As soon as they run out of fuel,
they become bits of space junk cluttering the cosmos.
Not exact matches
That's what my ordinary work has
become for me, an embodied prayer, a way
of holding
space for all that is broken while my hands work towards creating a
bit of cleanliness, a
bit of order, a
bit of beauty around me.
The years go by and I
become more and more aware
of my pioneer lineage, I understand the pull west better, I feel suffocated without a
bit of a
space, without an early morning walk beside the yarrow patch, I need the north, and I need the west in a way that veers towards the mystical, which is just fine to a Holy Spirit adoring tongue talker like me.
This is an incredibly difficult question to answer for a variety
of reasons, most importantly because over the years our once vaunted «beautiful» style
of play has
become a shadow
of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out
of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid
of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out
of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes
of Bellerin and Gibbs and the spirited albeit offensively stunted play
of Monreal, but none
of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio
of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a
bit better during some points in the latter part
of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part
of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature
of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player
of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out
of position far too many times since arriving and that the players in front
of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the
space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that,
of the 3, Ox showed the most upside once we went to a back 3, but even he
became a
bit too consumed by his pending contract talks before the season ended and that concerned me a
bit... if I had to choose one
of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one
of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already
of course... strangely enough, even he doesn't make sense given the constructs
of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack
of mobility is an albatross around the necks
of our offence... so when you ask who would be our best starting 11, I don't have a clue because
of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits
That little
bit of budget
space might not sound like much, but if you remember how the Red Sox had to operate during Ben Cherington's first offseason as the general manager, everything
becomes more clear.
Although he'll never be the final link in attack, Paredes has proven capable
of springing forwards into attacking
space, while at the same time making last man tackles and clearances — he's a
bit of everything, a little Pirlo, a little De Rossi, and he's
becoming damn good at it.
Very soon, perhaps in the next millennium or two, the star you can see in the center will shed those last
bits of gas on top
of it, exposing it fully to
space, and the weird lobes
of material will glow far more brightly,
becoming a planetary nebula proper.
DeMeo's results were so successful that his nine - pound suits — which look a
bit like Halloween - costume versions
of space suits but are roomy enough to fit over my bulletproof vest and gas protector — have
become the outfit
of choice for workers helping clean up the post-tsunami Fukushima reactor - meltdown site in Japan.
Over the more than two decades since it left Earth, Cassini has
become a
bit of a rock star among
space science enthusiasts, having facilitated the publication
of more than 3,000 papers, according to Gizmodo.
Since open concept floor plans are
becoming more and more common, let's chat a
bit about some styling tips for this kind
of modern
space:
Following on from the point n» click adventure games
of the DOS / 8 / 16 -
Bit eras, the «adventure game» genre
became synonymous to that
of 3D open -
space collectathons like Super Mario 64, Banjo Kazooie and Spyro the Dragon.
Fast forward a
bit and we learn that little Peter has
become quite the
space pirate under the command
of the ever blue Yondu (Michael Rooker).
He acquits himself well, generating some good tension and suspense and keeping the film visually lively despite the limited confines
of the
space station (there are also some odd
bits of comedy, including a character's arm that
becomes separated from his body and takes on a life
of its own).
After the setup, in which the Robinson family — father John (William Hurt, looking and sounding as
spaced out as he does in interviews), mother Maureen (Rogers, wasted), daughters Judy (Heather Graham, ditto) and Penny (a heavily made - up Chabert, looking like a junior version
of Neve Campbell in Wild Things), and son Will (young newcomer Johnson, making the best
of it)-- and pilot Don West (LeBlanc, doing a bad Han Solo impression) find themselves lost in
space after their ship is sabotaged by evil stowaway Dr. Smith (a watered - down but still - lively Oldman, cashing a paycheck and loving every minute), the script's «stream»
of events
becomes so fragmented and random that it seems to be made up as it goes along — and Hopkins does little to make what does go on the slightest
bit interesting.
Once WALL - E and his love interest EVE get to
space, the animation loses some
of that solidity,
become a
bit more cartoony, but there are still some beautiful sequences (namely a lovely
space flight).
Now your book is called «Reading Reconsidered», but you also devote a good
bit of time and
space to helping teachers help students
become strong writers.
There is ample
space for two people with it
becoming a
bit of squeeze (both in terms
of shoulder room and leg room) when there is a third person sitting in the back.
I have to wonder why they don't delve a little more into 7 ″ devices for serious readers (not forgetting to fix the wasted
space issue that is still there and kind
of defeating the point
of bigger screens) or start releasing color screens which are starting to
become a
bit overdue by now.
Finally, provided the attacking marine didn't manage to outright kill the demon, damage tokens need to be tossed onto the board beside the targeted enemy in order to keep track
of their health, which can
become a
bit problematic when you've got a pile
of miniatures vying for
space on the quite small boards.
From that point on, the story
becomes a little
bit of a Star Wars Greatest Hits, churning out some «shoot the Stormtroopers»
bits, followed by some more impeccable
space combat, all the while feeling as good as the first one did.
The game's engrossing tale
of a spiky - haired young man, his platonic inventor friend, a rebellious tomboy princess, a humanoid frog knight, a clunky robot from the dim future, and a spunky cavegirl with reptile issues that team up to travel across time to defeat an evil planet - devouring parasite from outer
space became a 16 -
bit classic.
But with Berlin - based media artist Nils Völker's latest exhibition,
Bits and Pieces, the gallery
becomes a
space of «poetic performance» through a choreographed dance
of what the artist calls «ordinary objects.»
When you get a
bit closer the
space in the photos
becomes more apparent, it reminds me
of the
space in a cubist paintings now.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A
Bit of Matter And A Little
Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea
Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years
of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part
of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas
Become Forms 30 Years
of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics
of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out
of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum
of Modern Art, New York, US Memory Labyrinth.
It has
become a way where students have begun to make a
bit of pocket change and has allowed them to dip their feet into the cryptocurrency
space.
It's the coin that was set up as a
bit of a joke but that subsequently
became, somewhat by accident, a major player in the
space during the early days and rocketed in both popularity and value as a result.
Nevertheless, Ethereum has
become a
bit of a brand in the more mainstream cryptocurrency
space, with a listing on Coinbase and memorable name helping solidify the cryptocurrency in the minds
of a wider audience.
Coinbase has
become a leader in the cryptocurrency exchange
space and if you've been doing a
bit of research, then Coinbase will probably come up as a regular option to purchase Bitcoin.
But I'm also not including the potential $ 100 / month income from the parking for that unit (a rate which people would kill to get in that neighborhood), so the $ 150 / month vacancy expense is a
bit of a wash if the
space becomes available by my moving out.
Cycling to work is
becoming increasingly popular, but if you're short on
space at home bike storage can be a
bit of a tricky dilemma.
It's so funny that now that small
space has
become a
bit of a focal point in the bedroom with these mirrors.