scenes from the story.

Because of that structure, critique groups are often better with writing craft issues on a smaller scale (clarifying sentences or paragraphs, scene goals, immediate motivations, dialogue passages, etc.) than on a story - sized scale (character development, plot flow, story goals and motivations, themes, emotional arcs, etc.).

Leslie, the woman in the sidewalk café, tells her story about her trip to the Zambezi River and explains how she came to understand that they were on the scene because the animals had decided to let them be; the animals were the masters and the tourists were powerless intruders.

But in many instances I was keen to read on because of my interest in the story rather than the specific scene in front of me.

When I reached the point in the book that was really the downturn in the story, I was stuck for the longest time trying to write the scenes because I couldn't make myself do it.

That is because a developmental edit on your manuscript is going to look at the story as a whole — the scenes, the characters, any plot holes, whether it is compelling, what scenes / descriptions can be cut, what scenes need more description / action, etc..

C. S. Lakin presents Check Your Underwriting: 10 Key Questions to Ask of Your Story posted at Live Write Thrive, saying, «Because of lack of adequate writing experience, helpful critical feedback, and sufficient skill development and training, writers don't realize they aren't showing enough — and especially in a scene's opening paragraphs — to help readers picture where a character is and when the scene is taking place in the sStory posted at Live Write Thrive, saying, «Because of lack of adequate writing experience, helpful critical feedback, and sufficient skill development and training, writers don't realize they aren't showing enough — and especially in a scene's opening paragraphs — to help readers picture where a character is and when the scene is taking place in the storystory.

, whether the plot pace is too slow, too fast, etc., identify «darling» scenes that can be cut because they serve no purpose to the story, etc..