Sentences with phrase «become part of its permanent collection»

This work will be gifted to The Hepworth Wakefield and become part of their permanent collection.

Since 2003, many of its early video works, and accompanying ephemera have become part of the permanent collection of USC's ONE Archives.

As a two - year Artist - in - Residence at the Exploratorium in San Francisco, she designed a piece that became part of the permanent collection after the work travelled throughout Europe.

All the works featuring in the show have been acquired by the museum and will become part of its permanent collection.

Commissioned specifically for this site for exhibition, the work subsequently became part of the permanent collection.

In 2014 her DIMONscape ® Pale Male: a Pilgrimage became a part of the permanent collection of the 9/11 Memorial Museum.

Starting Thursday, the works will be on public display at the bank, but they will also be available for exhibition at the museum and will become part of its permanent collection in 2026.

Not exact matches

The winner of the «People's Choice Award» will be purchased for up to $ 15,000 and become a permanent part of the City's public art collection.

Jaymee K. Harvey Willms has been invited to participate in a two - week residency in France, leaving one work for the permanent collection of the Chateau Orquevaux that will become part of a travelling exhibition of work by the artists in residence.

«Sara» also received the Purchase Award and will become part of the museums permanent collection.

When in 1971, Mr. Aldrich donated this collection to The Whitney Museum of American Art, [2] John Baur, the museum director, mounted a second Lyrical Abstraction exhibition and Willis's painting Wall became part of the Whitney Museum's permanent collection.

André Schlechtriem studied Art History in Cologne, and in 2002 became curator of the Judith Rothschild Foundation Contemporary Drawing Collection in New York, which then became part of MoMA's permanent collection.

· The winning artworks (bronze prize and above) will become part of the Korea Ceramic Foundation's collection, being granted the opportunity to be displayed in its permanent exhibition in the future.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

The artworks in the exhibition, along with others acquired as part of the initiative, will become part of the Guggenheim's permanent collection under the auspices of the Guggenheim UBS MAP Purchase Fund.

DITTRICH & SCHLECHTRIEM, founded in 2011, is a partnership between the entrepreneur Lars Dittrich and gallerist André Schlechtriem, the former curator of the Judith Rothschild Foundation Contemporary Drawing Collection in New York, which then became part of MoMA NY's permanent collection.

His were the first paintings by a contemporary artist to become part of the museum's permanent collection.

These become an important part of the museum's temporary exhibition program, and provide a vital counterpoint to the permanent collection.

The work will be built on the Blanton's grounds and, once realized, will become part of the museum's permanent collection.»

This video has recently become part of the FRAC Lorraine permanent collection.

Now Bey, who is based in Chicago, is working on the Emory Project, a special photographic project commissioned by the university that is to be installed on campus this fall and then become part of the school's permanent collection.

More than a temporary artwork, this truly original piece will also become part of the Hirshhorn's permanent collection, enhancing its ever - expanding holdings of cutting - edge time - based media.