His attitude to
becoming newly unemployed is one of
rueful resignation, distinguishing him from Metcalf's Marion, who plays this up as a tragic disaster, setting her jaw even more than usually to woebegone.
For those
rueful about start - up culture's legacy of inflated fake job - titles, this etymological history of the term «rock star» reveals how the downward spiral began with boomer rock stars
becoming corporate shills on the 1980s comeback concert circuit and then ended with the