Sentences with phrase «become archetypes»

The Third Man (1949) is one of that handful of motion pictures (Rashomon, Casablanca, The Searchers) that have become archetypes — not merely a movie that would go on to influence myriad other movies but a construct that would lodge itself deep in th...

The Hobbit concludes as it began: in a welter of continuous action, with characters who have become archetypes but seldom rise above that level, and with a host of ideas J.R.R. Tolkien didn't put into his short novel.

Suicide bombing has become the archetype of Muslim violence — not just to Westerners but also to Muslims themselves

Now a consultant to the National Defense University in Washington DC, Reed adds that the programme has become the archetype within the defence department for the «development of treatments for biologically engineered and naturally occurring disease threats».

And in many ways Spade became the archetype for the 1940s film detective: a sneering, streetwise operator who took a dim view of human nature, was hard to impress and impossible to shock.

It's fun to watch an apparent weakling defeat someone stronger through sheer cleverness — David and Goliath became an archetype for a reason.

Brand New Gallery departs from these assumptions to present Beyond the Object, a group show appositely conceived to combine works by artists with disparate backgrounds and from different generations, inevitably forced to confront themselves with production, exploring the interaction between composition and form which radically becomes an archetype endowed with its own language.

One element of the Guggenheim design that has become an archetype for many exhibition buildings, particularly in recent times, is the principle of a museum as a whole space, uninterrupted and interconnected, where all parts overlook one another, usually through a large central void.

News.Bitcoin.com At some point in the 7th Century BC, the measured round metallic objects we know and love as «coins» became our archetype for -LSB-...]

About Blog Two young style buffs Filippo Cirulli and Filippo Fiora radiate their harmonious vision of style through the web, become an archetype of contemporary menswear before achieving worldwide success.

Not exact matches

«When you're short on time, focus on higher - payoff workouts,» says Timothy Ferriss, author of The 4 - Hour Body: An Uncommon Guide to Rapid Fat - Loss, Incredible Sex, and Becoming Superhuman (Crown Archetype, 2010).

A Nice Little Place on the North Side: Wrigley Field at One Hundred, by George F. Will (Crown Archetype): America's premier political columnist begins his latest reflection on the National Pastime with some charming, autobiographically - derived advice for Catholicism: after recalling that he became a Chicago Cub fan at age seven, «when I was still not as discerning as one should be when making life - shaping decisions,» the elegant Dr. Will notes that «The Catholic Church thinks seven - year olds have reached an age of reasoning» and remarks, «The Church might want to rethink that.»

He did nothing but became aware of archetypes and does absolutely nothing to discredit the meaning behind why we need to have these stories that tell us about ourselves and is the psyche trying to describe its own nature.

Each soon became as much an archetype as an invention, somehow existing beyond his written story.

In addition, models can become restrictive when they are viewed as archetypes, making us over-generalize about the world and ignoring meaningful variation.

Now I'm not saying like go round and immediately judge people based on their Archetype but it adds a tool to your tool shed for perception and for intuition and for awareness and all these things help you become your highest self because to become your higher self you must be in tune with the world and people around you.

The ruthlessness he exhibits in his preparation foreshadows the determination of the athletes we recognise today, indicating the kind of selfless spirit which has become diluted and eroded as more of Abrahams» archetypes have passed through all forms of sport.

Strikingly silhouetted against the movement of streets and tunnels, central couple Murphy and Electra for once look exactly like the monumental archetypes the movie is trying to make them out to be, and as their squabbling reaches new lows of viciousness and abuse, they become riveting — proof of how much drama can depend on an effective backdrop.

The screenplay is the first by James C. Strouse, and despite it being clear the themes and archetypes that attracted Buscemi to the story, the finished film features vaguely defined characters that never become fully believable.

These things play integral parts in throwing the story off course from the straightforward tale of revenge ending in a showdown that Rockwell's Billy Bickle desperately wants it to be, and so the film becomes an odd battle of archetypes battling to push the story's finale towards the ending they think it should have.

Morita's work in The Karate Kid is iconographic — the character functions like any number of old Asian man archetypes from martial arts cinema, but, transplanted to American pop (his arrival softened by Yoda in The Empire Strikes Back), Miyagi becomes something like an albatross for Asians in modern Western culture not for its incompetence, but for its tonal perfection.

This character archetype is becoming more and more offensive as time goes by — one wonders what the audience reaction would be if a woman were portrayed in this manner.

The film's nadir is a scene in which Curtis recites a poetic «song» to a group around a campfire and which becomes the occasion for a montage devoted to the beauties of a kitschy soundstage version of «nature,» followed by glimpses of other salt - of - the - earth slaves at rest who register like warmed - over Depression archetypes.

Likewise, Anne's sister isn't simply an amorous siren, nor is the college friend a late -»80s Christian Grey — they look like soft - core archetypes, but they become something else entirely: dysfunctional individuals in search of real intimacy.

Belle, a wistful bookworm, is the odd girl out in her village, and she has already brushed off several encounters with Gaston (Luke Evans), the duplicitous hunk who became a new Disney archetype (in «Frozen,» etc.): the handsome, big - chinned, icky monomaniacal two - faced suitor.

Though Altman's films compare with Coppola's as chamber music does with grand opera, their work in the 1970s exemplifies what ultimately became the prevailing style of American film direction in that era: maverick resistance to studio - imposed time and budget constraints, insistence on directorial authorship, reliance on location shooting, use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre film.

Too bad the framework does little more than ensure that none of the characters become more than thin archetypes.

They are tarnished archetypes; representations of the degree to which the label «good» has become sullied and the awful selling power of «bad».

In a year where the toxicity of a male - dominated film production space became glaringly apparent thanks to the courage of countless brave individuals, the prevalence of this abrasive, abusive archetype in Paul Thomas Anderson's Phantom Thread, Woody Allen's Wonder Wheel, James Franco's The Disaster Artist, Lee Unkrich and Adrian Molina's Coco, Noah Baumbach's The Meyerowitz Stories and Darren Aronofsky's mother!

Once a student blogs about archetypes in Kim Possible, tackling Pride and Prejudice becomes that much easier.

The picture of the «apathetic teen», eyes fixated on a screen, unaware of and unmoved by social concerns and disconnected from their immediate community is becoming something of a modern archetype.

Alexander's successor, Ptolemy I Soter, commissioned a lighthouse on the island — later simply called the Pharos — that would become one of the Seven Wonders of the Ancient World and be the archetype for all lighthouses...

I think traditional controls edge out motion for me (nothing beats Gyro aiming though), my only concern is when one archetype of a button layout becomes the industry standard and every game suddenly plays the same.

A combat game where the protagonist becomes more skilled with a gun can have easily recognized enemy archetypes.

The new works are discoveries and a creative process from the «autobiography becoming the iconography» and in search of seeing the image as a new invention or archetype.

[2] In the early 1960s, he concentrated on specific archetypes in paintings and woodcuts, mostly of rebels, heroes, and shepherds, becoming increasingly interested in anamorphosis, the distorted or monstrous representation of an image, as exemplified in the proportions and facial features of his figures.

Archetypes and traditional story telling can become a vehicle to explore and address a myriad of issues specific to life of today.

In subsequent years his brushstrokes became larger, he painted nature and made use of toys he described as «archetypes of the human figure».

To cope with depression he became interested in psychotherapy and in Carl Jung's theory of primitive archetypes, which formed the basis of his work between 1938 and 1944.

Giacometti's attenuated figures became the ravaged archetypes of a tragic view of the 20th century.

While Edward Hopper, Thomas Hart Benton, and Reginald Marsh became much more famous than Motley for their American scenes, he also developed and elucidated his own archetypes of place and people in this country, albeit unapologetically based on African American subject matter.

Art made by women becomes necessarily and solely about feminist activism (or worse, some essentialist archetype of women's work, as was the case with Ken Johnson's review in The New York Times of Michelle Grabner's recent show at James Cohan Gallery), and queer individuals must always make art that is about non-normative sexuality.

Incorporating the environments in which these emblems are embedded, Snapp offers the logos a new meaning, one that deals with divisions of associative realities — specifically, how one often becomes overly comfortable with such visual archetypes.

Like archetypes capable of embodying shifting meanings, the blank figures become a mold for the human condition, at once satirical, tragic, humorous, and above all, contradictory.

In a way I agree with Carl Sagan that any archetype — demon, dragon or troll — that becomes a haunting phantasm in a human mind is to be discouraged.

As we swallow the various characters (archetypes) that are unacceptable to the outside world, we stuff down the emotional vitality with it, the two become entwined.