Sentences with phrase «become part of the viewer»

Not exact matches

Generally, as news anchors and the news itself, more and more become the products of popular culture and consumers» desire to see the handsome and the beautiful, and the dramatic and alluring, television viewers will suffer more and more from inaccurate reporting, inane and nearly meaningless stories, outright stupidity, and a complete decline in journalistic integrity (of which this story on CNN is a part).

Viewers of the dance also are related to it as the visual patterns become part of their memory from observation and as the costumes and personalities of the dancers are experienced in the initiating of varying new patterns of pleasurable or unpleasurable response.

Also, the creators of fake affair dating sites know that their viewers have reached a certain part of their lives when they are likely to become desperate for a little «something else» or for «some action».

«I want viewers, when they look at my work, that they see themselves in the picture,» he says, «that they also become part of this land; that they, in a way, merge with the land — but they don't quite disappear into the land.

A film that encourages multiple viewings in order to unpack its layers and secrets, Marrowbone asks its viewer to be as engaged as they are frightened, and almost become a part of this sibling group themselves, with twists and turns that sometimes predicted but never ineffective.

Previously Kevin Bacon has played a kidnapper (Trapped), a paedophile («Sleepers») and a rapist («Hollow Man»), but also a compromised policeman investigating statutory rape charges («Wild Things»), a man falsely suspected of rape and murder (In the Cut), and a homicide detective touched by horrific abuse in his childhood (Mystic River)-- and these past rôles, as well as the extraordinary intensity of Bacon's present performance, all play their part in shading the character of Walter so that he becomes suspended perfectly between the viewer's sympathies and suspicions.

Big Ox No. 1 was inspired by the thought of a large, imposing sense of landscape coming toward the viewer and inviting him to become part of it.

Rauschenberg's A Quake in Paradise (Labyrinth) from 1994 invites viewers to move through — and become a part of — a maze - like installation of panels printed with the artist's signature layers of mechanically reproduced imagery.

Especially in Pettibon's later work, where the text tends to be longer, the text part becomes an equal graphic element in the composition, thus creating a sense of urgency on behalf of the viewer, to produce meaning out of contradictory elements.

Brunner's mirror objects reflect not only the viewer, but also superimpose messages across their visual path, insisting they become an interactive part of the installation.

In this way their art works, particularly when seen in groups, could create environments in which viewers no longer «peeked» into their paintings but, rather, became a part of them.

You, as a viewer, become a part of the its finish.

Just as the material conditions of the studio in this way become inseparable from the finished artwork, Murillo invites viewers to approach their physical engagement with the gallery space as part of the viewing process.

I, the viewer, had become part of an invisible line constituting the vanishing point.

This sense of freedom becomes mirrored in the larger canvases, which, too, push investigation of the subconscious, both on the part of painter and viewer.

With Frohawk Two - Feathers» latest installment of the saga of the Frenglish Empire, viewers become part of an exchange between cultural memory and history — between the fictitious Frenglish Company Crocodile and our world, with reality being somewhere in the middle.

By working with a reflective surface, Pistoletto enables the viewer to become an integral part of the piece while the subject of the work is drawn into the activity of the gallery space.

Erwin Wurm's work often invites the viewer to interact and participate and become part of the artwork.

Viewers become part of the piece, captured by running cameras and screened during the performance.

For this exhibition, Fernandez will present 3:37 p.m. (2001), a wall installation composed of hundreds of acrylic cubes in seven colors of the light spectrum, a reductive representation of a rainbow captured at a specific moment in time, 3:37 p.m. Fernández's work is characterized by an interest in perception and the psychology of looking, so she encourages the viewer to conjure up his or her own personal associations with the landscape, which in turn become part of the meaning behind the work.

The viewer becomes part of the dialogue in which Crosby addresses cultural intersections that are under acknowledged.

As the culmination of twenty years of collecting on Blake's part, the line between artist and fan, observer and observed has become blurred, leaving the viewer with the uncomfortable feeling of looking into someone's dirty laundry.

Walking among Cunat's net forms, the viewer becomes a part of her constructed environment.

Viewers are invited to sit, observe, and draw from the model using the easels and materials provided, and the finished drawings are pinned to the gallery walls to become part of the exhibition, challenging conventional expectations of authorship.

Reflected in aluminum panels, the viewer becomes part of the work and is invited to question what he or she sees.

The tiled platform alludes to a stage — the viewer, through the act of stepping up and onto this stage, thus becomes a part of the work, standing on the painted pattern instead of simply looking at it.

If we assume however that we are viewing the unfulfilled wish, then as the viewer we are also the dreamer becoming part of the installations.

Jan comments: «the 3rd Audemars Piguet Art Commission will see its viewers act as performers, becoming a part of the piece as they interact with it.

His silvered glass mirrors create both a moment of reflection and an opportunity for the viewer to become part of the historic moment, while his retroreflective works — which are activated by flash photography — encourage the viewer to look more closely.

Cultip evokes and preserves a sense of history in a vibrant abstract manner allowing the viewer to become part of the process and mystery.

Instead of looking through a window, the viewer exits real surroundings to become part of another world.

Considered a bit of a modern day Brazilian Neo Concretist, Neto's emphasis on nature, sensuality and playfulness invite viewers to set aside their traditional notions of sculpture and become a part of the art works he creates.

The viewer is drawn in to the patterned surfaces and engaged in the process of uncovering of how the simple parts become a complex whole.

The viewer, the gallery space (including the 1 Pixel Portraits) and the street outside are part of the never - ending cycle of reflection, becoming unavoidably present in the artwork

Artists in this exhibition invite spectators to take a closer look at films, challenging viewers by playing with their perceptions and memories of characters and movies that have become a familiar part of their lives.

A painting asks the maker and viewer alike to give up very different parts of themselves than what they have become inured to giving up.

The distance keepers, that museums use to prevent viewers from approaching works of art, are assembled in vertical compositions and reflected upon the black photograms become part of the model.

This site specific work invites viewers to move through — and become a part of — a maze - like installation of panels.

The two elements form one immersive work, of which the viewer becomes a part on entering the room.

I had been thinking about doing an installation of all double - sided work hung from the ceiling precisely so the viewer would become a part of the work and the boundaries of the paintings would blur as one walked through the space.

For Jones, the act of listening, as well as the modes thereof, become in and of themselves part of her practice, which has evolved from literal references to music in early drawings and collages to more nuanced and multifaceted installations that engage the viewer visually and aurally.

Socially prevalent constructs of gender and identity, in part supported by Dellsperger's original sources, become a playground in which to continuously remind the viewer of their instability, with both the technical and contextual make - up of the work.

As viewers walk past these films, the shadows of their legs overlay the projections and they become part of Marclay's experience.

«I like the idea of putting a viewer in a situation where, perhaps, they almost become part of the piece.»

In doing so the fragments become important elements of a new work that invites the viewer to take part in the creative process.

I often work with snapshots retrieved from the media, and in a sense do what these images do; become part of the life and the visual memory bank, of the viewer.

By working with a reflective surface, the viewer becomes an integral part of the piece while the subject of the work is drawn into the activity of the gallery space, prompting one to contemplate questions of self, representation and reality.

As Viola drinks the water, dribbling it back into the pot, the viewer is simultaneously recorded and becomes a part of the ritualistic space.

The viewer, as a pedestrian, a participant and a vital component of New York's energetic system, becomes part of the work, and of the interactive personal landscape that Aitken creates in and among the hard - edged concrete and glass language of Manhattan's architecture.

While Part I: Dreams addressed film's ability to transport viewers out of their everyday lives and into the darker recesses of the imagination, Realisms explores the irony that in an age where documenting «real life» is made ever easier, the line between fact and fiction becomes increasingly complicated.